Coming soon
09.10.1990 - 07.11.1990
Mary Heilmann
1940
born in San Francisco, California
lives and works in New York City, New York
Jessica Stockholder
1959
born in Seattle, Washington
lives and works in Chicago, Illinois
Solo exibitions (selected) – Mary Heilmann
2016
Mary Heilmann. Looking at Pictures, Whitechapel Gallery, London (UK)
2015
Sunset, Whitney Museum of American Art, New York (DE)
Mary Heilmann, 303 Gallery, New York (US)
Mary Heilmann & David Reed. Two by Two, Hamburger Bahnhof – Museum für Gegenwart, Berlin (DE)
2013
Mary Blinky Yay, Kunstmuseum Bonn, Bonn (DE)
Mary Heilmann. Good Vibrations, Neues Museum Nürnberg, Nürnberg (DE)
Mary Heilmann. Another Green World, Häusler Contemporary, Munich (DE)
2012
Mary Heilmann. Good Vibrations, Bonnefantenmuseum, Maastricht
Visions, Waves and Roads, Hauser & Wirth, London, England
2010
Home Sweet Home. A Sweet American Song, Galerie Barbara Weiss, Berlin
Wheater Report: Drawings and Prints, Museum Ludwig, Cologne
2009
Two-Lane Blacktop, 303 Gallery, New York
2008
Some Pretty Colors, Zwirner & Wirth New York, New York
Mary Heilmann: To Be Someone, New Museum of Contemporary Art, New York
Mary Heilmann: To Be Someone, Wexner Center for the Arts, Columbus, Ohio
2007
Mary Heilmann: To Be Someone, Orange County Museum, Newport Beach, California
Mary Heilmann: To Be Someone, CAMH – Contemporary Art Museum Houston, Housto
2006
Saturday Night Kiss, Hauser & Wirth Zürich, Zürich
Mary Heilmann: New Etchings, Crown Point Gallery, San Francisco
2005
Mary Heilmann. Heaven & Hell, 303 Gallery, New York
2004
Hauser & Wirth London, London, England
2003
Mary Heilmann: All Tomorrow’s Parties, Secession, Wien
Mary Heilmann. The Architecture of Heaven, Douglas Hyde Gallery, Trinity College, Dublin
2002
American Fine Arts, New York
Mary Heilmann: Home, Ken Schachter Gallery, New York
2001
Hauser & Wirth Zürich, Zürich
Galerie Meyer Kainer, Wien
Camden Arts Centre, London
2000
Mary Heilmann. Malerei, Oldenburger Kunstverein, Oldenburg
Mary Heilmann – Jessica Stockholder, Kunstmuseum St. Gallen, St. Gallen
Galerie Vera Munro, Hamburg
1999
Mary Heilmann. The All Night Movie, Hauser & Wirth Zürich, Zürich
1998
Mary Heilmann. Paintings, Pat Hearn Gallery, New York
Selected Works, 1978-1998, Johnson County Community College, Overland Park, Kansas
1997
Richard Telles Gallery, Los Angeles Mary Heilmann. This and That, Stiftung für konstruktive und konkrete Kunst, Zürich
Mary Heilmann. Paintings 1973-1997, Hauser & Wirth Zürich, Zürich
Modern Art: Paintings and Papers, Wolfgang Häusler, Munich
Galerie Stadtpark, Krems, Austria
1995
New Works on Paper, Pat Hearn Gallery, New York
Zeno X Gallery, Antwerp, Belgium
1994
Mary Heilmann: Paintings, Drawings, Ceramics, Beaver College Art Gallery, Glenside, Pennsylvania
Works 1971-1994, M Gallery Bochum Kunstvermittlung, Bochum
Greatest Hits, Pat Hearn Gallery, New York
San Francisco Art Institute / Walter McBean Gallery, San Francisco
1993
Pat Hearn Gallery, New York
1991
Pat Hearn Gallery, New York
Green Gallery, Bay Harbor Islands, Florida
1990
Mary Heilmann und Jessica Stockholder, Galerie Isabella Kacprzak, Cologne
Mary Heilmann: A Survey, Institute of Contemporary Art, Boston
Fuller Gross Gallery, San Francisco
Robbin Lockett Gallery, Chicago
1989
Pat Hearn Gallery, New York
1988
Gallery Mukai, Tokyo, Japan
Pat Hearn Gallery, New York
Hillman Holland Gallery, Atlanta
1986
Pat Hearn Gallery, New York
1983
Clocktower, New York
Daniel Weinberg Gallery, San Francisco
1981
Mary Heilmann. Recent Works, Holly Solomon Gallery, New York
Mary Heilmann. Ceramics, Holly Solomon Editions, New Yor
1980
Galerie Hans Strelow, Düsseldorf
1980
Galleri Wallner Fersens, Malmö, Sweden
Paintings, Holly Solomon Gallery, New York
Daniel Weinberg Gallery, San Francisco
1978
New Paintings, Holly Solomon Gallery, New York
1976
The Vent Series, Holly Solomon Gallery, New York
1974
State University of New York, Stony Brook, New York
1973
Henri Gallery, Washington D.C.
1972
Paley & Lowe Gallery, New York
1971
Paley & Lowe Gallery, New York
1970
Whitney Museum Art Resource Center, New York
Solo and duo exhibitions (selected) – Jessica Stockholder
2015
Rose’s Inclination, Smart Museum of Art, University of Chicago (US)
Door Hinges, Kavi Gupta Chicago / Elisabeth St, Chicago (US)
Like Water if Pond as Lily, UCSF Mission Bay Hospital, San Francisco (US)
Palpable Glyphic Rapture, Galerie Nathalie Obadia, Bourg-Tibourg, Paris (FR)
2014
Glimpse, Galleria Raffaella Cortese, Milan (IT)
2013
Barbara Edwards Contemporary, Calgary (CN)
lift,1301PE, California (US)
Wide Eyes Smeared Here Dear, Art 44 Basel (CH)
2012
Fundacion Barrie de la Maza, Vigo, Spain.
Hollow Places Court in Ash-Tree Wood, Le voyage à Nantes, Biennale de Nantes, organized by the Frac des Pays de la Loire.
Wide Eyes Smeared Here Dear, Musée d’art moderne, Saint-Etienne Métropole, France.
Jessica Stockholder, Max Estrella Gallery, Madrid, Spain.
2011
Hollow Places Court in Ash-Tree Wood, Aldrich Contemporary Art Museum, Ridgefield, Connecticut.
Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis.
2010
Peer Out to See, Palacio de Cristal, Reina Sofia, Madrid.
Barbara Edwards Contemporary, Toronto.
Prints and Sculpture, Usdan Gallery, Bennington College, Vermont.
Air Padded Table Haunches and…, Carreras Mugica, Bilbao.
2009
Sailcloth Tears, Mitchell-Innes & Nash, New York.
Swiss Cheese Field, Senior and Shopmaker Gallery, New York .
Robischon Gallery, Denver.
Coating, Nathalie Obadia, Paris.
2008
Jessica Stockholder – Lumps Bumps & Windy Figures Too, Galerie Art & Essai, Rennes, France.
Statements: Martin Barre & Jessica Stockholder, Art 39 Basel: Galerie Nathalie Obadia.
2007
1301 PE, Los Angeles.
Galerie Nächst St. Stephan, Vienna.
Galerie Thomas Schulte, Berlin.
2006
Jessica Stockholder, Hafnarborg, Iceland.
Jessica Stockholder, Mitchell-Innes & Nash, New York.
Jessica Stockholder, Galleria Raffaella Cortese, Milan.
Of Standing Float Roots in Thin Air, PS1 Contemporary Art Center, Long Island City, NY.
Space Between, Galerie Nathalie Obadia, Paris.
2005
Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board, MarioDiacono Gallery, Boston.
Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition.
Blaffer Art Gallery, University of Houston, Texas, career survey exhibition; cur by Terrie Sultan and Nancy Doll (cat.); Weatherspoon Art Gallery.
Air Padded Table Haunches, Art Unlimited, Basel.
Galleria Civica D‟Arte Moderna e Contemporanea di Torino, Italy.
Rawhide Harangue of Aching Indices As Told By Light. School of the Museum of Fine Arts, Boston.
Palazzo Massari Ferrara.
Gallerie d‟arte moderna e contemporanea, Torino.
2004
Jessica Stockholder, Kissing the Wall: Works, 1988-2003, University of Houston Houston, TX.
Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, TX.
Sable-Castelli Gallery, Toronto, Canada.
2003
Table Top Sculpture, Gorney Bravin + Lee, New York, NY.
TV Tipped Toe Nail & the Green Salami, CAPC, Musée d’art contemporain de Bordeaux, France.
Jessica Stockholder, Jessica Stockholder Prints, Chelsea Art Museum, New York, NY.
Jessica Stockholder, Galerie Rolf Ricke, Köln.
On The Spending Money Tenderly, Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
Palm Springs Desert Museum, Palm Springs, CA.
Blaffer Gallery, Houston, TX.
University of South Florida Contemporary Art Museum, Tampa, FL.
MAK Center for Art and Art History, Los Angeles, CA.
Trespassing: Houses x Artists; Bellevue Art Museum, Bellevue, WA.
Stiftung Wilhelm Lehmbruck Museum, Duisburg.
2002
Baltic Art Center, Visby, Sweden, curated by Lynne Cooke Galleria Raffaela Cortese, Milan.
2001
Galerie Nächst St. Stephan, Vienna.
Gorney Bravin + Lee, New York, NY.
Galerie Nathalie Obadia, Paris.
2000
Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland.
Jessica Stockholder: Photography, Bucknell Art Gallery, Bucknell University, Lewisburg, PA.
1999
First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto, Canada (cat.).
Galerie Rolf Ricke, Köln.
With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny, Center for Visual Arts, Cardiff, Wales.
1998
Catriona Jeffries Gallery, Vancouver, Canada.
Turning Paper, Galerie Nathalie Obadia, Paris.
Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, München (cat.).
Fabian Marcaccio & Jessica Stockholder, Works on Paper, Inc., Los Angeles, CA.
Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium (cat.).
Turning Paper, Betsy Senior Gallery, New York, NY.
Coupling, White Cube, London.
Torque, Jelly Role, and Goose Bump, Musée Picasso d’Antibes, Antibes, France (cat.).
Nit Picking Trumpets of Iced Blue Vagueries, Musée des Beaux-Arts de Nantes / La Salle Blanche, Nantes, France (cat.).
1997
lab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Oslo, Norway (cat.).
Jessica Stockholder: 200 Drawings, Otis Gallery of Otis College of Art & Design, Los Angeles, CA.
The Point of Departure: Moira Dryer & Jessica Stockholder, Gallery of Art, Johnson County Community College, Overland Park, KS.
Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin.
Contemporary Fine Arts, Berlin.
Jay Gorney Modern Art, New York, NY.
1996
Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, ME (cat.).
Bowtied In the Middle, Tom Solomon’s Garage, Los Angeles, CA.
Studio La Città II, Verona, Italy (cat.).
1995
Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the Arts, New York, NY.
Galerie Nathalie Obadia, Paris.
Jay Gorney Modern Art, New York, NY.
S. L. Simpson Gallery, Toronto, Canada.
Sweet for Three Oranges, Sala Montcada de la Fundació “la Caixa”, Barcelona (cat.).
1994
Pink Lady, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC (cat.).
Joan Snyder and Jessica Stockholder, Jay Gorney Modern Art, New York, NY.
1993
Galerie Ludwig, Krefeld.
Edge of Hothouse Glass, Galerie des Arènes, Carré d’Art, Musée d’Art Contemporain de Nîmes, Nîmes, France (cat.).
1992
Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zürich, Switzerland (cat.).
SpICE BOXed Project(ion), Galerie Metropol, Wien.
Flower Dusted Prosies American Fine Arts, Co., New York, NY.
Growing Rock Candy Mountain – Grasses in Canned Sand, Westfälischer Kunstverein, Münster, Germany (cat.).
1991
Skin Toned Garden Mapping, The Renaissance Society at the University of Chicago, Chicago, IL (cat.).
Near Weather Wall and Making a Clean Edge II, Witte de With, Rotterdam (cat.).
Daniel Weinberg Gallery, Santa Monica, CA.
Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CN.
Biennial, Whitney Museum of American Art, New York, NY.
1990
Mary Heilmann and Jessica Stockholder; For Mary Heilmann Isabella Kacprzak Galerie, Köln.
Where it Happened, American Fine Arts, New York, NY.
1989
Mixing Food with the Bed, The Mattress Factory, Pittsburgh, PA (cat.).
1988
Indoor lighting for my father, Mercer Union, Toronto, Ontario, Canada.
It’s not over til the fat lady sings, Contemporary Art Gallery, Vancouver, Canada.
1985
Wall Sandwich, Melinda Wyatt Gallery, New York, NY.
1984
In-side out, Art Culture Resource Center, Toronto, Ont., Canada.
group exhibitions (selected) – Mary Heilmann
2017
Blue Black, Pulitzer Arts Foundation, St. Louis (US)
A Sense of Place, Southampton Arts Center, Southampton (US)
Fast Forward: Painting from the 1980s’, Whitney Museum of American Art, New York (US)
2016
Splotch, Sperone Westwater, New York (US)
TRI: Revisiting TRI Gallery, Wilding Cran Gallery, Los Angeles, (US)
Henkel – The Art Collection, Kunstsammlung Nordrhein-Westfalen, Düsseldorf (DE)
John Zurier and Friends, Crown Point Press, San Francisco (US)
2015
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (DE)
The Permanent Collection: Connections and Context, Parrish Art Museum, Watermill (US)
Don’t Shoot the Painter – UBS Art Collection, Villa Reale’s Galleria d’Arte Moderna, Milan (IT)
2014
Beating around the bush. Episode #2, Bonnefantenmuseum, Maastricht (NL)
Reliable Tension – In Re, Edgewood Gallery, Yale University, New Heaven (US)
Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver (CN)
2013
Martos Gallery, ‘Lat. 41 7’ N. Long 72 19’ W.’, East Marion
Cheim&Read, ‘Reinventing Abstraction’, New York
Kunstmuseum Bonn, ‘Mary Heilmann & Blinky Palermo’, Bonn, Germany
2012
Aufbruch – Malerei und realer Raum, Museum im Kulturspeicher, Würzburg; Kunsthalle Rostock, Rostock
Creature from the Blue Lagoon, Martos Gallery, Bridgehampton
It’s Always Summer on the Inside, Anton Kern Gallery, New York
Braman, Buren, Falls, Heilmann, Louis and Thurman, Eleven Rivington, New York
Inside Outsiders: Mary Heilmann and Friends, The Fireplace Project, East Hampton
Jacci Den Hartog + Mary Heilmann, The Suburban, Oak Park, Illinois
Thomas Soloman Gallery, ‘Architechtural Dispositions’, Los Angeles
Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago
Mind Head, JiM Contemporani, Barcelona
This Will Have Been: Art, Love, and Politics in the 1980s, MCA Museum of Contemporary Art, Chicago; Institute of Contemporary Art, Boston; ; Walker Art Center, Minneapolis
The Indiscipline of Painting, Mead Gallery, Warwick Arts Centre, Coventry, England
Sidetracks – Painting in the Paramodern Continuum, Stavanger Kunstmuseum, Stavanger, Norway
2011
Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl), Kunsthalle Rostock, Rostock; Museum im Kulturspeicher, Würzburg; Akademie der Künste Berlin, Berlin; mpk, Museum Pfalzgalerie, Kaiserslautern; Kunstsammlungen der Ruhr-Universität Bochum, Bochum
The Indiscipline of Painting: International Abstraction from the 1960s to Now, Tate St.Ives, St Ives, England
The 2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton
A Painting Show, Harris Liebermann, New York
112 Greene Street: A Nexus of Ideas in the Early 70s, Salomon Contemporary, New York
The Parallax View, Lehmann Maupin, New York
Paul Clay, Salon 94 Bowery, New York
The Dayton Art Institute, ‘Creating the New Century: Contemporary Art from the Dicke Collection’, Dayton OH
2010
Hessel Museum of Art & CCS Galleries, ‘At home / Not at home: Works from the Collection of Martin and Rebecca Eisenberg’, Annandale-on-Hudson
The More Things Change, SFMoMA San Francisco Museum of Modern Art, San Francisco CA
AMBIGU – Malerei im Zwischenbereich/Painting between Abstraction and Narration, Kunstmuseum St. Gallen, St. Gallen
On the Road, San Antonio, Artpace, Texas
For Your Eyes Only, De Markten, Brussels, Belgium
Devotion, Zurcher Studio, New York
Lean, Nicole Klagsbrun Gallery, New York
Borderland Abstraction, Bemis Center for Contemporary Art, Omaha
The Big Show 5, Silas Marder Gallery, Bridgehampton
Swell: Art 1950-2010, Friedrich Petzel Gallery, New York
Contemporary Collecting: The Donna and Howard Stone Collection, Art Institute of Chicago, Chicago
High Ideals & Crazy Dreams, Vera Munro, Hamburg
Make Yourself at Home, 7Eleven Gallery, New York
For Your Eyes Only, De Markten, Brussels, Belgium
Think Pink!, Four Seasons Resort, Palm Beach, Florida
2009
Mixed Greens: Artists Choose Artists on the East End, The Parrish Art Museum, Southhampton, New York
The Art of the Real, Oud Vliegveld, Oostende, Belgium
Objects, Furniture, and Patterns, Art Since the Summer of 69’, New York
Your Gold Teeth II, Marianne Boesky Gallery, New York
Spectrum, Ross School Gallery, Bridgehampton
Social Sculpture, Whitechapel Gallery, London
The Ballad That Becomes an Anthem, Acme, Los Angeles CA
Mary’s Choice, 303 Gallery, New York
2008
Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles
Angels in America, Rhona Hoffman Gallery, Chicago
Abstract Vision, Thomas Ammann Fine Art, Zürich
Whitney Biennial 2008, Whitney Museum of American Art, New York
New Editions, Pace Editions 57th Street, New York
Heilmann / Berkenblit, Pace Editions Chelsea, New York
Painting: Now and Forever, Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York
Abstrakt Abstract, Museum Moderner Kunst Kärnten, Klagenfurt, Austria
Arp to Reinhardt: Rose Geometries, The Rose Art Museum, Waltham, Massachusetts
Printing: Now and Forever, Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York
WACK! Art and the Feminist Revolution, P.S.1 Contemporary Art Center, Long Island
High Times, Hard Times. New York Painting 1967-1975, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe
How to Cook a Wolf, Dinter Fine Art, New York
Abstract Mash-Up, Crown Point Press, San Francisco
Emerson vs Nietzsche, China Art Objects at Cottage Home, Los Angeles
Royal Academy Illustrated 2008, Royal Academy of Arts, London
Out of the Blue, Gallery m Bochum, Bochum
Present Tense, Spanierman Modern, New York
The Annual Hampton Show, The Fireplace Project, East Hampton, New York
The Big Show 3, Silas Marder Gallery, Bridgehampton
Zuordnungsprobleme, Johann König, Berlin
2007
Massart Faculty Show, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown
Counterparts, Contemporary Art Center of Virginia, Virginia Beach
Women’s Work: Large Scale Painting, 1970-1990, Greenberg Van Doren, New York
Infinite Painting: Contemporary Painting and Global Realism, Villa Manin Centro d’Arte Contemporanea, Udine
Painting’s Edge, Parks Exhibition Center, Idyllwild Arts, California
Short Distance To Now, Galerie Thomas Flor, Düsseldorf
Nordea’s art collection, Henie Onstad Centre of Art, Hovikodden, Norway
Franz West, Soufflé – eine Massenausstellung, Kunstraum Innsbruck, Innsbruck, Austria
Hovering Over the Universe …, curated by Kristin Calabrese, Honor Fraser, Venice, California
Makers and Modelers: Works in Ceramic, Barbara Gladstone Gallery, New York
A Point in Space is a Place for an Argument, David Zwirner, New York
Three for Society, 303 Gallery, New York
Painting as Fact-Fact as Fiction, De Pury & Luxembourg, Zürich
Honor Fraser, Venice, California
Duque / Heilmann / Korty, Galerie Mezzanin, Vienna, Austria
WACK! Art and the Feminist Revolution, Vancouver Art Gallery, Vancouver, Canada; National Museum of Women in the Arts, Washington D.C.; Museum of Contemporary Art, Los Angeles
Abstraction: Extracting from the World, Millenium Galleries, Sheffield, England
High Times, Hard Times. New York Painting 1967-1975, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria; Museo Tamayo Arte Contemporaneo, Mexico City, Mexico; National Academy Museum, New York
2006
no))) 2, Kunstbuero/Kunsthalle 8, Vienna, Austria
Chère Louise: in onore di Louise Bourgeois per il suoi 95 anni, Museo d`Arte Moderna, Ascona, Switzerland
25 years Zeno X, Zeno X Gallery, Antwerp, Belgium
Woman’s work. Large Scale Paintings 1970-1990, Greenberg Van Doren Gallery, New York
High Times, Hard Times. New York Painting 1967-1975, American University Museum, Katzen Arts Center, Washington D.C.; Weatherspoon Art Museum, Greensboro, New York
Seasons Club July 2006, Crown Point Press, San Francisco
‘Infinite Painting. Contemporary Painting and Global Realism, Villa Manin Centre for Contemporary Art, Codroipo (Udine), Italy
2005
The Painted World, P. S. 1 MoMA, Long Island
The Early Show, White Columns, New York
Drunk vs. Stoned 2, Gavin Brown, New York
Loveparade 1, Häusler Contemporary, Munich
POPulence, Blaffer Gallery, University of Houston, Houston
The Shape of Colour: Excursions in Colour Field Art, 1950-2005, Art Gallery of Ontario, Toronto
Extreme Abstraction, Albright-Knox Art Gallery, Buffalo
Post-Modern, Greene Naftali Gallery, New York
2004
Grenzüberschreitung, Galerie m Bochum, Bochum
Mary Heilmann, Jill Moser, Stanley Whitney, Hampden Gallery, University of Massachusetts Amherst, Amherst, Massachusetts
North Fork/South Fork: East End Art Now, The Parrish Art Museum, Southampton, New York
2003
ON, Galerie Renos Xippas, Athens, Greece
There’s no land but the land (up there is just a sea of possibilities), Meyer Riegger Galerie, Karlsruhe
Crosscurrents at Century’s End: Selections from the Neuberger Berman Art Collection, Tampa Museum of Art, Tampa, Florida
2002
Ten Years Galerie Hauser & Wirth, Hauser & Wirth Zürich, Zürich
Farbe!, Häusler Contemporary, Munich
Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York
Objects of Desire, Jan Abrams Fine Arts, New York
House of Fiction. Sammlung (3), Hauser & Wirth Collection, St.Gallen, Switzerland
Inaugurazione, Trevi Flash Art Museum, Trevi, Italy
2001
Mary Heilmann – Joanne Greenbaum, Greengrassi Gallery, London
Shadow Dancing: 1975-79, D’Amelio Terras, New York
Kunstverein St. Gallen Kunstmuseum, ‘Künstlerräume/Sammlerräume’, St. Gallen, Switzerland
Part Two (1988-1994), Pat Hearn Gallery, New York
Liquid Properties, Cheim & Read Gallery, New York
Shelter, M Bochum, Bochum
2000
The Artist as Curator: Helmut Federle, Georgia O’Keefe, Myron Stout, Marcia Hafif, Mary Heilmann, Haken Rehenberg, Robert Mangold, Blinky Palermo, Howard Hodgkin, Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria
Jessica Stockholder – Mary Heilmann (Gemälde aus der Sammlung Hauser und Wirth), Kunstmuseum St. Gallen, St. Gallen, Switzerland
Aargauer Kunsthaus, ‘Das Gedächtnis der Malerei’, Aarau, Switzerland
Master Art Workshop Exhibition, Avram Gallery, Southampton, New York
Contemporary Art, Embassy Suites Hotel, New York
1999
Cosmogram, Galleria Marabini, Bologna, Italy
Free Coke, Greene Naftali Gallery, New York
Abstrakt, Galerie Thaddaeus Ropac, Salzburg, Austria
Special Offer, Kasseler Kunstverein, Kassel
1998
Small Paintings, Cheim & Read Gallery, New York
Shopping the stars, Zeno X Gallery, Antwerp, Belgium
Painting: Now and Forever, Matthew Marks Gallery and Pat Hearn Gallery, New York
1997
KünstlerInnen: 50 Positionen zeitgenössischer internationaler Kunst, curated by Edelbert Köb, Kunsthaus Bregenz, Bregenz, Austria
Abstraction/Abstractions. Géométries Provisoires, Musée d’Art Moderne de Saint-Etienne, Saint-Etienne, France
Display, curated by Mikael Andersen, Charlottenborg Exhibition Hall, Copenhagen, Denmark
Drawing and Painting, Wooster Gardens, New York
American Women Artists of the Seventies, Jan Abrams Fine Art, New York
Sea Change, Parrish Art Museum, Southampton, New York
Systematic, Karen McCready Fine Art, New York
After the Fall. Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, Staten Island, New York
Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York
Susret-Encounter: Artists and Refugees, School of Interior Design, New York
Leap of Faith, National Arts Club, New York
Reconditioned Abstraction, Forum for Contemporary Art, Saint Louis, Saint Louis
1996
The Flying Saucer Project, Pat Hearn Gallery, New York
Abstract Practice, Thaddaeus Ropac, Salzburg, Austria
A Grapefruit in the World of Park, Transmission Gallery, Glasgow, Scotland
Malerei II, Monika Sprüth, Cologne
nuevas abstracciones, Museo Nacional Centro de Arte Reina Sofía, Madrid
Abstrakte Malerie heute. nuevas abstracciones, Kunsthalle Bielefeld, Bielefeld
Leap of Faith. Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis, National Arts Club, New York
Passage de l’acte, Thaddaeus Ropac, Paris
Order/Sisorder, Rhode Island, David Winton Bell Gallery, Brown University, New York
A Labor of Love, New Museum of Contemporary Art, New York, New York
Critiques of Pure Abstraction, UCLA/Armand Hammer Museum of Art and Cultural Center, Los Angeles
1995
Mary Heilmann and Elizabeth Cannon, Cristine Rose Gallery, New York
Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute, curated by Beat Wismer, Aargauer Kunsthaus, Aarau, Switzerland
Critiques of Pure Abstraction, curated by Mark Rosenthal, Independant Curators Inc., New York
Works on Paper, Zeno X Gallery, Antwerpen
Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, Houston
All about Edges, University of Rhode Island, Kingston Rhode Island
Twenty-five Americans: Paintings in the Nineties, Milwaukee Art Museum, Milwaukee, Wisconsin
Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Aspen, Colorado
Transatlantica: The America-Europa Non-Representiva, Museo Alejandro Oter, Caracas, Venezuela
Blue, Stephen Wirtz Gallery, San Francisco
1994
About Color, Charles Cowles Gallery, New York
Embraceable You: Current Abstractions, Selby Gallery, Sarasota, Florida
Abstract Works on Paper, Robert Miller Gallery, New York
Salvatore Ala Gallery, New York
Reveillon `94, Stux Gallery, New York
Abstraction: A Tradition of Collecting in Miami, Center for Fine Art, Miami
Mary Heilmann, Jene Highstein, Baumgartner Galleries, Washington D.C.
1993
Supervision, curated by Günther Umberg and Rolf Hengesbach, Räume für neue Kunst, Wuppertal
The Return of the Exquisite Cadavre, Forum for Contemporary Art, St. Louis; Santa Monica Museum of Art, Santa Monica; The Corcoran Gallery of Art, Washington D.C.; The Drawing Center, New York
American Center, ‘The Return of the Exquisite’, Paris, France (Travelling Exhibiton)
Der zerbrochene Spiegel, curated by Kaspar Koenig and Hans–Ulrich Obrist, Deichtorhallen, Hamburg; Kunsthalle Wien, Vienna, Austria
Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir Kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elmar Trenkwalder, Günter Umberg, curated by Dan Cameron, Hochschule für Angewandte Kunst / Heiligenkreuzerhof, Vienna, Austria
Italia-America: L’Astrazione Ridefinita, curated by Demetrio Paparoni, Galleria Nazionale d’Arte Moderna, Logge dei Balestrieri, San Marino, Italy
New American Abstraction, Locks Gallery, Philadelphia
Watercolors, Nina Freudenheim Gallery, Buffalo, New York
Ageometry, Michael Klein, New York
1992
Bedroom Pictures, curated by Terry Myers, Asher/Faure Gallery, Los Angeles
Mary Heilmann, Jack Pierson, Jessica Stockholder, Pat Hearn Gallery, New York
Slow Art: Painting in Now, P.S.1 Museum, Long Island City, New York
A-Geometry, Michael Klein Gallery, New York
Not Men, TRI Gallery, Los Angeles
On Condition. Painting Between Abstraction and Representation, Gallery 400, University of Illinois at Chicago, Chicago
Martha Diamond, Mary Heilmann, Harriet Korman and bernard Piffaretti: Paintings, Robert Miller Gallery, New York
Shades of Difference (The Feminine in Abstract Painting), Sandra Gering Gallery, New York
1991
Stubborn Painting, Now and Then, curated by Ruth Kaufmann and Mike Metz, Max Protetch Gallery, New York
The New Abstraction, Sidney Janis Gallery, New York
New Editions, Pace Prints, New York
J.F.K. In Memoriam, Mythology and Denial, Renee Fotouhi Fine Art, East Hampton, New York
1990
The Ends of Painting. The Edges of Abstraction, Shoshana Wayne Gallery, Santa Monica, California
Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall, Lawrence Oliver Gallery, Philadelphia
Geometric Abstractions, Marc Richards Gallery, Santa Monica, California
Ohio University School of Art, Athens, Ohio
Fluid Geometry, Cummings Art Center, Connecticut College, Connecticut
1989
The Whitney Biennial, The Whitney Museum of American Art, New York
Restructure. Subverting the Grid, Summit, New Jersey Center for Visual Arts, New Jersey
Diagrams and Surrogates, Shea & Becker Gallery, New York
Abstract Options, University Art Museum, University of California Santa Barbara, Santa Barbara, California
A Debate on Abstraction, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York University, New York
Expressive Abstractions, Thomas Segal Gallery, Boston
Gallery 1709, St. Louis
1988
Sightings. Drawing with Color, Pratt Institute, New York; Instituto de Estudios Nordamericanos, Barcelona
Among Them, But Not Of Them, Saxon Lee Gallery, Los Angeles
Robin Lockett Gallery, Chicago
Tom Cugliani Gallery, New York
The Spirit of Logic, M-13 Gallery, New York
1987
Sculpture, Pat Hearn Gallery, New York
Clay Revisions: Plate, Cup and Vase, Seattle Art Museum, Seattle
40th Biennial of American Contemporary Painting, The Corcoran Gallery of Art, Washington D.C.
1986
The Use of Geometry in the 80s, Wright State University Art Gallery, Dayton, Ohio
Fred Hoffmann Gallery, Venice, California
Drawing Show, Pat Hearn Gallery, New York
1985
Mary Heilmann, Janice Tchalenko, Betty Woodman, Blum Helman Gallery, New York
Anniversary Show, Holly Solomon Gallery, New York
1984
Brilliant Color, Baskerville and Watson Gallery, New York
Forms that Function, Katonah Gallery, Katonah, New York
Drawings: New Dimensions, Nina Freudenheim Gallery, Buffalo, New York
1983
Women Artists Retrospective, Douglas College Gallery, Rutgers University, New Brunswick, New Jersey
Precious Objects, University Art Gallery, University of South Florida, Tampa
National Drawing Invitational, Central Washington University Gallery, Ellensberg, Washington
Bomb Magazine Benefit, Blum Helman Warehouse, New York
1981
A Painting Show: Painting for the Eighties, Marianne Deson Gallery, Chicago
Selections from Holly Solomon Editions, Cantor/Lemberg Gallery, Birmingham, Michigan
More Portraits: Anne Doran, Joan Logue, Mark Magill/Mary Heilmann, The Kitchen, New York
1980
Three More, Holly Solomon Gallery, New York
Greenberg Gallery, St. Louis, Missouri
The Norman Fisher Collection, Jacksonville Art Museum, Jacksonville, Florida
1979
Small Is Beautiful, Freedmann Gallery, Albright College, Reading, Pennsylvania
1978
Gold / Silver, Holly Solomon Gallery, New York
Personal Vision: Places / Spaces, Bronx Museum of the Arts, Bronx, New York
1977
he Painting Show, P.S.1 Museum, Long Island City, New York
Painting: 75, 76, 77, Sarah Lawrence College, Bronxville
Maps, Museum of Modern Art (Members Gallery), New York
The First Two Years, Holly Solomon Gallery, New York
Daniel Weinberg Gallery, San Francisco
Patterning and Decoration, Galerie Alexandra Monett, Brussels, Belgium
1976
Choices, Yale School of Art, New Haven Connecticut
Non-Collectible Art from the Collection of Horace and Holly Solomon, Sarah Lawrence College, Bronxville
1975
Suzanne Harris, Mary Heilmann, Harriet Korman, 112 Greene Street Gallery, New York
Group Show, Holly Solomon Gallery, New York
1973
Contemporary Arts Center, ‘Options’, Cincinnati OH
Museum of Modern Art (Members Gallery), ‘Landscape’, New York
Ten Artists Who Happen To Be Women, Kenan Center, Fredonia, New York
1972
Whitney Annual, The Whitney Museum of American Art, New York
American Women Artists, Kunsthaus Hamburg, Hamburg
Grids, Institute of Contemporary Art, Boston
Painting and / or Sculpture, Newark Museum, Newark
Painting and Sculpture Today, 1972, Indianapolis Museum of Art, Indianapolis
Three painters: Mary Heilmann, Pat Steir, and Joan Sder, Fine Art Center, University of Rhode Island, Kingston, Rhode Island
Henry 2 Gallery, Washington D.C.
1971
Women Artists, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
The New Gallery, Cleveland OH
1970
Paley & Lowe Gallery, New York
Group exhibitions (selected) – Jessica Stockholder
2010
The Jewel Thief, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, co-curated with Ian Berry.
2009
Embrace!, Denver Art Museum, Denver, C
2006
Paint, Vancouver Art Gallery, Vancouver, Canada.
2001
Beau Monde: Toward a Redeemed Cosmopolitanism, Site Santa Fe, Santa Fe, NM; curated by Dave Hickey.
2000
In the Beginning was MERZ, Sprengel Museum, Hannover, Germany (Schwitters homage exhibition traveling to Haus der Kunst, München).
Apparent Things: Painting with Things, installation: Pictures at an Exhibition, Haus der Kunst, München.
1994
Unbound: Possibilities in Painting, installation: Fat Form and Hairy: Sardine Can Peeling, Hayward Gallery, The South Bank Centre, London; curated by Adrian Searle & Greg Hilty.
1992
As Long as It Lasts; installation: Catcher’s Hollow, Witte de With, Rotterdam, Netherlands.
1991
Le Consortium collectionne; installation: Recording Forever Pickled, Chateau d’Oiron, Oiron, France.
1989
Making a Clean Edge, P. S. 1, Long Island City, NY.
1985
Selections from the Artists File; installation: The Lion the Witch and the Wardrobe, Artists Space, New York, NY.
1982
Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, BC, Canada.
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Books and Catalogues (selected) - Mary Heilmann
Staff, Craig, After Modernist Painting. The History of a Contemporary Practice, I.B.Tauris & Co Ltd, London 2013.
Schreier, Christoph, Gronert, Stefan (eds.), Mary Blinky Yay!, Snoek Verlagsgesellschaft, Köln 2013. (cat.)
Unterdörfer, Michaela (ed.), Hauser & Wirth. 20 Years, Hatje Cantz, Ostfildern 2013.
Paula van den Bosch, Angelika Nollert (eds.), Mary Heilmann. Good Vibrations, Verlag der Buchhandlung Walther König, Köln 2012. (cat.)
Cappellazzo, Amy, Rose, Barbara [et al.], “We had to destroy it in order to save it”. Painting in New York in the 1970’s., Christie’s, New York 2012, pp. 50-53. (cat.)
Molesworth, Helen, This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago 2012, pp. 78 – 81. (cat.)
Hubertus Gassner, Annabelle Görgen, Christoph Benjamin Schulz, ‘Alice im Wunderland der Kunst’, Ostfildern/DE: Hatje Cantz, 2012, ill. (cat.)
Franz, Erich, Possegger, Iris (eds.), Aufbruch. Malerei und realer Raum, Verlag das Wunderhorn, Heidelberg 2011, pp. 126 – 127.
Gary Snyder Gallery, Nicholas Krushenick: A Survey, New York 2011. (cat.)
Strugis, Daniel, Clark Martin, Shalgosky, Sarah, The Indiscipline of Painting, Pureprint Ltd, Uckfield 2011, pp. 65-66.
Butler, Connie, Defining Contemporary Art: 25 Years in 200 Privotal Artworks, Phaidon, New York 2011, pp. 246-247.
The 2011 Bridgehampton Biennial’, Martos Gallery, New York 2011.
Hanne Borchgrevink, Bergen Kunsthall, Bergen 2011, p. 71.
Johnson, Ken, Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art, Prestel Publishing, New York 2011.
Creating the New Century: Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton 2011, p. 79.
Farthing, Stephan, Revised and Updated Edition: 1000 Paintings You Must See Before You Die, Universe Publications, New York 2011.
Imdahl, Georg, Mary Heilmann, in: Künstler. Kritisches Lexikon der Gegenwartskunst, Ausgabe 91, Heft 17, München 3. Quartal 2010.
Kunstmuseum St. Gallen (ed.), Ambigu – Zeitgenössische Malerei zwischen Abstraktionen und Narration, Kehrer Verlag, Heidelberg 2010. (cat.)
Rondeau, James, Contemporary Collecting: The Donna and Howard Stone Collection, Art Institute of Chicago, Chicago 2010.
At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg’ Annandale-on-Hudson: Center for Curatorial Studies, Bard College, Annandale-on-Hudson 2010.
Sollins, Marybeth (ed.), art:21, art in the twenty-first century, Art21, New York 2009, pp. 74-87.
Godfrey, Tony, Painting Today, Phaidon, New York 2009.
Nickas, Bob, Painting Abstraction: New Elements in Abstract Painting, Phaidon, New York 2009.
Fig, Joe, Inside the Painter’s Studio, Princeton Architectural Press, New York 2009.
Rises in the East: A Gallery in Whitechapel, Whitechapel Gallery Ventues Limited, London 2009, pp. 79 and 104.
Garrels, Gary, Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles 2008.
Madesta, Andrea (ed.), abstrakt / abstract, Snoeck/MMKK, Köln/Klagenfurt: 2008, pp. 56-57. (cat.)
Brown, Brice, Winkfield, Trevor (ed.), The Sienese Shredder, Sienese Shredder Editions, New York 2008, pp. 299-310.
Huldisch, Henriette, Momin, Shamim, Whitney Biennial 2008, Yale University Press, New Haven 2008. (cat.)
Abstract Vision, Thomas Ammann Fine Art, Zürich 2008, p. 14.
Dan Walsh: Paintings, Paula Cooper Gallery and Paris: Galerie Xippas, New York 2007, p. 101.
Royal Academy Illustrated 2008, Royal Academy of Arts, London 2008, p. 42.
Heartney, Eleanor, Art & Today, in: Phaidon Press Inc., New York 2008, pp. 70 and 75.
Mark, Lisa Gabrielle, Hamilton, Elizabeth (eds.), WACK! Art and the feminist Revolution, MITPress/MoCA, London/Los Angeles 2007. (cat.)
Thorp, David, Abstraction: Extracting from the World, Millenium Galleries, Sheffield 2007.
Myers, Terry, Mary Heilmann: Save the Last Dance for Me, Afterall Books, London 2007.
Armstrong, Elizabeth; Burton, Johanna; Hickey, David, Mary Heilmann. To Be Someone, Prestel Publishing, New York 2007. (cat.)
Burton, Johann, Marilyn Minter, Gregory R. Miller & Co., New York 2007, pp. 14-27.
Cole-Cunningham, Ragan, Counterparts: Contemporary Painters and Their Influences, Contemporary Art Center of Virginia, Virginia Beach 2007. (cat.)
Erf, Lisa K, Collected Visions: Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul 2007.
Morrison, Toni, Artworks: The Progressive Collection, D.A.P./Distributed Art Publishers, Inc., New York 2007.
Thorp, David, Abstraction: Extracting from the World, Millenium Galleries, Sheffield 2007. (cat.)
Villa Manin Centro d’Arte Contemporanea (ed.), Infinite Painting. Pittura Contemporanea e Realismo Globale. Contemporary Painting and Global Realism, Andrea Moro, Tolmezzo (Udine) 2006. (cat.)
von Berswordt-Wallrabe, Alexander and Silke (ed.), Art for Shelter: Art Against Trafficking in Women and Sexual Exploitation, Basel 2006, p. 21. (cat.)
Ruf, Bearix (ed.), Laura Owens, Zürich, JRP Ringier 2006. (cat.)
Siegel, Katy (ed.), High Times Hard Times: New York Painting 1967-1975, Independent Curators International, New York 2006. (cat.)
Stosuy, Brandon (ed.), Up is Up But Down is Down: New York’s Downtown Literary Scene, 1974-1992, New York University Press, New York 2006, p. 130.
Zeno X Gallery: 25 Years, Zeno X Gallery, Antwerp 2006, pp. 98-99.
Swiss Reinsurance Company (ed.), Art at 30 St Mary Axe London, Zürich, 2005, pp. 154-159. (cat.)
Moos, David (ed.), The Shape of Colour: Excursions in Colour Field Art, 1950-2005, Art Gallery, Toronto 2005.
Pagel, David, POPulence, Blaffer Gallery, Houston 2005.
North Fork/South Fork: East End Art Now, The Parrish Art Museum, Southampton 2004.
Moser, Jill (et al.), Masters of the Obvious, Hampden Gallery, Fine Arts Center, University of Massachusetts, Amherst 2004.
Secession (ed.), Mary Heilmann. All Tomorrow’s Parties, Verlag der Buchhandlung Walther König, Köln 2003. (cat.)
Hutchinson, John (ed.), Mary Heilmann. The Architecture of Heaven, Douglas Hyde Gallery, Dublin 2003. (cat.)
Curiger, Bice (ed.), Georgia O’Keeffe, Hatje Cantz Verlag, Ostfildern-Ruit 2003, p. 182. (cat.)
Unterdörfer, Michaela (ed.), The House of Fiction. Sammlung Hauser und Wirth / 3, Verlag für moderne Kunst, Nürnberg 2002, pp. 69, 70, 73. (cat.)
Mary Heilmann in Conversation with David Ryan, in: Ryan, David, Talking Painting, Dialogues with Twelves Contemporary artists, Taylor and Francis Books, New York 2002, pp. 109 – 118.
Joselit, David, Mary Heilmann’s embodied Grids (1990), in: Ryan, David, Talking Painting, Dialogues with Twelves Contemporary artists, Taylor and Francis Books, New York 2002, pp. 101 – 108.
Camden Arts Centre (ed.), Mary Heilmann, London 2001. (cat.)
Kunstmuseum St. Gallen/Sammlung Hauser und Wirth (ed.), Mary Heilmann. Little 9 × 9 (1973) / Blue Room (1997) (text by Konrad Bitterli), Oktagon Verlag, Köln 2000. (cat.)
Galerie Hauser & Wirth (ed.), Mary Heilmann. The All Night Movie (text by Jutta Koether), Offizin-Verlag, Zürich 1999. (cat.)
Stiftung für konstruktive und konkrete Kunst Zürich (ed.), Mary Heilmann. This and That, Stiftung für konstruktive und konkrete Kunst, Zürich 1997.
Kunsthaus Bregenz, Köb, Edelbert (ed.), KünstlerInnen. 50 Gespräche, Verlag der Buchhandlung Walther König, Köln 1997, pp. 116-120. (cat.)
Kunsthaus Bregenz, Köb, Edelbert (ed.), KünstlerInnen. 50 Positionen zeitgenössischer internationaler Kunst. Videoportraits und Werke, Kunsthaus Bregenz, Bregenz 1997, p. 14.
Häusler, Christa (ed.), Mary Heilmann. Farbe und Lust, Cantz, Ostfildern 1997. (cat.)
Musée d’Art Moderne, Saint-Etienne (ed.), Abstraction/Abstractions. Géométries Provisoires, St. Etienne/Paris: Musée d’Art Moderne Saint-Etienne/Adagp/Spadem 1997, pp. 38-45. (cat.)
Herzog, Hans-Michael (ed.), Abstrakte Malerei heute. nuevas abstracciones, Kunsthalle Bielefeld, Bielefeld 1996. (cat.)
Wismer, Beat (ed.), Karo Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute, Aargauer Kunsthaus/Verlag Lars Müller, Aarau/Baden 1995, pp. 378-383. (cat.)
Rosenthal, Mark, Critiques of Pure Abstraction, Independent Curators Incorporated, New York 1995. (cat.)
König, Kaspar, Obrist, Hans-Ulrich (ed.), Der zerbrochene Spiegel. Positionen zur Malerei, Kunsthalle Wien, Wien 1993, pp. 94-97. (cat.)
Hochschule für Angewandte Kunst (ed.), Future Perfect, Heiligenkreuzerhof, Wien 1993. (cat.)
Galleria Nazionale d’Arte Moderna (ed.), Italia-America. L’Astrazione Redefinita, San Marino 1993. (cat.)
AsherFaure/RubinSpangle (ed.), Bedroom Pictures, Los Angeles 1992.
Max Protech Gallery (ed.), Stubborn Painting, Now and Then, New York 1991. (cat.)
Sidney Janis Gallery (ed.), Conceptual Abstraction, New York 1991.
Shoshana Wayne Gallery (ed.), The Ends of Painting. The Edge of Abstraction (text by David Pagel), Santa Monica 1990 (cat.)
Institute of Contemporary Art (ed.), Mary Heilmann: A Survey (text by David Joselit), Institute of Contemporary Art, Boston 1990. (cat.)
Cummings Arts Center. Connecticut College (ed.), Fluid Geometry, Connecticut 1990.
Lawrence Oliver Gallery (ed.), Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall (text by Barry Schabsky), Philadelphia 1990. (cat.)
New Jersey Center for Visual Arts, Restructure. Subverting the Grid, Summit, 1989. (cat.)
Whitney Museum of American Art (ed.), The Whitney Biennial, Whitney Museum of American Art, New York 1989 (cat.)
University Art Museum (ed.), Abstract Options, Santa Barbara 1989. (cat.)
Hunter College (ed.), A Debate of Abstraction, Hunter College, New York 1988. (cat.)
Pratt Institute/Instituto de Estudios Norteamericanos (ed.), Sightings. Drawings with Color, New York/Barcelona 1988 (cat.)
Gallery Mukai (ed.), Mary Heilmann, Tokyo 1988.
Seattle Art Museum (ed.), Clay Revisions. Plate, Cup & Vase, Seattle 1987. (cat.)
Corcoran Gallery of Art (ed.), 40th Biennial of American Contemporary Painting, Washington, 1987. (cat.)
Smith, Roberta, Mary Heilmann, Pat Hearn Gallery, New York 1986.
Holly Solomon Gallery (ed.), The 10th Anniversary, New York 1983.
Holly Solomon Gallery (ed.), Three More, New York 1980.
Jacksonville Art Museum (ed.), The Norman Fisher Collection, Jacksonville 1980. (cat.)
Sarah Lawrence College (ed.), Painting: 75, 76, 77, Bronxville 1977.
Holly Solomon Gallery (ed.), The First Two Years, New York NY, 1977.
Contemporary Arts Center, Options, Cincinati 1973.
Kenan Center, Ten Artists Who Happen to be Women, Fredonia 1973.
Newark Museum (ed.), Painting and/or Sculpture, Newark 1972.
Whitney Museum of American Art (ed.), Whitney Annual, New York 1972.
Kunsthaus Hamburg (ed.), American Women Artists, Hamburg 1972. (cat.)
Writings by Mary Heilmann
Mary Heilmann. Seeing Things. Vision, Waves and Roads, edited by Jochen Kienbaum, Snoeck, Köln 2012.
Future Greats 2012: Paul Gabrielli, in: Art Review, March 2012, p.81.
Survey: Music., in: Frieze, London Sept. 2011.
Conversations with paintings, in: Tate ETC, London, pp. 80-81.
Nicholas Krushenick: A Survey, Gary Snyder Gallery, New York 2011. p.122.
Obsessive-Compulsive Daydreaming, in: Art Journal, Summer 2011.
Heilmann, Mary, Cory Arcangel, in: Interview, April 2011.
Signs and Wonders, in: Art Forum, New York Nov. 2007, p. 314.
What is the Object?, in: Frieze, London, No. 82, April 2004, p. 68.
Mary Heilmann. The All Night Movie (text by Jutta Koether and Mary Heilmann, edited by Galerie Hauser & Wirth), Offizin-Verlag, Zürich 1999. (cat.)
Cherchez La Femme, Peintre (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, Sept. 1993, pp. 127-128, 138-139.
First Day, Rogue, vol. XX, June 1993, p. 11.
Does Gender Make a Difference in Contemporary Art (inquiry), in: Tema Celeste, Syracuse, no. 37-38, sepcial issue, Autumn 1992, p. 63.
Books and Catalogues (selected) Jessica Stockholder
Jessica Stockholder: Wide Eyes Smeared Here Dear, Musee d’Art Moderne Saint-Etienne Metropole, Saint-Etienne 2012.
Jessica Stockholder: Grab grassy this moment your I’s, published by Laumeier Sculpture Park, St. Louis, Missouri.
Jessica Stockholder, ABC TASTE, The Perfect Guest, Captures Editions, Valence, France.
Heinrich, Cristoph, G.F. Chanzit, J. Desmond, J. Wells (et al.), Embrace!, Denver Art Museum, Denver 2009.
Jessica Stockholder: Coating. les Compagnons du Sagittaire, Rennes 2009.
Jessica Stockholder: Flooded Chambers Maid, Madison Square Art, New York, New York 2009.
Stockholder, Jessica and A.D. Weinberg. Madison Square Art 2009: Jessica Stockholder, Flooded Chambers Maid. Madison Square Park Conservancy, New York 2008.
Morton, Tom. says the junk in the yard. Flowers East, London 2007.
Sigler, Jeremy and Jessica Stockholder, Rez Lingen, Mark Tomlinson. Led Almost by My Tie. Picture books, New York 2007.
Jessica Stockholder: White Light Laid Frozen-Bright Longing and Soggy Up the Hill. Kunsthallen Brandts, Odense 2005.
ART in Embassies Program: Contemporary American Art. ART in Embassies Program, U.S. Department of State, Washington, DC 2004.
Jessica Stockholder, Kissing the Wall: Works, 1988-2003. Blaffer Gallery, Houston 2003.
Trespassing: Houses x Artists. Hatje Cantz, Ostfildern 2003.
Jessica Stockholder. K20 Kunstsammlung Nordrhein-Westfalen/Stiftung Wilhelm Lehmbruck Museum, Düsseldorf/Duisburg 2002.
Jessica Stockholder: Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder). Verlag für moderne Kunst/Kunstmuseum St. Gallen, Nürnberg/St. Gallen 2001.
Jessica Stockholder: First Cousin Once Removed or Cinema of Brushing Skin. The Power Plant, Toronto 2000.
Dinge in Der Kunst de XX.Jahrhunderts. Steidl, Göttingen 2000.
Modern Art: Painting, Sculpture, Architecture. Harry N. Abrams, New York 2000.
Skulptur 2000: Kern, Ostermeyer, Pernice, Rentmeister, Stockholder, Tavenne. Kunsthalle Wilhelmshaven & Kerber Verlag, Bielefeld 2000.
Coming Off the Wall. Susquehanna Art Museum, Harrisburg 1999.
Jessica Stockholder: With Wanton Heed and Giddy Cunning Hedging Red and That’s Not Funny. Centre for Visual Arts, Cardiff 1999.
Special Offer. Kasseler Kunstverein, Kassel 1999.
Alternative Measures. Castle Gallery, New Rochelle 1998.
Fabian Marcaccio & Jessica Stockholder. Sammlung Goetz, München 1998.
Young Americans 2. Saatchi Gallery, London 1998.
Colorflex. Apex Art, New York 1997.
Jessica Stockholder. Picasso d’Antibes, Antibes 1997.
Jessica Stockholder: Landscape Linoleum. Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerp 1997.
Jessica Stockholder: Nit Picking Trumpets of Iced Blue Vagueries. Musée des Beaux-Arts, Nantes 1997.
Jessica Stockholder: Slab of Skinned Water, Cubed Chicken & White Sauce. Kunstnernes Hus, Oslo 1997.
Art at the Turn of the Century. Taschen, Köln 1997.
Jessica Stockholder: 9 Installations. Edition du Centre d’art imprimé, Paris 1997.
Jessica Stockholder. Studio La Città, Verona 1996.
Jessica Stockholder: 200 Drawings. Baxter Gallery, Portland 1996.
Painting – The Extended Field. Rooseum/Magasin 3, Malmö/Stockholm 1996.
The Point of Departure: Moira Dryer, Jessica Stockholder. Gallery of Art, Johnson County Community College, Overland Park 1996.
Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume. Dia Center for the Arts, New York 1996.
20th Century Art Book. Phaidon, London 1996.
Jessica Stockholder. Phaidon, London 1995.
Jessica Stockholder: Sweet for Three Oranges. Fundació la Caixa, Barcelona 1995.
Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume. Dia Center for the Arts, New York 1995.
Color in Space: Pictorialism in Contemporary Sculpture. David Winton Bell Gallery, Brown University, Providence 1994.
New York – Positionen Aktueller Malerei. Studio-galerie der Kunstverein Museum Schloß Morsbroich, Leverkusen 1994.
Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting. The Corcoran Gallery of Art, Washington, DC 1994.
Jessica Stockholder. Westfälischer Kunstverein/Kunsthalle Zürich, Münster/Zürich 1993.
Jessica Stockholder: Edge of Hothouse Glass. Carré d’Art Musée d’Art Contemporain de Nîmes, Nîmes 1993.
Pink Lady: Jessica Stockholder. Weatherspoon Art Gallery, University of North Carolina, Greensboro 1993.
Pittura – Immedia: Malerei in den 90er Jahren. Neue Galerie am Landesmuseum Joanneum, Graz 1993.
Awards in the Visual Arts 10. Southeastern Center for Contemporary Art, Winston-Salem 1991.
Chicago, and Witte de With Center for Contemporary Art. The Renaissance Society/Witte de With, Chicago/Rotterdam 1991.
Le Choix des Femmes. Le Consortium, l’Usine & Espace Frac, Dijon 1991.
Le Consortium Collectionne. Le Consortium, Dijon 1991.
Jessica Stockholder. Contemporary Art Gallery, Vancouver 1991.
Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler. The Contemporary Arts Center, Cincinnati 1991.
The Museum of Natural History. Barbara Farber Gallery, Amsterdam 1991.
Peter Nadin/Jessica Stockholder. Warren Adelson Gallery, New York 1991.
Physicality: An Exhibition on Color Dimensionality in Painting. The Gallery, New York 1991.
Plastic Fantastic Lover (object a). Blum Helman Warehouse, New York 1991.
Miller, John. Jessica Stockholder, The Renaissance Society at the University of Transgressions in the White Cube: Territorial Mappings. Bennington College, Bennington 1991.
The world as we find it. The Aldrich Museum of Contemporary Art, Ridgefield 1991.
1991 Biennial. Whitney Museum of American Art, New York 1991.
Don’t Look Now. Thread Waxing Space, New York 1990.
Mattress Factory: Installation and Performance, 1982-1989. The Mattress Factory, Pittsburgh 1990.
Outside America: Going into the ’90’s. Fay Gold Gallery, Atlanta 1990.
The Technological Muse. Katonah Museum of Art, Katonah 1990.
Stendhal Syndrome: The Cure. Andrea Rosen Gallery, New York 1990.
Unbound: Possibilities in Painting. The Hayward Gallery & The South Bank Centre, London 1990.
Berkshire Art Association 1989 Exhibition of Painting and Sculpture. Berkshire Museum, Pittsfield 1989.
A Climate of Site. Galerie Barbara Farber, Amsterdam 1989.
Selections from the Artist’s File. Artists Space, New York 1985.