Jessica Stockholder For Mary Heilmann; 1990

Mixed Media

Jessica Stockholder For Mary Heilmann; 1990

Mixed Media

Jessica Stockholder For Mary Heilmann; 1990

Mixed Media

Jessica Stockholder For Mary Heilmann; 1990

Mixed Media

Jessica Stockholder For Mary Heilmann; 1990

Mixed Media

Mary Heilmann The Ninth Wave, 1988

Oil on Canvas, 152 x 213 cm

Mary Heilmann Peter Young; 1990

Oil on Canvas, 137 x 137 cm

Mary Heilmann Passolini; 1988

Oil on Canvas, 198 x 147 cm

Mary Heilmann Our Lady Of The Flowers; 1989

Oil on Canvas, 198 x 147 cm

Jessica Stockholder, For Mary Heilmann, 1990

Coming soon

Mary Heilmann

1940

born in San Francisco, California

lives and works in New York City, New York

Jessica Stockholder

1959

born in Seattle, Washington

lives and works in Chicago, Illinois

Solo exibitions (selected) – Mary Heilmann

2016

Mary Heilmann. Looking at Pictures, Whitechapel Gallery, London (UK)

2015

Sunset, Whitney Museum of American Art, New York (DE)

Mary Heilmann, 303 Gallery, New York (US)

Mary Heilmann & David Reed. Two by Two, Hamburger Bahnhof – Museum für Gegenwart, Berlin (DE)

2013

Mary Blinky Yay, Kunstmuseum Bonn, Bonn (DE)

Mary Heilmann. Good Vibrations, Neues Museum Nürnberg, Nürnberg (DE)

Mary Heilmann. Another Green World, Häusler Contemporary, Munich (DE)

2012

Mary Heilmann. Good Vibrations, Bonnefantenmuseum, Maastricht

Visions, Waves and Roads, Hauser & Wirth, London, England

2010

Home Sweet Home. A Sweet American Song, Galerie Barbara Weiss, Berlin

Wheater Report: Drawings and Prints, Museum Ludwig, Cologne

2009

Two-Lane Blacktop, 303 Gallery, New York

2008

Some Pretty Colors, Zwirner & Wirth New York, New York

Mary Heilmann: To Be Someone, New Museum of Contemporary Art, New York

Mary Heilmann: To Be Someone, Wexner Center for the Arts, Columbus, Ohio

2007

Mary Heilmann: To Be Someone, Orange County Museum, Newport Beach, California

Mary Heilmann: To Be Someone, CAMH – Contemporary Art Museum Houston, Housto

2006

Saturday Night Kiss, Hauser & Wirth Zürich, Zürich

Mary Heilmann: New Etchings, Crown Point Gallery, San Francisco

2005

Mary Heilmann. Heaven & Hell, 303 Gallery, New York

2004

Hauser & Wirth London, London, England

2003

Mary Heilmann: All Tomorrow’s Parties, Secession, Wien

Mary Heilmann. The Architecture of Heaven, Douglas Hyde Gallery, Trinity College, Dublin

2002

American Fine Arts, New York

Mary Heilmann: Home, Ken Schachter Gallery, New York

2001

Hauser & Wirth Zürich, Zürich

Galerie Meyer Kainer, Wien

Camden Arts Centre, London

2000

Mary Heilmann. Malerei, Oldenburger Kunstverein, Oldenburg

Mary Heilmann – Jessica Stockholder, Kunstmuseum St. Gallen, St. Gallen

Galerie Vera Munro, Hamburg

1999

Mary Heilmann. The All Night Movie, Hauser & Wirth Zürich, Zürich

1998

Mary Heilmann. Paintings, Pat Hearn Gallery, New York

Selected Works, 1978-1998, Johnson County Community College, Overland Park, Kansas

1997

Richard Telles Gallery, Los Angeles Mary Heilmann. This and That, Stiftung für konstruktive und konkrete Kunst, Zürich

Mary Heilmann. Paintings 1973-1997, Hauser & Wirth Zürich, Zürich

Modern Art: Paintings and Papers, Wolfgang Häusler, Munich

Galerie Stadtpark, Krems, Austria

1995

New Works on Paper, Pat Hearn Gallery, New York

Zeno X Gallery, Antwerp, Belgium

1994

Mary Heilmann: Paintings, Drawings, Ceramics, Beaver College Art Gallery, Glenside, Pennsylvania

Works 1971-1994, M Gallery Bochum Kunstvermittlung, Bochum

Greatest Hits, Pat Hearn Gallery, New York

San Francisco Art Institute / Walter McBean Gallery, San Francisco

1993

Pat Hearn Gallery, New York

1991

Pat Hearn Gallery, New York

Green Gallery, Bay Harbor Islands, Florida

1990

Mary Heilmann und Jessica Stockholder, Galerie Isabella Kacprzak, Cologne

Mary Heilmann: A Survey, Institute of Contemporary Art, Boston

Fuller Gross Gallery, San Francisco

Robbin Lockett Gallery, Chicago

1989

Pat Hearn Gallery, New York

1988

Gallery Mukai, Tokyo, Japan

Pat Hearn Gallery, New York

Hillman Holland Gallery, Atlanta

1986

Pat Hearn Gallery, New York

1983

Clocktower, New York

Daniel Weinberg Gallery, San Francisco

1981

Mary Heilmann. Recent Works, Holly Solomon Gallery, New York

Mary Heilmann. Ceramics, Holly Solomon Editions, New Yor

1980

Galerie Hans Strelow, Düsseldorf

1980

Galleri Wallner Fersens, Malmö, Sweden

Paintings, Holly Solomon Gallery, New York

Daniel Weinberg Gallery, San Francisco

1978

New Paintings, Holly Solomon Gallery, New York

1976

The Vent Series, Holly Solomon Gallery, New York

1974

State University of New York, Stony Brook, New York

1973

Henri Gallery, Washington D.C.

1972

Paley & Lowe Gallery, New York

1971

Paley & Lowe Gallery, New York

1970

Whitney Museum Art Resource Center, New York

Solo and duo exhibitions (selected) – Jessica Stockholder

2015

Rose’s Inclination, Smart Museum of Art, University of Chicago (US)

Door Hinges, Kavi Gupta Chicago / Elisabeth St, Chicago (US)

Like Water if Pond as Lily, UCSF Mission Bay Hospital, San Francisco (US)

Palpable Glyphic Rapture, Galerie Nathalie Obadia, Bourg-Tibourg, Paris (FR)

2014

Glimpse, Galleria Raffaella Cortese, Milan (IT)

2013

Barbara Edwards Contemporary, Calgary (CN)

lift,1301PE, California (US)

Wide Eyes Smeared Here Dear, Art 44 Basel (CH)

2012

Fundacion Barrie de la Maza, Vigo, Spain.

Hollow Places Court in Ash-Tree Wood, Le voyage à Nantes, Biennale de Nantes, organized by the Frac des Pays de la Loire.

Wide Eyes Smeared Here Dear, Musée d’art moderne, Saint-Etienne Métropole, France.

Jessica Stockholder, Max Estrella Gallery, Madrid, Spain.

2011

Hollow Places Court in Ash-Tree Wood, Aldrich Contemporary Art Museum, Ridgefield, Connecticut.

Grab grassy this moment your I’s, Laumeier Sculpture Park, St. Louis.

2010

Peer Out to See, Palacio de Cristal, Reina Sofia, Madrid.

Barbara Edwards Contemporary, Toronto.

Prints and Sculpture, Usdan Gallery, Bennington College, Vermont.

Air Padded Table Haunches and…, Carreras Mugica, Bilbao.

2009

Sailcloth Tears, Mitchell-Innes & Nash, New York.

Swiss Cheese Field, Senior and Shopmaker Gallery, New York .

Robischon Gallery, Denver.

Coating, Nathalie Obadia, Paris.

2008

Jessica Stockholder – Lumps Bumps & Windy Figures Too, Galerie Art & Essai, Rennes, France.

Statements: Martin Barre & Jessica Stockholder, Art 39 Basel: Galerie Nathalie Obadia.

2007

1301 PE, Los Angeles.

Galerie Nächst St. Stephan, Vienna.

Galerie Thomas Schulte, Berlin.

2006

Jessica Stockholder, Hafnarborg, Iceland.

Jessica Stockholder, Mitchell-Innes & Nash, New York.

Jessica Stockholder, Galleria Raffaella Cortese, Milan.

Of Standing Float Roots in Thin Air, PS1 Contemporary Art Center, Long Island City, NY.

Space Between, Galerie Nathalie Obadia, Paris.

2005

Four Gummed-Up Bits of a Crepe Sole Balled Up Together with the Grimy Dirt on the Sidewalk and Stuck Dangling, but Firm, to the Bottom of the Shoe that Hangs on the Toe of the Foot under the Diving Board, MarioDiacono Gallery, Boston.

Kunsthallen Brandts Klaedefabrik, Odense, Denmark, survey exhibition.

Blaffer Art Gallery, University of Houston, Texas, career survey exhibition; cur by Terrie Sultan and Nancy Doll (cat.); Weatherspoon Art Gallery.

Air Padded Table Haunches, Art Unlimited, Basel.

Galleria Civica D‟Arte Moderna e Contemporanea di Torino, Italy.

Rawhide Harangue of Aching Indices As Told By Light. School of the Museum of Fine Arts, Boston.

Palazzo Massari Ferrara.

Gallerie d‟arte moderna e contemporanea, Torino.

2004

Jessica Stockholder, Kissing the Wall: Works, 1988-2003, University of Houston Houston, TX.

Sam Ran Over Sand or Sand Ran Over Sam, Rice University Art Gallery, Houston, TX.

Sable-Castelli Gallery, Toronto, Canada.

2003

Table Top Sculpture, Gorney Bravin + Lee, New York, NY.

TV Tipped Toe Nail & the Green Salami, CAPC, Musée d’art contemporain de Bordeaux, France.

Jessica Stockholder, Jessica Stockholder Prints, Chelsea Art Museum, New York, NY.

Jessica Stockholder, Galerie Rolf Ricke, Köln.

On The Spending Money Tenderly, Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

Palm Springs Desert Museum, Palm Springs, CA.

Blaffer Gallery, Houston, TX.

University of South Florida Contemporary Art Museum, Tampa, FL.

MAK Center for Art and Art History, Los Angeles, CA.

Trespassing: Houses x Artists; Bellevue Art Museum, Bellevue, WA.

Stiftung Wilhelm Lehmbruck Museum, Duisburg.

2002

Baltic Art Center, Visby, Sweden, curated by Lynne Cooke Galleria Raffaela Cortese, Milan.

2001

Galerie Nächst St. Stephan, Vienna.

Gorney Bravin + Lee, New York, NY.

Galerie Nathalie Obadia, Paris.

2000

Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder) and installation: Pictures at an Exhibition, Kunstmuseum St. Gallen, St. Gallen, Switzerland.

Jessica Stockholder: Photography, Bucknell Art Gallery, Bucknell University, Lewisburg, PA.

1999

First Cousin Once Removed or Cinema of Brushing Skin, The Power Plant, Toronto, Canada (cat.).

Galerie Rolf Ricke, Köln.

With Wanton Heed and Giddy Cunning, Hedging Red and That’s Not Funny, Center for Visual Arts, Cardiff, Wales.

1998

Catriona Jeffries Gallery, Vancouver, Canada.

Turning Paper, Galerie Nathalie Obadia, Paris.

Fabian Marcaccio & Jessica Stockholder, Sammlung Goetz, München (cat.).

Fabian Marcaccio & Jessica Stockholder, Works on Paper, Inc., Los Angeles, CA.

Landscape Linoleum, Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerpen, Belgium (cat.).

Turning Paper, Betsy Senior Gallery, New York, NY.

Coupling, White Cube, London.

Torque, Jelly Role, and Goose Bump, Musée Picasso d’Antibes, Antibes, France (cat.).

Nit Picking Trumpets of Iced Blue Vagueries, Musée des Beaux-Arts de Nantes / La Salle Blanche, Nantes, France (cat.).

1997

lab of Skinned Water, Cubed Chicken & White Sauce, Kunstnernes Hus, Oslo, Norway (cat.).

Jessica Stockholder: 200 Drawings, Otis Gallery of Otis College of Art & Design, Los Angeles, CA.

The Point of Departure: Moira Dryer & Jessica Stockholder, Gallery of Art, Johnson County Community College, Overland Park, KS.

Deutscher Akademischer Austauschdienst (D. A. A. D.), Berlin.

Contemporary Fine Arts, Berlin.

Jay Gorney Modern Art, New York, NY.

1996

Jessica Stockholder: 200 Drawings, Baxter Gallery, Maine College of Art, Portland, ME (cat.).

Bowtied In the Middle, Tom Solomon’s Garage, Los Angeles, CA.

Studio La Città II, Verona, Italy (cat.).

1995

Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume, Dia Center for the Arts, New York, NY.

Galerie Nathalie Obadia, Paris.

Jay Gorney Modern Art, New York, NY.

S. L. Simpson Gallery, Toronto, Canada.

Sweet for Three Oranges, Sala Montcada de la Fundació “la Caixa”, Barcelona (cat.).

1994

Pink Lady, Weatherspoon Art Gallery, The University of North Carolina, Greensboro, NC (cat.).

Joan Snyder and Jessica Stockholder, Jay Gorney Modern Art, New York, NY.

1993

Galerie Ludwig, Krefeld.

Edge of Hothouse Glass, Galerie des Arènes, Carré d’Art, Musée d’Art Contemporain de Nîmes, Nîmes, France (cat.).

1992

Sea Floor Movement to Rise of Fire Place Stripping, Kunsthalle Zürich, Zürich, Switzerland (cat.).

SpICE BOXed Project(ion), Galerie Metropol, Wien.

Flower Dusted Prosies American Fine Arts, Co., New York, NY.

Growing Rock Candy Mountain – Grasses in Canned Sand, Westfälischer Kunstverein, Münster, Germany (cat.).

1991

Skin Toned Garden Mapping, The Renaissance Society at the University of Chicago, Chicago, IL (cat.).

Near Weather Wall and Making a Clean Edge II, Witte de With, Rotterdam (cat.).

Daniel Weinberg Gallery, Santa Monica, CA.

Ezra and Cecile Zilkha Gallery, Center for Arts, Wesleyan University, Middletown, CN.

Biennial, Whitney Museum of American Art, New York, NY.

1990

Mary Heilmann and Jessica Stockholder; For Mary Heilmann Isabella Kacprzak Galerie, Köln.

Where it Happened, American Fine Arts, New York, NY.

1989

Mixing Food with the Bed, The Mattress Factory, Pittsburgh, PA (cat.).

1988

Indoor lighting for my father, Mercer Union, Toronto, Ontario, Canada.

It’s not over til the fat lady sings, Contemporary Art Gallery, Vancouver, Canada.

1985

Wall Sandwich, Melinda Wyatt Gallery, New York, NY.

1984

In-side out, Art Culture Resource Center, Toronto, Ont., Canada.

group exhibitions (selected) – Mary Heilmann

2017

Blue Black, Pulitzer Arts Foundation, St. Louis (US)

A Sense of Place, Southampton Arts Center, Southampton (US)

Fast Forward: Painting from the 1980s’, Whitney Museum of American Art, New York (US)

2016

Splotch, Sperone Westwater, New York (US)

TRI: Revisiting TRI Gallery, Wilding Cran Gallery, Los Angeles, (US)

Henkel – The Art Collection, Kunstsammlung Nordrhein-Westfalen, Düsseldorf (DE)

John Zurier and Friends, Crown Point Press, San Francisco (US)

2015

Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich (DE)

The Permanent Collection: Connections and Context, Parrish Art Museum, Watermill (US)

Don’t Shoot the Painter – UBS Art Collection, Villa Reale’s Galleria d’Arte Moderna, Milan (IT)

2014

Beating around the bush. Episode #2, Bonnefantenmuseum, Maastricht (NL)

Reliable Tension – In Re, Edgewood Gallery, Yale University, New Heaven (US)

Persian Rose Chartreuse Muse Vancouver Grey, Equinox Gallery, Vancouver (CN)

 

2013

Martos Gallery, ‘Lat. 41 7’ N. Long 72 19’ W.’, East Marion

Cheim&Read, ‘Reinventing Abstraction’, New York

Kunstmuseum Bonn, ‘Mary Heilmann & Blinky Palermo’, Bonn, Germany

2012

Aufbruch – Malerei und realer Raum, Museum im Kulturspeicher, Würzburg; Kunsthalle Rostock, Rostock

Creature from the Blue Lagoon, Martos Gallery, Bridgehampton

It’s Always Summer on the Inside, Anton Kern Gallery, New York

Braman, Buren, Falls, Heilmann, Louis and Thurman, Eleven Rivington, New York

Inside Outsiders: Mary Heilmann and Friends, The Fireplace Project, East Hampton

Jacci Den Hartog + Mary Heilmann, The Suburban, Oak Park, Illinois

Thomas Soloman Gallery, ‘Architechtural Dispositions’, Los Angeles

Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art, Chicago

Mind Head, JiM Contemporani, Barcelona

This Will Have Been: Art, Love, and Politics in the 1980s, MCA Museum of Contemporary Art, Chicago; Institute of Contemporary Art, Boston; ; Walker Art Center, Minneapolis

The Indiscipline of Painting, Mead Gallery, Warwick Arts Centre, Coventry, England

Sidetracks – Painting in the Paramodern Continuum, Stavanger Kunstmuseum, Stavanger, Norway

2011

Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl), Kunsthalle Rostock, Rostock; Museum im Kulturspeicher, Würzburg; Akademie der Künste Berlin, Berlin; mpk, Museum Pfalzgalerie, Kaiserslautern; Kunstsammlungen der Ruhr-Universität Bochum, Bochum

The Indiscipline of Painting: International Abstraction from the 1960s to Now, Tate St.Ives, St Ives, England

The 2011 Bridgehampton Biennial, Martos Gallery, Bridgehampton

A Painting Show, Harris Liebermann, New York

112 Greene Street: A Nexus of Ideas in the Early 70s, Salomon Contemporary, New York

The Parallax View, Lehmann Maupin, New York

Paul Clay, Salon 94 Bowery, New York

The Dayton Art Institute, ‘Creating the New Century: Contemporary Art from the Dicke Collection’, Dayton OH

2010

Hessel Museum of Art & CCS Galleries, ‘At home / Not at home: Works from the Collection of Martin and Rebecca Eisenberg’, Annandale-on-Hudson

The More Things Change, SFMoMA San Francisco Museum of Modern Art, San Francisco CA

AMBIGU – Malerei im Zwischenbereich/Painting between Abstraction and Narration, Kunstmuseum St. Gallen, St. Gallen

On the Road, San Antonio, Artpace, Texas

For Your Eyes Only, De Markten, Brussels, Belgium

Devotion, Zurcher Studio, New York

Lean, Nicole Klagsbrun Gallery, New York

Borderland Abstraction, Bemis Center for Contemporary Art, Omaha

The Big Show 5, Silas Marder Gallery, Bridgehampton

Swell: Art 1950-2010, Friedrich Petzel Gallery, New York

Contemporary Collecting: The Donna and Howard Stone Collection, Art Institute of Chicago, Chicago
High Ideals & Crazy Dreams, Vera Munro, Hamburg

Make Yourself at Home, 7Eleven Gallery, New York

For Your Eyes Only, De Markten, Brussels, Belgium

Think Pink!, Four Seasons Resort, Palm Beach, Florida

2009

Mixed Greens: Artists Choose Artists on the East End, The Parrish Art Museum, Southhampton, New York

The Art of the Real, Oud Vliegveld, Oostende, Belgium

Objects, Furniture, and Patterns, Art Since the Summer of 69’, New York

Your Gold Teeth II, Marianne Boesky Gallery, New York

Spectrum, Ross School Gallery, Bridgehampton

Social Sculpture, Whitechapel Gallery, London

The Ballad That Becomes an Anthem, Acme, Los Angeles CA

Mary’s Choice, 303 Gallery, New York

2008

Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles

Angels in America, Rhona Hoffman Gallery, Chicago

Abstract Vision, Thomas Ammann Fine Art, Zürich

Whitney Biennial 2008, Whitney Museum of American Art, New York

New Editions, Pace Editions 57th Street, New York

Heilmann / Berkenblit, Pace Editions Chelsea, New York

Painting: Now and Forever, Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York

Abstrakt Abstract, Museum Moderner Kunst Kärnten, Klagenfurt, Austria

Arp to Reinhardt: Rose Geometries, The Rose Art Museum, Waltham, Massachusetts

Printing: Now and Forever, Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York

WACK! Art and the Feminist Revolution, P.S.1 Contemporary Art Center, Long Island

High Times, Hard Times. New York Painting 1967-1975, ZKM – Zentrum für Kunst und Medientechnologie, Karlsruhe

How to Cook a Wolf, Dinter Fine Art, New York

Abstract Mash-Up, Crown Point Press, San Francisco

Emerson vs Nietzsche, China Art Objects at Cottage Home, Los Angeles

Royal Academy Illustrated 2008, Royal Academy of Arts, London

Out of the Blue, Gallery m Bochum, Bochum

Present Tense, Spanierman Modern, New York

The Annual Hampton Show, The Fireplace Project, East Hampton, New York

The Big Show 3, Silas Marder Gallery, Bridgehampton

Zuordnungsprobleme, Johann König, Berlin

2007

Massart Faculty Show, Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown

Counterparts, Contemporary Art Center of Virginia, Virginia Beach

Women’s Work: Large Scale Painting, 1970-1990, Greenberg Van Doren, New York

Infinite Painting: Contemporary Painting and Global Realism, Villa Manin Centro d’Arte Contemporanea, Udine

Painting’s Edge, Parks Exhibition Center, Idyllwild Arts, California

Short Distance To Now, Galerie Thomas Flor, Düsseldorf

Nordea’s art collection, Henie Onstad Centre of Art, Hovikodden, Norway

Franz West, Soufflé – eine Massenausstellung, Kunstraum Innsbruck, Innsbruck, Austria

Hovering Over the Universe …, curated by Kristin Calabrese, Honor Fraser, Venice, California

Makers and Modelers: Works in Ceramic, Barbara Gladstone Gallery, New York

A Point in Space is a Place for an Argument, David Zwirner, New York

Three for Society, 303 Gallery, New York

Painting as Fact-Fact as Fiction, De Pury & Luxembourg, Zürich

Honor Fraser, Venice, California

Duque / Heilmann / Korty, Galerie Mezzanin, Vienna, Austria

WACK! Art and the Feminist Revolution, Vancouver Art Gallery, Vancouver, Canada; National Museum of Women in the Arts, Washington D.C.; Museum of Contemporary Art, Los Angeles

Abstraction: Extracting from the World, Millenium Galleries, Sheffield, England

High Times, Hard Times. New York Painting 1967-1975, Neue Galerie Graz am Landesmuseum Joanneum, Graz, Austria; Museo Tamayo Arte Contemporaneo, Mexico City, Mexico; National Academy Museum, New York

2006

no))) 2, Kunstbuero/Kunsthalle 8, Vienna, Austria

Chère Louise: in onore di Louise Bourgeois per il suoi 95 anni, Museo d`Arte Moderna, Ascona, Switzerland

25 years Zeno X, Zeno X Gallery, Antwerp, Belgium

Woman’s work. Large Scale Paintings 1970-1990, Greenberg Van Doren Gallery, New York

High Times, Hard Times. New York Painting 1967-1975, American University Museum, Katzen Arts Center, Washington D.C.; Weatherspoon Art Museum, Greensboro, New York

Seasons Club July 2006, Crown Point Press, San Francisco

‘Infinite Painting. Contemporary Painting and Global Realism, Villa Manin Centre for Contemporary Art, Codroipo (Udine), Italy

2005

The Painted World, P. S. 1 MoMA, Long Island

The Early Show, White Columns, New York

Drunk vs. Stoned 2, Gavin Brown, New York

Loveparade 1, Häusler Contemporary, Munich

POPulence, Blaffer Gallery, University of Houston, Houston

The Shape of Colour: Excursions in Colour Field Art, 1950-2005, Art Gallery of Ontario, Toronto

Extreme Abstraction, Albright-Knox Art Gallery, Buffalo

Post-Modern, Greene Naftali Gallery, New York

2004

Grenzüberschreitung, Galerie m Bochum, Bochum

Mary Heilmann, Jill Moser, Stanley Whitney, Hampden Gallery, University of Massachusetts Amherst, Amherst, Massachusetts

North Fork/South Fork: East End Art Now, The Parrish Art Museum, Southampton, New York

2003

ON, Galerie Renos Xippas, Athens, Greece

There’s no land but the land (up there is just a sea of possibilities), Meyer Riegger Galerie, Karlsruhe

Crosscurrents at Century’s End: Selections from the Neuberger Berman Art Collection, Tampa Museum of Art, Tampa, Florida

2002

Ten Years Galerie Hauser & Wirth, Hauser & Wirth Zürich, Zürich

Farbe!, Häusler Contemporary, Munich

Art Downtown: New York Painting and Sculpture, 48 Wall Street, New York

Objects of Desire, Jan Abrams Fine Arts, New York

House of Fiction. Sammlung (3), Hauser & Wirth Collection, St.Gallen, Switzerland

Inaugurazione, Trevi Flash Art Museum, Trevi, Italy

2001

Mary Heilmann – Joanne Greenbaum, Greengrassi Gallery, London

Shadow Dancing: 1975-79, D’Amelio Terras, New York

Kunstverein St. Gallen Kunstmuseum, ‘Künstlerräume/Sammlerräume’, St. Gallen, Switzerland

Part Two (1988-1994), Pat Hearn Gallery, New York

Liquid Properties, Cheim & Read Gallery, New York

Shelter, M Bochum, Bochum

2000

The Artist as Curator: Helmut Federle, Georgia O’Keefe, Myron Stout, Marcia Hafif, Mary Heilmann, Haken Rehenberg, Robert Mangold, Blinky Palermo, Howard Hodgkin, Galerie Nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria

Jessica Stockholder – Mary Heilmann (Gemälde aus der Sammlung Hauser und Wirth), Kunstmuseum St. Gallen, St. Gallen, Switzerland

Aargauer Kunsthaus, ‘Das Gedächtnis der Malerei’, Aarau, Switzerland

Master Art Workshop Exhibition, Avram Gallery, Southampton, New York

Contemporary Art, Embassy Suites Hotel, New York

1999

Cosmogram, Galleria Marabini, Bologna, Italy

Free Coke, Greene Naftali Gallery, New York

Abstrakt, Galerie Thaddaeus Ropac, Salzburg, Austria

Special Offer, Kasseler Kunstverein, Kassel

1998

Small Paintings, Cheim & Read Gallery, New York

Shopping the stars, Zeno X Gallery, Antwerp, Belgium

Painting: Now and Forever, Matthew Marks Gallery and Pat Hearn Gallery, New York

1997

KünstlerInnen: 50 Positionen zeitgenössischer internationaler Kunst, curated by Edelbert Köb, Kunsthaus Bregenz, Bregenz, Austria

Abstraction/Abstractions. Géométries Provisoires, Musée d’Art Moderne de Saint-Etienne, Saint-Etienne, France

Display, curated by Mikael Andersen, Charlottenborg Exhibition Hall, Copenhagen, Denmark

Drawing and Painting, Wooster Gardens, New York

American Women Artists of the Seventies, Jan Abrams Fine Art, New York

Sea Change, Parrish Art Museum, Southampton, New York

Systematic, Karen McCready Fine Art, New York

After the Fall. Aspects of Abstract Painting since 1970, Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, Staten Island, New York

Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto, Pat Hearn Gallery, New York

Susret-Encounter: Artists and Refugees, School of Interior Design, New York

Leap of Faith, National Arts Club, New York

Reconditioned Abstraction, Forum for Contemporary Art, Saint Louis, Saint Louis

1996

The Flying Saucer Project, Pat Hearn Gallery, New York

Abstract Practice, Thaddaeus Ropac, Salzburg, Austria

A Grapefruit in the World of Park, Transmission Gallery, Glasgow, Scotland

Malerei II, Monika Sprüth, Cologne

nuevas abstracciones, Museo Nacional Centro de Arte Reina Sofía, Madrid

Abstrakte Malerie heute. nuevas abstracciones, Kunsthalle Bielefeld, Bielefeld

Leap of Faith. Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis, National Arts Club, New York

Passage de l’acte, Thaddaeus Ropac, Paris

Order/Sisorder, Rhode Island, David Winton Bell Gallery, Brown University, New York

A Labor of Love, New Museum of Contemporary Art, New York, New York

Critiques of Pure Abstraction, UCLA/Armand Hammer Museum of Art and Cultural Center, Los Angeles

1995

Mary Heilmann and Elizabeth Cannon, Cristine Rose Gallery, New York

Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute, curated by Beat Wismer, Aargauer Kunsthaus, Aarau, Switzerland

Critiques of Pure Abstraction, curated by Mark Rosenthal, Independant Curators Inc., New York

Works on Paper, Zeno X Gallery, Antwerpen

Critiques of Pure Abstraction, Sarah Campbell Blaffer Gallery, University of Houston, Houston

All about Edges, University of Rhode Island, Kingston Rhode Island

Twenty-five Americans: Paintings in the Nineties, Milwaukee Art Museum, Milwaukee, Wisconsin

Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Aspen, Colorado

Transatlantica: The America-Europa Non-Representiva, Museo Alejandro Oter, Caracas, Venezuela

Blue, Stephen Wirtz Gallery, San Francisco

1994

About Color, Charles Cowles Gallery, New York

Embraceable You: Current Abstractions, Selby Gallery, Sarasota, Florida

Abstract Works on Paper, Robert Miller Gallery, New York

Salvatore Ala Gallery, New York

Reveillon `94, Stux Gallery, New York

Abstraction: A Tradition of Collecting in Miami, Center for Fine Art, Miami

Mary Heilmann, Jene Highstein, Baumgartner Galleries, Washington D.C.

1993

Supervision, curated by Günther Umberg and Rolf Hengesbach, Räume für neue Kunst, Wuppertal

The Return of the Exquisite Cadavre, Forum for Contemporary Art, St. Louis; Santa Monica Museum of Art, Santa Monica; The Corcoran Gallery of Art, Washington D.C.; The Drawing Center, New York

American Center, ‘The Return of the Exquisite’, Paris, France (Travelling Exhibiton)

Der zerbrochene Spiegel, curated by Kaspar Koenig and Hans–Ulrich Obrist, Deichtorhallen, Hamburg; Kunsthalle Wien, Vienna, Austria

Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir Kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elmar Trenkwalder, Günter Umberg, curated by Dan Cameron, Hochschule für Angewandte Kunst / Heiligenkreuzerhof, Vienna, Austria

Italia-America: L’Astrazione Ridefinita, curated by Demetrio Paparoni, Galleria Nazionale d’Arte Moderna, Logge dei Balestrieri, San Marino, Italy

New American Abstraction, Locks Gallery, Philadelphia

Watercolors, Nina Freudenheim Gallery, Buffalo, New York

Ageometry, Michael Klein, New York

1992

Bedroom Pictures, curated by Terry Myers, Asher/Faure Gallery, Los Angeles

Mary Heilmann, Jack Pierson, Jessica Stockholder, Pat Hearn Gallery, New York

Slow Art: Painting in Now, P.S.1 Museum, Long Island City, New York

A-Geometry, Michael Klein Gallery, New York

Not Men, TRI Gallery, Los Angeles

On Condition. Painting Between Abstraction and Representation, Gallery 400, University of Illinois at Chicago, Chicago

Martha Diamond, Mary Heilmann, Harriet Korman and bernard Piffaretti: Paintings, Robert Miller Gallery, New York

Shades of Difference (The Feminine in Abstract Painting), Sandra Gering Gallery, New York

1991

Stubborn Painting, Now and Then, curated by Ruth Kaufmann and Mike Metz, Max Protetch Gallery, New York

The New Abstraction, Sidney Janis Gallery, New York

New Editions, Pace Prints, New York

J.F.K. In Memoriam, Mythology and Denial, Renee Fotouhi Fine Art, East Hampton, New York

1990

The Ends of Painting. The Edges of Abstraction, Shoshana Wayne Gallery, Santa Monica, California

Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall, Lawrence Oliver Gallery, Philadelphia

Geometric Abstractions, Marc Richards Gallery, Santa Monica, California

Ohio University School of Art, Athens, Ohio

Fluid Geometry, Cummings Art Center, Connecticut College, Connecticut

1989

The Whitney Biennial, The Whitney Museum of American Art, New York

Restructure. Subverting the Grid, Summit, New Jersey Center for Visual Arts, New Jersey

Diagrams and Surrogates, Shea & Becker Gallery, New York

Abstract Options, University Art Museum, University of California Santa Barbara, Santa Barbara, California

A Debate on Abstraction, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York University, New York

Expressive Abstractions, Thomas Segal Gallery, Boston

Gallery 1709, St. Louis

1988

Sightings. Drawing with Color, Pratt Institute, New York; Instituto de Estudios Nordamericanos, Barcelona

Among Them, But Not Of Them, Saxon Lee Gallery, Los Angeles

Robin Lockett Gallery, Chicago

Tom Cugliani Gallery, New York

The Spirit of Logic, M-13 Gallery, New York

1987

Sculpture, Pat Hearn Gallery, New York

Clay Revisions: Plate, Cup and Vase, Seattle Art Museum, Seattle

40th Biennial of American Contemporary Painting, The Corcoran Gallery of Art, Washington D.C.

1986

The Use of Geometry in the 80s, Wright State University Art Gallery, Dayton, Ohio

Fred Hoffmann Gallery, Venice, California

Drawing Show, Pat Hearn Gallery, New York

1985

Mary Heilmann, Janice Tchalenko, Betty Woodman, Blum Helman Gallery, New York

Anniversary Show, Holly Solomon Gallery, New York

1984

Brilliant Color, Baskerville and Watson Gallery, New York

Forms that Function, Katonah Gallery, Katonah, New York

Drawings: New Dimensions, Nina Freudenheim Gallery, Buffalo, New York

1983

Women Artists Retrospective, Douglas College Gallery, Rutgers University, New Brunswick, New Jersey

Precious Objects, University Art Gallery, University of South Florida, Tampa

National Drawing Invitational, Central Washington University Gallery, Ellensberg, Washington

Bomb Magazine Benefit, Blum Helman Warehouse, New York

1981

A Painting Show: Painting for the Eighties, Marianne Deson Gallery, Chicago

Selections from Holly Solomon Editions, Cantor/Lemberg Gallery, Birmingham, Michigan

More Portraits: Anne Doran, Joan Logue, Mark Magill/Mary Heilmann, The Kitchen, New York

1980

Three More, Holly Solomon Gallery, New York

Greenberg Gallery, St. Louis, Missouri

The Norman Fisher Collection, Jacksonville Art Museum, Jacksonville, Florida

1979

Small Is Beautiful, Freedmann Gallery, Albright College, Reading, Pennsylvania

1978

Gold / Silver, Holly Solomon Gallery, New York

Personal Vision: Places / Spaces, Bronx Museum of the Arts, Bronx, New York

1977

he Painting Show, P.S.1 Museum, Long Island City, New York

Painting: 75, 76, 77, Sarah Lawrence College, Bronxville

Maps, Museum of Modern Art (Members Gallery), New York

The First Two Years, Holly Solomon Gallery, New York

Daniel Weinberg Gallery, San Francisco

Patterning and Decoration, Galerie Alexandra Monett, Brussels, Belgium

1976

Choices, Yale School of Art, New Haven Connecticut

Non-Collectible Art from the Collection of Horace and Holly Solomon, Sarah Lawrence College, Bronxville

1975

Suzanne Harris, Mary Heilmann, Harriet Korman, 112 Greene Street Gallery, New York

Group Show, Holly Solomon Gallery, New York

1973

Contemporary Arts Center, ‘Options’, Cincinnati OH

Museum of Modern Art (Members Gallery), ‘Landscape’, New York

Ten Artists Who Happen To Be Women, Kenan Center, Fredonia, New York

1972

Whitney Annual, The Whitney Museum of American Art, New York

American Women Artists, Kunsthaus Hamburg, Hamburg

Grids, Institute of Contemporary Art, Boston

Painting and / or Sculpture, Newark Museum, Newark

Painting and Sculpture Today, 1972, Indianapolis Museum of Art, Indianapolis

Three painters: Mary Heilmann, Pat Steir, and Joan Sder, Fine Art Center, University of Rhode Island, Kingston, Rhode Island

Henry 2 Gallery, Washington D.C.

1971

Women Artists, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

The New Gallery, Cleveland OH

1970

Paley & Lowe Gallery, New York

Group exhibitions (selected) – Jessica Stockholder

2010

The Jewel Thief, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, co-curated with Ian Berry.

2009

Embrace!, Denver Art Museum, Denver, C

2006

Paint, Vancouver Art Gallery, Vancouver, Canada.

2001

Beau Monde: Toward a Redeemed Cosmopolitanism, Site Santa Fe, Santa Fe, NM; curated by Dave Hickey.

2000

In the Beginning was MERZ, Sprengel Museum, Hannover, Germany (Schwitters homage exhibition traveling to Haus der Kunst, München).

Apparent Things: Painting with Things, installation: Pictures at an Exhibition, Haus der Kunst, München.

1994

Unbound: Possibilities in Painting, installation: Fat Form and Hairy: Sardine Can Peeling, Hayward Gallery, The South Bank Centre, London; curated by Adrian Searle & Greg Hilty.

1992

As Long as It Lasts; installation: Catcher’s Hollow, Witte de With, Rotterdam, Netherlands.

1991

Le Consortium collectionne; installation: Recording Forever Pickled, Chateau d’Oiron, Oiron, France.

1989

Making a Clean Edge, P. S. 1, Long Island City, NY.

1985

Selections from the Artists File; installation: The Lion the Witch and the Wardrobe, Artists Space, New York, NY.

1982

Vilio Celli, Laurie Metters, Jessica Stockholder, Open Space Gallery, Victoria, BC, Canada.

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Books and Catalogues (selected) - Mary Heilmann

2013

Staff, Craig, After Modernist Painting. The History of a Contemporary Practice, I.B.Tauris & Co Ltd, London 2013.

Schreier, Christoph, Gronert, Stefan (eds.), Mary Blinky Yay!, Snoek Verlagsgesellschaft, Köln 2013. (cat.)

Unterdörfer, Michaela (ed.), Hauser & Wirth. 20 Years, Hatje Cantz, Ostfildern 2013.

2012

Paula van den Bosch, Angelika Nollert (eds.), Mary Heilmann. Good Vibrations, Verlag der Buchhandlung Walther König, Köln 2012. (cat.)

Cappellazzo, Amy, Rose, Barbara [et al.], “We had to destroy it in order to save it”. Painting in New York in the 1970’s., Christie’s, New York 2012, pp. 50-53. (cat.)

Molesworth, Helen, This Will Have Been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago 2012, pp. 78 – 81. (cat.)

Hubertus Gassner, Annabelle Görgen, Christoph Benjamin Schulz, ‘Alice im Wunderland der Kunst’, Ostfildern/DE: Hatje Cantz, 2012, ill. (cat.)

2011

Franz, Erich, Possegger, Iris (eds.), Aufbruch. Malerei und realer Raum, Verlag das Wunderhorn, Heidelberg 2011, pp. 126 – 127.

Gary Snyder Gallery, Nicholas Krushenick: A Survey, New York 2011. (cat.)

Strugis, Daniel, Clark Martin, Shalgosky, Sarah, The Indiscipline of Painting, Pureprint Ltd, Uckfield 2011, pp. 65-66.

Butler, Connie, Defining Contemporary Art: 25 Years in 200 Privotal Artworks, Phaidon, New York 2011, pp. 246-247.

The 2011 Bridgehampton Biennial’, Martos Gallery, New York 2011.

Hanne Borchgrevink, Bergen Kunsthall, Bergen 2011, p. 71.

Johnson, Ken, Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art, Prestel Publishing, New York 2011.

Creating the New Century: Contemporary Art from the Dicke Collection, The Dayton Art Institute, Dayton 2011, p. 79.

Farthing, Stephan, Revised and Updated Edition: 1000 Paintings You Must See Before You Die, Universe Publications, New York 2011.

2010

Imdahl, Georg, Mary Heilmann, in: Künstler. Kritisches Lexikon der Gegenwartskunst, Ausgabe 91, Heft 17, München 3. Quartal 2010.

Kunstmuseum St. Gallen (ed.), Ambigu – Zeitgenössische Malerei zwischen Abstraktionen und Narration, Kehrer Verlag, Heidelberg 2010. (cat.)

Rondeau, James, Contemporary Collecting: The Donna and Howard Stone Collection, Art Institute of Chicago, Chicago 2010.

At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg’ Annandale-on-Hudson: Center for Curatorial Studies, Bard College, Annandale-on-Hudson 2010.

2009

Sollins, Marybeth (ed.), art:21, art in the twenty-first century, Art21, New York 2009, pp. 74-87.

Godfrey, Tony, Painting Today, Phaidon, New York 2009.

Nickas, Bob, Painting Abstraction: New Elements in Abstract Painting, Phaidon, New York 2009.

Fig, Joe, Inside the Painter’s Studio, Princeton Architectural Press, New York 2009.

Rises in the East: A Gallery in Whitechapel, Whitechapel Gallery Ventues Limited, London 2009, pp. 79 and 104.

2008

Garrels, Gary, Oranges and Sardines: Conversations on Abstract Painting, Hammer Museum, Los Angeles 2008.

Madesta, Andrea (ed.), abstrakt / abstract, Snoeck/MMKK, Köln/Klagenfurt: 2008, pp. 56-57. (cat.)

Brown, Brice, Winkfield, Trevor (ed.), The Sienese Shredder, Sienese Shredder Editions, New York 2008, pp. 299-310.

Huldisch, Henriette, Momin, Shamim, Whitney Biennial 2008, Yale University Press, New Haven 2008. (cat.)

Abstract Vision, Thomas Ammann Fine Art, Zürich 2008, p. 14.

Dan Walsh: Paintings, Paula Cooper Gallery and Paris: Galerie Xippas, New York 2007, p. 101.

Royal Academy Illustrated 2008, Royal Academy of Arts, London 2008, p. 42.

Heartney, Eleanor, Art & Today, in: Phaidon Press Inc., New York 2008, pp. 70 and 75.

2007

Mark, Lisa Gabrielle, Hamilton, Elizabeth (eds.), WACK! Art and the feminist Revolution, MITPress/MoCA, London/Los Angeles 2007. (cat.)

Thorp, David, Abstraction: Extracting from the World, Millenium Galleries, Sheffield 2007.

Myers, Terry, Mary Heilmann: Save the Last Dance for Me, Afterall Books, London 2007.

Armstrong, Elizabeth; Burton, Johanna; Hickey, David, Mary Heilmann. To Be Someone, Prestel Publishing, New York 2007. (cat.)

Burton, Johann, Marilyn Minter, Gregory R. Miller & Co., New York 2007, pp. 14-27.

Cole-Cunningham, Ragan, Counterparts: Contemporary Painters and Their Influences, Contemporary Art Center of Virginia, Virginia Beach 2007. (cat.)

Erf, Lisa K, Collected Visions: Modern and Contemporary Works from the JP Morgan Chase Art Collection, Pera Museum, Istanbul 2007.

Morrison, Toni, Artworks: The Progressive Collection, D.A.P./Distributed Art Publishers, Inc., New York 2007.

Thorp, David, Abstraction: Extracting from the World, Millenium Galleries, Sheffield 2007. (cat.)

2006

Villa Manin Centro d’Arte Contemporanea (ed.), Infinite Painting. Pittura Contemporanea e Realismo Globale. Contemporary Painting and Global Realism, Andrea Moro, Tolmezzo (Udine) 2006. (cat.)

von Berswordt-Wallrabe, Alexander and Silke (ed.), Art for Shelter: Art Against Trafficking in Women and Sexual Exploitation, Basel 2006, p. 21. (cat.)

Ruf, Bearix (ed.), Laura Owens, Zürich, JRP Ringier 2006. (cat.)

Siegel, Katy (ed.), High Times Hard Times: New York Painting 1967-1975, Independent Curators International, New York 2006. (cat.)

Stosuy, Brandon (ed.), Up is Up But Down is Down: New York’s Downtown Literary Scene, 1974-1992, New York University Press, New York 2006, p. 130.

Zeno X Gallery: 25 Years, Zeno X Gallery, Antwerp 2006, pp. 98-99.

2005

Swiss Reinsurance Company (ed.), Art at 30 St Mary Axe London, Zürich, 2005, pp. 154-159. (cat.)

Moos, David (ed.), The Shape of Colour: Excursions in Colour Field Art, 1950-2005, Art Gallery, Toronto 2005.

Pagel, David, POPulence, Blaffer Gallery, Houston 2005.

2004

North Fork/South Fork: East End Art Now, The Parrish Art Museum, Southampton 2004.

Moser, Jill (et al.), Masters of the Obvious, Hampden Gallery, Fine Arts Center, University of Massachusetts, Amherst 2004.

2003

Secession (ed.), Mary Heilmann. All Tomorrow’s Parties, Verlag der Buchhandlung Walther König, Köln 2003. (cat.)

Hutchinson, John (ed.), Mary Heilmann. The Architecture of Heaven, Douglas Hyde Gallery, Dublin 2003. (cat.)

Curiger, Bice (ed.), Georgia O’Keeffe, Hatje Cantz Verlag, Ostfildern-Ruit 2003, p. 182. (cat.)

2002

Unterdörfer, Michaela (ed.), The House of Fiction. Sammlung Hauser und Wirth / 3, Verlag für moderne Kunst, Nürnberg 2002, pp. 69, 70, 73. (cat.)

Mary Heilmann in Conversation with David Ryan, in: Ryan, David, Talking Painting, Dialogues with Twelves Contemporary artists, Taylor and Francis Books, New York 2002, pp. 109 – 118.

Joselit, David, Mary Heilmann’s embodied Grids (1990), in: Ryan, David, Talking Painting, Dialogues with Twelves Contemporary artists, Taylor and Francis Books, New York 2002, pp. 101 – 108.

2001

Camden Arts Centre (ed.), Mary Heilmann, London 2001. (cat.)

2000

Kunstmuseum St. Gallen/Sammlung Hauser und Wirth (ed.), Mary Heilmann. Little 9 × 9 (1973) / Blue Room (1997) (text by Konrad Bitterli), Oktagon Verlag, Köln 2000. (cat.)

1999

Galerie Hauser & Wirth (ed.), Mary Heilmann. The All Night Movie (text by Jutta Koether), Offizin-Verlag, Zürich 1999. (cat.)

1997

Stiftung für konstruktive und konkrete Kunst Zürich (ed.), Mary Heilmann. This and That, Stiftung für konstruktive und konkrete Kunst, Zürich 1997.

Kunsthaus Bregenz, Köb, Edelbert (ed.), KünstlerInnen. 50 Gespräche, Verlag der Buchhandlung Walther König, Köln 1997, pp. 116-120. (cat.)

Kunsthaus Bregenz, Köb, Edelbert (ed.), KünstlerInnen. 50 Positionen zeitgenössischer internationaler Kunst. Videoportraits und Werke, Kunsthaus Bregenz, Bregenz 1997, p. 14.

Häusler, Christa (ed.), Mary Heilmann. Farbe und Lust, Cantz, Ostfildern 1997. (cat.)

Musée d’Art Moderne, Saint-Etienne (ed.), Abstraction/Abstractions. Géométries Provisoires, St. Etienne/Paris: Musée d’Art Moderne Saint-Etienne/Adagp/Spadem 1997, pp. 38-45. (cat.)

1996

Herzog, Hans-Michael (ed.), Abstrakte Malerei heute. nuevas abstracciones, Kunsthalle Bielefeld, Bielefeld 1996. (cat.)

1995

Wismer, Beat (ed.), Karo Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute, Aargauer Kunsthaus/Verlag Lars Müller, Aarau/Baden 1995, pp. 378-383. (cat.)

Rosenthal, Mark, Critiques of Pure Abstraction, Independent Curators Incorporated, New York 1995. (cat.)

1993

König, Kaspar, Obrist, Hans-Ulrich (ed.), Der zerbrochene Spiegel. Positionen zur Malerei, Kunsthalle Wien, Wien 1993, pp. 94-97. (cat.)

Hochschule für Angewandte Kunst (ed.), Future Perfect, Heiligenkreuzerhof, Wien 1993. (cat.)

Galleria Nazionale d’Arte Moderna (ed.), Italia-America. L’Astrazione Redefinita, San Marino 1993. (cat.)

1992

AsherFaure/RubinSpangle (ed.), Bedroom Pictures, Los Angeles 1992.

1991

Max Protech Gallery (ed.), Stubborn Painting, Now and Then, New York 1991. (cat.)

Sidney Janis Gallery (ed.), Conceptual Abstraction, New York 1991.

1990

Shoshana Wayne Gallery (ed.), The Ends of Painting. The Edge of Abstraction (text by David Pagel), Santa Monica 1990 (cat.)

Institute of Contemporary Art (ed.), Mary Heilmann: A Survey (text by David Joselit), Institute of Contemporary Art, Boston 1990. (cat.)

Cummings Arts Center. Connecticut College (ed.), Fluid Geometry, Connecticut 1990.

Lawrence Oliver Gallery (ed.), Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall (text by Barry Schabsky), Philadelphia 1990. (cat.)

1989

New Jersey Center for Visual Arts, Restructure. Subverting the Grid, Summit, 1989. (cat.)

Whitney Museum of American Art (ed.), The Whitney Biennial, Whitney Museum of American Art, New York 1989 (cat.)

University Art Museum (ed.), Abstract Options, Santa Barbara 1989. (cat.)

1988

Hunter College (ed.), A Debate of Abstraction, Hunter College, New York 1988. (cat.)

Pratt Institute/Instituto de Estudios Norteamericanos (ed.), Sightings. Drawings with Color, New York/Barcelona 1988 (cat.)

Gallery Mukai (ed.), Mary Heilmann, Tokyo 1988.

1987

Seattle Art Museum (ed.), Clay Revisions. Plate, Cup & Vase, Seattle 1987. (cat.)

Corcoran Gallery of Art (ed.), 40th Biennial of American Contemporary Painting, Washington, 1987. (cat.)

1986

Smith, Roberta, Mary Heilmann, Pat Hearn Gallery, New York 1986.

1983

Holly Solomon Gallery (ed.), The 10th Anniversary, New York 1983.

1980

Holly Solomon Gallery (ed.), Three More, New York 1980.

Jacksonville Art Museum (ed.), The Norman Fisher Collection, Jacksonville 1980. (cat.)

1977

Sarah Lawrence College (ed.), Painting: 75, 76, 77, Bronxville 1977.

Holly Solomon Gallery (ed.), The First Two Years, New York NY, 1977.

1973

Contemporary Arts Center, Options, Cincinati 1973.

Kenan Center, Ten Artists Who Happen to be Women, Fredonia 1973.

1972

Newark Museum (ed.), Painting and/or Sculpture, Newark 1972.

Whitney Museum of American Art (ed.), Whitney Annual, New York 1972.

Kunsthaus Hamburg (ed.), American Women Artists, Hamburg 1972. (cat.)

Writings by Mary Heilmann

2012

Mary Heilmann. Seeing Things. Vision, Waves and Roads, edited by Jochen Kienbaum, Snoeck, Köln 2012.

Future Greats 2012: Paul Gabrielli, in: Art Review, March 2012, p.81.

2011

Survey: Music., in: Frieze, London Sept. 2011.

Conversations with paintings, in: Tate ETC, London, pp. 80-81.

Nicholas Krushenick: A Survey, Gary Snyder Gallery, New York 2011. p.122.

Obsessive-Compulsive Daydreaming, in: Art Journal, Summer 2011.

Heilmann, Mary, Cory Arcangel, in: Interview, April 2011.

2007

Signs and Wonders, in: Art Forum, New York Nov. 2007, p. 314.

2004

What is the Object?, in: Frieze, London, No. 82, April 2004, p. 68.

1999

Mary Heilmann. The All Night Movie (text by Jutta Koether and Mary Heilmann, edited by Galerie Hauser & Wirth), Offizin-Verlag, Zürich 1999. (cat.)

1993

Cherchez La Femme, Peintre (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, Sept. 1993, pp. 127-128, 138-139.

First Day, Rogue, vol. XX, June 1993, p. 11.

1992

Does Gender Make a Difference in Contemporary Art (inquiry), in: Tema Celeste, Syracuse, no. 37-38, sepcial issue, Autumn 1992, p. 63.

Books and Catalogues (selected) Jessica Stockholder

2012

Jessica Stockholder: Wide Eyes Smeared Here Dear, Musee d’Art Moderne Saint-Etienne Metropole, Saint-Etienne 2012.

2011

Jessica Stockholder: Grab grassy this moment your I’s, published by Laumeier Sculpture Park, St. Louis, Missouri.

2010

Jessica Stockholder, ABC TASTE, The Perfect Guest, Captures Editions, Valence, France.

2009

Heinrich, Cristoph, G.F. Chanzit, J. Desmond, J. Wells (et al.), Embrace!, Denver Art Museum, Denver 2009.

Jessica Stockholder: Coating. les Compagnons du Sagittaire, Rennes 2009.

Jessica Stockholder: Flooded Chambers Maid, Madison Square Art, New York, New York 2009.

2008

Stockholder, Jessica and A.D. Weinberg. Madison Square Art 2009: Jessica Stockholder, Flooded Chambers Maid. Madison Square Park Conservancy, New York 2008.

2007

Morton, Tom. says the junk in the yard. Flowers East, London 2007.

Sigler, Jeremy and Jessica Stockholder, Rez Lingen, Mark Tomlinson. Led Almost by My Tie. Picture books, New York 2007.

2005

Jessica Stockholder: White Light Laid Frozen-Bright Longing and Soggy Up the Hill. Kunsthallen Brandts, Odense 2005.

2004

ART in Embassies Program: Contemporary American Art. ART in Embassies Program, U.S. Department of State, Washington, DC 2004.

2003

Jessica Stockholder, Kissing the Wall: Works, 1988-2003. Blaffer Gallery, Houston 2003.

Trespassing: Houses x Artists. Hatje Cantz, Ostfildern 2003.

2002

Jessica Stockholder. K20 Kunstsammlung Nordrhein-Westfalen/Stiftung Wilhelm Lehmbruck Museum, Düsseldorf/Duisburg 2002.

2001

Jessica Stockholder: Vortex in the Play of Theatre with the Real Passion (for Kay Stockholder). Verlag für moderne Kunst/Kunstmuseum St. Gallen, Nürnberg/St. Gallen 2001.

2000

Jessica Stockholder: First Cousin Once Removed or Cinema of Brushing Skin. The Power Plant, Toronto 2000.

Dinge in Der Kunst de XX.Jahrhunderts. Steidl, Göttingen 2000.

Modern Art: Painting, Sculpture, Architecture. Harry N. Abrams, New York 2000.

Skulptur 2000: Kern, Ostermeyer, Pernice, Rentmeister, Stockholder, Tavenne. Kunsthalle Wilhelmshaven & Kerber Verlag, Bielefeld 2000.

1999

Coming Off the Wall. Susquehanna Art Museum, Harrisburg 1999.

Jessica Stockholder: With Wanton Heed and Giddy Cunning Hedging Red and That’s Not Funny. Centre for Visual Arts, Cardiff 1999.

Special Offer. Kasseler Kunstverein, Kassel 1999.

1998

Alternative Measures. Castle Gallery, New Rochelle 1998.

Fabian Marcaccio & Jessica Stockholder. Sammlung Goetz, München 1998.

Young Americans 2. Saatchi Gallery, London 1998.

1997

Colorflex. Apex Art, New York 1997.

Jessica Stockholder. Picasso d’Antibes, Antibes 1997.

Jessica Stockholder: Landscape Linoleum. Openluchtmuseum voor beeldhouwkunst Middelheim, Antwerp 1997.

Jessica Stockholder: Nit Picking Trumpets of Iced Blue Vagueries. Musée des Beaux-Arts, Nantes 1997.

Jessica Stockholder: Slab of Skinned Water, Cubed Chicken & White Sauce. Kunstnernes Hus, Oslo 1997.

Art at the Turn of the Century. Taschen, Köln 1997.

Jessica Stockholder: 9 Installations. Edition du Centre d’art imprimé, Paris 1997.

1996

Jessica Stockholder. Studio La Città, Verona 1996.

Jessica Stockholder: 200 Drawings. Baxter Gallery, Portland 1996.

Painting – The Extended Field. Rooseum/Magasin 3, Malmö/Stockholm 1996.

The Point of Departure: Moira Dryer, Jessica Stockholder. Gallery of Art, Johnson County Community College, Overland Park 1996.

Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume. Dia Center for the Arts, New York 1996.

20th Century Art Book. Phaidon, London 1996.

1995

Jessica Stockholder. Phaidon, London 1995.

Jessica Stockholder: Sweet for Three Oranges. Fundació la Caixa, Barcelona 1995.

Jessica Stockholder: Your Skin in this Weather Bourne Eye-Threads & Swollen Perfume. Dia Center for the Arts, New York 1995.

1994

Color in Space: Pictorialism in Contemporary Sculpture. David Winton Bell Gallery, Brown University, Providence 1994.

New York – Positionen Aktueller Malerei. Studio-galerie der Kunstverein Museum Schloß Morsbroich, Leverkusen 1994.

Painting Outside Painting: 44th Biennial Exhibition of Contemporary American Painting. The Corcoran Gallery of Art, Washington, DC 1994.

1993

Jessica Stockholder. Westfälischer Kunstverein/Kunsthalle Zürich, Münster/Zürich 1993.

Jessica Stockholder: Edge of Hothouse Glass. Carré d’Art Musée d’Art Contemporain de Nîmes, Nîmes 1993.

Pink Lady: Jessica Stockholder. Weatherspoon Art Gallery, University of North Carolina, Greensboro 1993.

Pittura – Immedia: Malerei in den 90er Jahren. Neue Galerie am Landesmuseum Joanneum, Graz 1993.

1991

Awards in the Visual Arts 10. Southeastern Center for Contemporary Art, Winston-Salem 1991.

Chicago, and Witte de With Center for Contemporary Art. The Renaissance Society/Witte de With, Chicago/Rotterdam 1991.

Le Choix des Femmes. Le Consortium, l’Usine & Espace Frac, Dijon 1991.

Le Consortium Collectionne. Le Consortium, Dijon 1991.

Jessica Stockholder. Contemporary Art Gallery, Vancouver 1991.

Mettlesome & Meddlesome: Selections from the Collection of Robert J. Schiffler. The Contemporary Arts Center, Cincinnati 1991.

The Museum of Natural History. Barbara Farber Gallery, Amsterdam 1991.

Peter Nadin/Jessica Stockholder. Warren Adelson Gallery, New York 1991.

Physicality: An Exhibition on Color Dimensionality in Painting. The Gallery, New York 1991.

Plastic Fantastic Lover (object a). Blum Helman Warehouse, New York 1991.

Miller, John. Jessica Stockholder, The Renaissance Society at the University of Transgressions in the White Cube: Territorial Mappings. Bennington College, Bennington 1991.

The world as we find it. The Aldrich Museum of Contemporary Art, Ridgefield 1991.

1991 Biennial. Whitney Museum of American Art, New York 1991.

1990

Don’t Look Now. Thread Waxing Space, New York 1990.

Mattress Factory: Installation and Performance, 1982-1989. The Mattress Factory, Pittsburgh 1990.

Outside America: Going into the ’90’s. Fay Gold Gallery, Atlanta 1990.

The Technological Muse. Katonah Museum of Art, Katonah 1990.

Stendhal Syndrome: The Cure. Andrea Rosen Gallery, New York 1990.

Unbound: Possibilities in Painting. The Hayward Gallery & The South Bank Centre, London 1990.

1989

Berkshire Art Association 1989 Exhibition of Painting and Sculpture. Berkshire Museum, Pittsfield 1989.

A Climate of Site. Galerie Barbara Farber, Amsterdam 1989.

1985

Selections from the Artist’s File. Artists Space, New York 1985.