Richard Prince, I never had a penny to my name so I changed my name, 1986

Ink on paper, 21,5 x 28 cm

Richard Prince Gang (Cartoons); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Clouds); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince, Gang (Santa Claus and Superman), 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Nr5 Gang (Sharks and Trucks); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Psycho Panic Gone); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Cowboys); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Bikes and Trucks); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Porno); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Waves); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Richard Prince Gang (Bikini); 1986

Ectacolour Print, 220 x 120 cm, Edition 1 of 2

Coming soon


born in Panama Canal Zone

lives and works in Upstate New York, USA

solo exhibitions (selected)


Fashion, Nahmad Contemporary, New York (US)

New Portraits, Blum & Poe Gallery, Tokyo (JP)

Figures, Luxembourg & Dayan, New York (US)

Original, Gagosian Gallery, New York (US)

New Portraits, Gagosian Gallery, Davies St. London (UK)

Cowboy, Gladstone Gallery, New York (US)


Canal Zone, Gagosian Gallery, New York (US)

It’s a Free Concert, Kunsthaus-Bregenz, Bregenz (AT)

New Figures, Almine Rech Gallery, Paris (FR)

New Portraits, Gagosian Gallery, New York (US)


Untitled (band), Le Case D’Arte, Milan (IT)


Prince/Picasso, Picasso Museum, Malaga (ES)


The Fug, Almine Rech Gallery, Brussels (BE)

Richard Prince, Gagosian Gallery, Hong Kong (HK)

Richard Prince: American Prayer, Bibliothèque nationale de France, Paris (FR)

Covering Pollock, Guild Hall, Easthampton, New York (US)

de Kooning, Gagosian Gallery, Paris (FR)

Bel Air, Gagosian Residence, Los Angeles (US)

Richard Prince, Pre-Appropriation Works, 1971 – 1974, Specific Objects, New York (US)


Richard Prince: T-Shirt Paintings: Hippie Punk, Salon 94, New York (US)

Richard Prince: Tiffany Paintings, Gagosian Gallery, New York (US)


Richard Prince: After Dark, Gagosian Gallery, New York (US)


Richard Prince, Gagosian Gallery, New York (US)

Richard Prince, Galerie Patrick Seguin, Paris (FR)

Richard Prince: Four Blue Cowboys, Gagosian Gallery, Rome (IT)

Richard Prince, Gagosian Gallery, London (UK)

Richard Prince, Spiritual America, Walker Art Center, Minneapolis (US)

Richard Prince, Serpentine Gallery, London (UK)


Richard Prince, curated by Nancy Spector, Solomon R. Guggenheim Museum, New York; Walker Art Center, Minneapolis; Serpentine Gallery, London

Richard Prince, Panama Pavilion, Venice (IT)

Richard Prince: The Early Works, Neuberger Museum of Art, Purchase, New York (US)


Richard Prince, Sprüeth & Magers, Cologne (DE)

Richard Prince : Cowboys, Mountains, and Sunsets, Monika Sprüth, Cologne (DE)

Richard Prince : Canaries in the Coal Mine, Astrup Fearnley Museum, Oslo (NO)

Richard Prince: The Portfolios, Juergen Becker, Hamburg (DE)

Richard Prince: Cowboys & Sunsets, John McWhinnie at Glenn Horowitz, New York (US)


Richard Prince: Hippie Drawings, Sadie Coles HQ, London (UK)

Richard Prince, Whitechapel Gallery, London (UK)

Spiritual America 4, 5 Rivington Street, New York (US)

Richard Prince, Barbara Gladstone Gallery, New York (US)

Richard Prince: Check Paintings, Gagosian Gallery, Beverly Hills (US)


Richard Prince, Sammlung Goetz, Munich (DE)

American Dream, Collecting Richard Prince for 27 Years, Rubell Family Collection, Miami (US)

Richard Prince:Women, Regen Projects, Los Angeles (US)

Richard Prince Man, Galerie Eva Presenhuber, Zurich (CH)


Sadie Coles HQ, London Richard Prince: Publicities, Works from the Ophiuchus Collection, Hydra Workshop (GR)

Richard Prince: New Work, Glenn Horowitz Bookseller, East Hampton, New York (US)

Richard Prince: Nurse Paintings, Barbara Gladstone Gallery, New York (US)

Richard Prince: Upstate, Sabine Knust, Munich (DE)


Barbara Gladstone Gallery, New York (US)

Patrick Painter, Inc., Santa Monica, California (US)

Richard Prince, Kunsthalle Zürich, Zurich (CH)


Galerie Micheline Szwajcer, Antwerp (BE)

Skarstedt Fine Art, New York (US)

Regen Projects, Los Angeles (US)

Sadie Coles, HQ, London (UK)

Richard Prince, Museum für Gegenwartskunst, Basel (CH)

Neue Galerie im Höhmann-Haus, Augsburg (DE)


Richard Prince: Upstate, MAK Center for Art and Architecture, Schindler House, Los Angeles (US)

Richard Prince: 4×4, MAK Center for Art and Architecture, Vienna (AT)

Richard Prince: Photographs, Paintings, Jablonka Galerie, Cologne (DE)

Barbara Gladstone Gallery, New York (US)

Richard Prince: Princeville, Partobject Gallery, Carrboro, North Carolina (US)


Sadie Coles HQ, London (UK)


Richard Prince, Stills Ltd., Edinburgh (UK)

Regen Projects, Los Angeles (US)

Barbara Gladstone Gallery, New York (US)

Richard Prince: Paintings 1988-92, Skarstedt Fine Art, New York (US)

Psychoarchitecture: Richard Prince, Martin Kippenberger, Anton Kern Gallery, New York (US)


The White Room, Jürgen Becker, Hamburg, Germany. Traveled to: Parco, Tokyo (JP)

Richard Prince, Museum Haus Lange / Museum Haus Esters, Krefeld (DE)

Cowboys and Cowgirls, Espace d’Art Yvonamor Palix, Paris (FR)

Richard Prince, White Cube, London (UK)


Richard Prince, Maximilian Verlag – Sabine Knust, Munich (DE)

Haus der Kunst / Süddeutsche Zeitung, Munich (DE)

Richard Prince: New Works, Jablonka Galerie, Cologne (DE)


Richard Prince: Paintings, Barbara Gladstone Gallery, New York (US)

Theoretical Events, Naples (US)

Regen Projects, Los Angeles (US)


Kestner Gesellschaft, Hannover (DE)

Offshore Gallery, East Hampton, New York (US)


Richard Prince: Fotos, Schilderijen, Objecten, Museum Boymans-Van Beuningen, Rotterdam (NL)

Barbara Gladstone Gallery, New York (US)

San Francisco Museum of Modern Art, San Francisco (US)

Kunstverein and Kunsthalle, Dusseldorf (DE)

First House, Stuart Regen Projects, Los Angeles (US)

Girlfriends, Jablonka Galerie, Cologne (DE)

Galerie Micheline Szwajcer, Antwerp (BE)


Richard Prince, Whitney Museum of American Art, New York (US)

Protest Paintings, Maximilian Verlag / Sabine Knust, Munich (DE)

Beaver College Art Gallery, Glenside, Pennsylvania (US)

Works on Paper, Le Case d’Arte, Milan (IT)


Barbara Gladstone Gallery, New York (US)

Galleri Nordanstad – Skarstedt, Stockholm (SE)

Galerie Ghislaine Hussenot, Paris (FR)

Stuart Regen Gallery, Los Angeles (US)


Richard Prince: Jokes, Gangs, Hoods, Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne (DE)

Richard Prince , Galerie Micheline Szwajcer, Antwerp (BE)

Arthur Roger Gallery, New Orleans (US)


Spiritual America, IVAM Center del Carme, Valencia (ES)

Richard Prince – Sculpture, Barbara Gladstone Gallery (joint exhibition with Jay Gorney Modern Art), New York (US)

Richard Prince – Paintings, Jay Gorney Modern Art (joint exhibition with Barbara Gladstone Gallery), New York (US)

Barn Gallery, Ogunquit, Maine (US)

Daniel Weinberg Gallery, Los Angeles (US)


Barbara Gladstone Gallery, New York (US)

Centre National d’Art Contemporain de Grenoble (US)

Le Case d’Arte, Milan (IT)

Tell Me Everything (sponsored by the Public Art Fund, Inc.), Spectacolor Lightboard Installation, One Times Square, New York (US)

Galerie Ghislaine Hussenot, Paris (FR)


Galerie Rafael Jablonka, Cologne DE)

Galerie Isabella Kacprzak, Stuttgart (DE)

Daniel Weinberg Gallery, Los Angeles (US)


International with Monument, New York (US)

Feature Gallery, Chicago (US)


International with Monument, New York (US)

Richard Kuhlenschmidt Gallery, Los Angeles (US)


Riverside Studios, London (UK)

Feature Gallery, Chicago (US)

Baskerville + Watson, New York (US)


Le Nouveau Musée, Lyon (FR)

Institute of Contemporary Art, London (UK)

Richard Kuhlenschmidt Gallery, Los Angeles (US)

Baskerville + Watson, New York (US)


Metro Pictures, New York (US)


Metro Pictures, New York (US)

Richard Kuhlenschmidt Gallery, Los Angeles (US)


Artists Space, New York (US)

CEPA Gallery, Buffalo, New York (US)

group exhibitions (selected)


Le Jardin Decompose / Decomposed Garden, Gagosian Gallery, Le Bourget, Paris (FR)

Richard Prince / Roe Ethridge, Gagosian Gallery, New York (US)


Ma-re Mount with Carl Andre, Liz Deschenes, Richard Prince, R.H. Quaytman, Ed Halter, Galerie Bucholz, Cologne (DE)

Deliverance, The Brant Foundation Art Study Center, Greenwich (US)

ArtLovers- Stories of Art in the Pinault Collection, Grimaldi Forum of Monaco (MC)

Urban Theater: New York Art in the 1980s, Modern Art Museum at Fort Worth (US)

(Mis)understanding Photography Werke und Manifests, Museum Folkwang, Essen (DE)

Disturbing Innocence, The FLAG Art Foundation, New York (US)


Big Pictures, Amon Carter Moseum of American Art, Fort Worth (US)

Murderme, Pinacoteca Agnelli, Turin (IT)

I, You, We, Whitney Museum of American Art, New York (US)

WANTED: Selected works from the Mugrabi collection: Any Warhol, Richard Prince, Tome Wesselmann, Tel Aviv Museum of Art (IL)

Tomorrow It’s Time for the Future, Kunstraum Kreuzberg, Berlin (DE)

Christopher Wool Retrospective, Guggenheim Museum, New York (US)

Collection Platform 4: Emotion and Technology, Pinchuk Art Centre (UA)

PISTON HEAD: Artists Engage the Automobile, Miami (US)


Looking back for the future, Kunsthalle Zürich, Zurich (CH)

Hans Bellmer, John Currin, Marcel Duchamp, Llyn Foulkes, Robert Heinecken, Tetsumi Kudo, Richard Prince, Alina Szapocznikow, Hannah Wilke, Andrea Rosen Gallery, New York (US)


Through the looking brain, Kunstmuseum Bonn, Bonn; Kunstmuseum St. Gallen, St. Gallen (CH)

Surreal versus Surrealism in Contemporary Art, Institut Valencià d’Art Modern, Valencià (ES)

Zwei Sammler: Thomas Olbricht und Harald Falckenberg, Deichtorhallen, Hamburg (DE)

After Hours: Murals on the Bowery, New York (US)

Figures in a Landscape, Gagosian Gallery, Hong Kong

Staging Auction Performance in Photography since 1960, Museum of Modern Art, New York

Legacy : The Emily Fisher Landau Collection Whitney Museum, New York

Unpainted Paintings, Luxembourg & Dayan, New York

Creating the New Century : Contemporary Art from the Dic Collection, Dayton Art Institute, Dayton, Ohio

That’s the Way We Do It: The Techniques and Aesthetic, Kunsthaus Bregenz.


Summer Shows, Gagosian Gallery, New York

Pop Life: Art in a Material World, Tate Modern, London

The Modern Myth: Drawing Mythologies in Modern Times, MOMA, New York

Crash: Homage to JG Ballard, Gagosian Gallery, London

The Anniversary Show, San Francisco Museum of Modern Art, San Francisco

Haunted: Contemporary Photography/Video/Performance, Guggenheim Museum, New York

Your History is Not Our History, Haunch of Venison, New York

Sexuality and Transcendence, Pinchuk Art Centre, Kiev, Ukraine

Rewind: Selected works from the MCA collection 1970’s to 1990’s, Museum Contemporary Art Chicago, Chicago

Knock Knock, Who’s There? That Joke Isn’t Funny Anymore, Armand Bartos Fine Art, New York

Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York

Collecting Biennials, Whitney Museum of American Art, New York


Into the Sunset, Photography’s Image of the American West, Moma, New York.

She, Michael Kohn Gallery, Los Angeles

Louis Vuitton: A Passion for Creation, Hong Kong Museum of Art, Hong Kong

UFO, Projects GmbH, Dusseldorf


Wall Rockets: Contemporary Artists and Ed Ruscha, The FLAG Art Foundation, NY; The Unforgiven, Stellan Holm Gallery, New York.

An Unruly History of the Readymade Foundation/Collection Jumex, Ecatepac de Morelos, Estado de Mexico

Pipe, Glass, Bottle of Rum: The Art of Appropriation, the Museum of Modern Art, New York

Meet Me Around the Corner – Works from the Astrup Fearnley Collection, Astrup

Fearnley, Museet for Moderne Kunst, Oslo

Sonic Youth: Sensation Fix- Production LiFE, Saint-Nazaire, France & Museion Bolzano, Italy

for what you are about to receive, Gagosian Gallery at Red October Chocolate Factory, Moscow

Wives, Wheels, Weapons, Glenn Horowitz Bookseller East Hampton, New York

Faces & Figures (revisited), Marc Jancou Contemporary New York

EXCERPT: Selections from Jeanne Greenberg Rohatyn Collection, The Francis Lehman Loeb Art Center, Vassar College, New York

Who’s Afraid of Jasper Johns? Tony Shafrazi Gallery, New York

Collier Schorr: Freeway Balconies, Deutsche Guggenheim, Berlin

Purple Anthology; Art Prose Fashion Music Architecture Sex, John McWhinnie at Glenn Horowitz Bookseller, New York

No Images of Man, Gering & Lopez Gallery, New York

You Can Go Your Own Way, Renwick Gallery, New York

Sympathy for the Devil: Art and Rock Since 1967, Museum of Contemporary Art, North Miami

I Love the Horizon, Magasin, Centre National d’Art Contemporin, Grenoble

Photography on Photography, from the 1960s to the Present, The Metropolitan Museum of Art, New York

Depreciation and Devastation, Gavin Brown’s Enterprise at Passerby, New York

Typed, Sadie Coles, London

John Dogg, Kunsthalle Zurich

Radical Advertising, Projects GmbH, Dusseldorf

Prefab, Gagosian Gallery, New York

Street & Studio: An Urban History of Photography, Tate Modern, London

God & Goods, Villa Manin Centro d’Arte Contemporanea, Codroipo, Italy


Fit to Print: Printed Media in Recent Collage, Gagosian Gallery, New York

Frieze Projects, Frieze Art Fair, London

Art in America: 300 Years of Innovation, Organized by the Solomon R. Guggenheim Museum, New York; National Art Museum of China, Beijing; the Shanghai Museum; the Museum of Contemporary Art, Shanghai; Pushkin Museum of Fine Arts, Moscow; and the Guggenheim Museum, Bilbao

My Sweet Sixteen Party, Rodolphe Janssen, Brussels

Now Playing: Artists Who Borrow From Film, Glenn Horowitz Bookseller, East Hampton, New York

Jubilee Exhibition, Eva Presenhuber, Zurich

Fractured Figure: Works from the Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens

Body Politicx, Witte de With Center for Contemporary Art, Rotterdam

New Acquisition, Le Casa D’Arte, Milan

Heroines: Richard Prince, Madame Butterfly, The Arnold and Marie Scwartz Gallery, Metropolitan Opera, New York

Counterparts: Contemporary Painters and their Influences, Contemporary Art Center of Virginia, Virginia Beach

Sequence 1: Painting and Sculpture from the Pinault Collection, Palazzo Grassi, Venice

Brave Lonesome Cowboy: The Myth of the Western in Contemporary Art-Or: For the Hundredth Birthday of John Wayne, Galerie Der Stadt Esslingen Am Neckar and Kunstmuseum St. Gallen, Esslinghan, Germany

Paper, Painting and Sculpture, Fisher Landau Center For Art, Long Island City, New York

Situation Comedy: Humor in Recent Art, Independent Curators International, Traveling Exhibition

Lights Camera Action: Artist’s Film for the Cinema, Whitney Museum of American Art, New York

Robert Mangold, Richard Prince, Andrea Rosen Gallery, New York

Light Sentence, Zeuggasse 7, Obergeschoss, Germany


Heroines, curated by Dodie Kazanjian, The Arnold and Marie Schwartz Gallery Met at the Metropolitan Opera, New York

Surprise, Surprise, Institute of Contemporary Arts, London

The Other Side, Tony Shafrazi Gallery, New York

Jonathan Monk & Richard Prince, Galerie Mezzanin, Vienna

The Downtown Show: The New York Art Scene, 1974-1984, Grey Art Gallery & Fales Library, New York University


Vogue Nudes, Mitchell-Innes & Nash, New York

Dialogue: Baldessari, Prince, Ruscha, Wool, Perry Rubenstein, New York

MO(NU)MENTS: Works from the Astrup Fearnley Collection, Museum of Modern Art, Oslo, Norway

Bidibidobidiboo, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Italy

Counting the Ways: Word as Image, Fisher Landau Center for Art, Long Island City, New York

Works on Paper, Gagosian Gallery, Beverly Hills.

Intuition Box (curated by Tim Rollins & KOS), Curator’s Office Washington D.C.

Shadowland: An Exhibition as a Film, curated by Douglas Fogle and Philippe Vergne, Walker Art Center, Minneapolis


East Village USA, curated by Dan Cameron, New Museum of Contemporary Art, New York

Faces in the Crowd – Picturing Modern Life from Manet to Today, Whitechapel Art Gallery, London; Castello Rivoli, Turin, Italy

The Undiscovered Country, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles

What’s Modern?, Gagosian Gallery, New York

Biennial Exhibition, Whitney Museum of American Art, New York

The Big Nothing, Institute of Contemporary Art, Philadelphia

Planet B: The Aesthetics of B Movies in Contemporary Visual Arts, Magazin 4, Vorarlberger and Bregenzer Kunstverein, Bregenz, Austria

Motorcycles and Art, Susquehanna Art Museum, Harrisburg, Pennsylvania

I am the Walrus, Cheim and Read Gallery, New York

Hollywood Blvd, Presenca Galeria, Porto, Portugal

Indigestible Correctness I (curated by Rita Ackermann and Lizzi Bougatsos), Participant Inc, New York

The Frank Cohen Collection: A Selection, London

Power, Corruption, and Lies, Roth Horowitz, New York

The Charged Image: from the collection of Douglas S. Cramer, Joseloff Gallery, University of Hartford, West Hartford, Connecticut


Faking Real, LeRoy Neiman Gallery, Columbia University School of the Arts, New York

La Biennale di Venezia: Delays and Revolutions, curated by Francesco Bonami and Daniel Birnbaum, Padiglione Italia, Venice, Italy

The Fourth Sex: The Extreme People of Adolescence, curated by Francesco Bonami, Pitti Imagine, Milan

watery, domestic, curated by Hamza Walker, Renaissance Society, Chicago

Unreal Estate Opportunities, curated by David Rimanelli, PKM Gallery, Seoul, South Korea

Back in Black, Cohan, Leslie and Browne, New York

Summer Program, curated by Katy Siegel, Apexart Curatorial Program, New York

Stranger in the Village, Guild Hall, East Hampton, New York

Artist’s Choice, curated by Mona Hatoum, Museum of Modern Art, Queens, New York

Only Skin Deep, International Center of Photography, New York

The Last Picture Show, Walker Art Center, Minneapolis

100 Artists See God, curated by John Baldessari and Meg Cranston, Independent Curators International, New York

Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore; Palm Beach Institute of Contemporary Art, Palm Beach, Florida

Everyday Aesthetics: Works from the Astrup Fearnley Collection, Astrup Fearnley Musuem, Oslo


Chic Clicks: Creativity and Commerce in Contemporary Fashion Photography, the Institute of Contemporary Art, Boston

Summer Reading, Gagosian Gallery, Beverly Hills

Public Affairs, Kunsthaus Zurich

Short Stories, Henry Art Gallery, Seattle

To Whom it May Concern, CCAC Wattis Instiute for Contemporary Arts, San Francisco

The Photographic Impulse: Highlights from the Joseph and Elaine Monsen Photography Collection, Henry Art Gallery, Seattle

Visions from America: Photographs from the Whitney Museum of American Art, Whitney Museum of American Art, New York

Art Downtown: New York Painting and Sculpture, New York

Copy, curated by Neville Wakefield, Ruth Horowitz, New York

New Visions of the West, Nassau County Museum of Art, Roslyn Harbor, New York

Transformer, curated by Inez van Lamsweerde and Vinoodh Matadin, Air de Paris, Paris

Seeing Things: Photographing Objects 1850 – 2001, The Canon Photography Gallery at the Victoria and Albert Museum, London


Mythic Proportions: Painting in the 1980s, Museum of Contemporary Art, Miami

Galerie Jablonka, Cologne, Germany

Settings and Players: Theatrical Ambiguity in American Photography, curated by Louise Neri, White Cube, London

Spiritual America, Audiello Fine Art, New York

Summer Reading, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York

Televisions, Kunsthalle Wien, Vienna

Art at the Edge of Law, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut

Parkett, Collaborations and Editions since 1984, Museum of Modern Art, New York

Brooklyn Academy of Music Photography Portfolio, Cheim & Read Gallery, New York


Let’s Entertain (Au-dela du Spectacle), Walker Art Center, Minneapolis; Centre Georges Pompidou, Paris; Miami Art Museum, Miami

Couples, Cheim & Read, New York

Drive: Power>Progress>Desire, Govett-Brewster Art Gallery, New Plymouth, New Zealand

Arts & Facts, Galleria Franco Noero, Turin, Italy

Around 1984: A Look at Art in the Eighties, PS1 Contemporary Art Center, Long Island City, New York

Apocalypse: Beauty & Horror in Contemporary Art, Royal Academy of Arts, London


Customized: Art Inspired by Hot Rods, Low Riders, & American Car Culture, the Institute of Contemporary Art, Boston; California Center for the Arts, Escondido, California

Art in America: 2000, Art in Embassies Program, Slovak Republic

The American Century – Part II, Whitney Museum of American Art, New York

Horse Play, Real Art Ways, Hartford, Connecticut

Transmute, Museum of Contemporary Art, Chicago


Plain Air, Barbara Gladstone Gallery, New York

Fame After Photography, Museum of Modern Art, New York

Examining Pictures, Whitechapel Art Gallery, London; Museum of Contemporary Art, Chicago

Real Stories, Marianne Boesky Gallery, New York

Cleveland Collects Contemporary Art, The Cleveland Museum of Art, Cleveland

Painting: Now and Forever Part I, Matthew Marks and Pat Hearn Gallery, New York

Dispersal of Pop Abstraction, Museum of American Art, Pennsylvania Academy of Fine Arts, Philadelphia

Die Rache der Veronika, Deichtorhallen Hamburg, Fotosammlung Lambert, Germany

Emotion – Young British and American Art from the Goetz Collection, Deichtorhallen, Hamburg

American Playhouse – The Theatre of Self-Presentation, The Power Plant, Toronto


Biennial Exhibition, Whitney Museum of American Art, New York

Birth of Cool: American Painting from Georgia O’Keeffe to Christopher Wool, Deichtorhallen, Hamburg; Kunsthaus Zürich, Zurich

Someone Else With MY Fingerprints, David Zwirner Gallery, New York. Traveled to: Galerie Hause & Wirth, Zurich; August Sander Archiv, Cologne; Kunstverein München, München; Kunsthaus München, München

New York on Paper, Baumgartner Galleries, Washington, D.C.


New York Scene, Gotlands Konst Museum, Visby, Sweden

The American Trip, The Power Plant, Toronto

Young Americans: New American Art in the Saatchi Collection, Saatchi Gallery, London

Who Do You Think You Are?, Bard College, New York

a/drift – Scenes from the Penetrable Culture, Center for Curatorial Studios, Bard College, Annandale-on-Hudson, New York

Playpen of Corpus Delirium, Kunsthalle Zürich, Zurich

Gramercy International Art Fair, Los Angeles

Passions Privée, Musée d’Art Moderne, Paris

Screen, Fredrich Petzel Gallery, New York


Photocollages, Le Consortium, Nouvelles Scènes ’95, Dijon, France

Close to Life, Galerien der Stadt Esslingen am Neckar, III Internationale Foto-Triennale, Alessandro Bonomo, Rome

In A Different Light, University Art Museum, Berkeley, California

Pittura/Immedia, Neue Galerie am Landesmuseum Joanneum und Künstlerhaus, Graz, Austria

L’effet cinema, Musée du Luxembourg, Paris

Art as Dramatic Comedy, Randolf Street Gallery, Chicago

Multiple Exposure: The Group Portrait in Photography, curated by Leslie Tonkonow, Independent Curators International, New York


Tuning Up, Kunstmuseum Wolfsburg

Pictures of the Real World (In Real Time), Paula Cooper Gallery, New York

Das Americas, Galeria Luisa Strina, Saõ Paolo, Brazil

The Ossuary, Luhring Augustine Gallery, New York


Galerie Asbaek, Copenhagen

Cowboys and Jokes – Works from 1980-1988, Per Skarstedt Fine Art, New York

The Language of Art, Kunsthalle Wien, Vienna

Up in Smoke: Photographs 1991-1992 (curated by Barbara Jakobson and Keith DeLellis), Knoedler & Co., New York

Commodity Image, International Center of Photography, New York

Patrick Painter Editions, Galerie Johnen & Schöttle, Cologne

Sean Landers, Raymond Pettibon, Richard Prince, Galerie Jürgen Becker, Hamburg

Photoplay: Works from the Chase Manhattan Collection, Center for the Fine Arts, Miami

I am the Enunciator, Thread Waxing Space, New York

Meddlesome Selection from the Collection of Robert J. Shiffler, The Contemporary Arts Center, Cincinnati


c. 1980, Barbara Gladstone Gallery, New York

Documenta IX, Kassel, Germany

Allegories of Modernism: Contemporary Drawings, Museum of Modern Art, New York

Ars Pro Domo, sponsored by Museum Ludwig, curated by W. Dickhoff, Cologne

Selected Works from the Early 80’s, Kunstraum Daxer, Munich

Re: Framing Cartoons, curated by Tom Zummer, Wexner Center for the Arts, Columbus

Quotations, The Second History of Art, The Aldrich Museum of Art, Ridgefield, Connecticut

Hollywood Hollywood, curated by Fred Fehlau, Art Center College of Design, Pasadena

Knowledge: Aspects of Conceptual Art, University Art Museum, Santa Barbara, California; Santa Monica Museum of Art, California; North Carolina Museum of Art, Raleigh

Theoretically Yours, curated by Collins and Millazo, Chiesa di San Lorenzo, Aosta

Summer Stock, Gerald Peters Gallery, Dallas

Mees, Klingelhöller, Therrien and Prince, Galerie Micheline Szwajcer, Antwerp, Belgium

Special Collections – The Photographic Order from Pop to Now, International Center for Photography, Midtown New York

Childhood Revisited, Rena Bransten Gallery, San Francisco

American Art of the 80s (organized by Jerry Saltz), Palazzo delle Albere, Trento, Italy


ACT-UP Benefit Art Sale, Paula Cooper Gallery, New York

Fonds Regional d’Art Contemporain des Pays de la Loire, Clisson, France

Metropolis, Walter Gropius Bau, Berlin

Night Lines, Central Museum, Utrecht

The Words and the Images, Central Museum, Utrecht

Power: Its Myths, Icons, and Structures in American Art, 1961-1991, Indianapolis Museum of Art, Indianapolis

Words & Numbers, Museum of Contemporary Art, Wright State University, Dayton

Oeuvres Originales, Fonds Régional d’Art Contemporain des Pays de la Loire, Clisson, France

20th Century Collage, Margo Leavin Gallery, Los Angeles

La Revanche de l’Image, Galerie Pierre Hubert, Geneva, Switzerland

Rope, Fernando Alcolea Gallery, Barcelona

To Wit, Rosa Esman Gallery, New York

Portraits on Paper, Robert Miller Gallery, New York

Pat Hearn Gallery, New York

Stuart Regen Gallery, Los Angeles


Luhring-Augustine-Hetzler, Santa Monica, California

Life Size: A Sense of the Real in Recent Art, The Israel Museum, Jerusalem.

Word as Image: American Art 1960-1990, Milwaukee Museum; Oklahoma City; Contemporary Art Museum, Houston

Images in Transition: Photographic Representation in the Eighties, National Museum of Modern Art, Kyoto, Japan

The Last Decade: American Artists of the 1980s, curated by Collins and Milazzo, Tony Shafrazi Gallery, New York

The Charade of Mastery, the Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York

Paintball, 303 Gallery, New York; Stuart Regen Gallery, Los Angeles

The Decade Show: Frameworks of Identity in the 80s, The New Museum, New York

The Age of Information, Andrea Ruggieri Gallery, Washington, D.C.

Disconnections, Galleri Nordanstad-Skarstedt, Stockholm

The Indomitable Spirit: Photographers and Friends United Against AIDS, International Center of Photography, New York; Los Angeles Municipal Art Gallery, Los Angeles

The Last Laugh: Irony, Humor, Selfmockery and Derision, curated by Collins and Milazzo, Massimo Audiello Gallery, New York

Art et Publicité 1890-1990, Centre Pompidou, Paris


Wittgenstein The Play of the Unsayable, curated by Joseph Kosuth, Paleis voor Schone Kunsten, Brussels

Image World Art and Media Culture, the Whitney Museum of American Art, New York

A Forest of Signs: Art in the Crisis of Representation, The Museum of Contemporary Art, Los Angeles

Moskau – Wien – New York, Festival of Vienna, Vienna

Prospect Photographie, Franfurter Kunstverein, Frankfurt am Main

Une Autre Affaire, Festival Nouvelles Scènes ’89, Dijon, France

Dream Reality (curated by Peter Nagy), The School of Visual Arts Gallery, New York

In Other Words: Wort und Schrift in Bildern der Konzeptuellen Kunst, Museum am Ostwall, Dortmund

D & S Ausstellung, Kunstverein in Hamburg

Contemporary Art from New York – The Collection of the Chase Manhattan Bank, Yokohoma Museum of Art, Japan

The Photography of Invention: American Pictures of the 1980s, National Museum of American Art, Washington, D.C.

New Acquisitions, New Work, New Directions, International Museum of Photography at George Eastman House, Rochester, New York

Re-presenting the 80s, Simon Watson Gallery, New York

Suburban Home Life: Tracking the American Dream, the Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York

Nocturnal Visions in Contemporary Painting, the Whitney Museum of American Art at Equitable Center, New York

Bilderstreit, Rheinhalle, Cologne Fair Grounds, Cologne

Prospect ’89, Frankfurter Kunstverein, Frankfurt am Main

Through a Glass, Darkly, University Galleries, Illinois State University, Normall, Illinois

Photography Now, Victoria and Albert Museum, London

Scripta Manent – Verba Volant, Monika Spruth Galerie, Cologne

Conspicuous Display, Stedman Art Gallery, Rutgers University, Camden, New Jersey

Horn of Plenty: Sixteen Artists from New York City, Stedelijk Museum, Amsterdam

Arrangements 1, Mai 36 Galerie, Luzern, Switzerland

Amerikarma, Hallwalls Contemporary Arts Center, Buffalo, New York

Binationale: Deutsche/Amerikanische Kunst der 80er Jahre, Städt Kunsthalle, Kunstsammlung Nordhein-Westfalen, Kunstverein für die Rheinlande und Westfalen, Dusseldorf

Das Licht von der anderen Seite, Galerie F.C. Grundlach, Hamburg, Germany.Galleri Contur, Stockholm

New Works by Ashley Bickerton, Robert Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer Vaisman, Christopher Wool, Daniel Weinberg Gallery, Los Angeles

Gangs of Surrogate Entertainers Since McCollum – Robbins, Galerie F.C. Gundlach, Hamburg

Modes of Address: Language in Art Since 1960, the Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York

The Object of the Exhibition, Centre National des Arts Plastiques, Paris

Reprises de vues, Halle Sud, Geneva, Switzerland

Lifelike, Lorence-Monk Gallery, New York

Allan McCollum – Richard Prince, Kunsthalle Zürich, Zurich

Hover Culture, Metro Pictures, New York.

Nostalgia as Resistance, Clocktower Gallery, New York

A ‘Drawing’ Show, Cable Gallery, New York.


Photography on the Edge, The Haggerty Museum of Art, Marquette University, Milwaukee

Sexual Difference: Both Sides of the Camera, Wallach Art Gallery, Columbia University, New York

Photographic Truth, The Bruce Museum, Greenwich, Connecticut

Venice Biennale: Aperto ’88, Italy, Venice


Recent Tendencies in Black and White, Sidney Janis Gallery, New York

Le Case d’Arte, Milan

Fotografien, Galerie Nächt St. Stephan, Vienna

Romance, Knight Gallery / Spirit Square Arts Center, Charlotte, North Carolina

Photography and Art: Interactions since 1946, Los Angeles County Museum of Art; Whitney Museum of American Art, New York

Biennial Exhibition, Whitney Museum of American Art, New York

True Pictures, John Good Gallery, New York

Prints, Harm Bouckaert Gallery, New York

Der Reine Alltag, Galerie Christoph Dürr, Munich

Perverted by Language, Hillwood Art Gallery, C.W. Post Campus / Long Island University, New York

The Viewer as Voyeur, Whitney Museum of American Art at Philip Morris, New York

The New Who’s Who, Hoffman Borman Gallery, Los Angeles


The 6th Biennial of Sydney, Sydney

Text and Image: The Wording of American Art, Holly Solomon Gallery, New York

The Moral Essays, Castelli Graphics, New York

As Found, Institute of Contemporary Art, Boston

Post-Pop, Michael Kohn Gallery, Los Angeles

Products and Promotion, Traveling San Francisco Camerawork, San Francisco

Wien Fluss, Wiener Secession, Vienna, Austria

TV Generations, Los Angeles Contemporary Exhibitions (LACE), Los Angeles

Colin Deland Gallery, New York (with John Dogg)

The Real Big Picture, Queens Museum, New York


Biennial Exhibition, Whitney Museum of American Art, New York

303 Gallery, New York

The Art of Memory / The Loss of History, The New Museum of Contemporary Art, New York

Strategies of Appropriation, Center for Contemporary Arts, Santa Fe, New Mexico


New York: Ailleurs et Autrement, ARC / Musée d’Art Moderne de la Ville de Paris, Paris

The Magazine Stand, Washington Project for the Arts, Washington, D.C.

Pop, Spiritual America, New York

The Heroic Figure, Contemporary Arts Museum, Houston

Drawings: After Photography, Allen Memorial Art Museum, Oberlin College, Ohio

Jenny Holzer, Barbara Kruger, Richard Prince, Knight Gallery, Spirit Square Arts Center, Charlotte, North Carolina


Language Drama, Source and Vision, The New Museum of Contemporary Art, New York

Biennale of Saõ Paolo, Brazil

Science Fiction, John Weber Gallery, New York


Image Scavengers, Institute of Contemporary Art, Philadelphia

Face It, The Contemporary Arts Center, Cincinnati

Art and the Media, The Renaissance Society at the University of Chicago, Chicago


New Voices 2: Six Photographers / Concept / Theater / Fiction, Allen Memorial Art Museum, Oberlin College, Ohio

Erweiterte Fotografie, 5th Wiener Internationale Biennale, Wiener Secession, Vienna, Austria

Body Language, Hayden Gallery, Massachusetts Institute of Technology, Cambridge, Massachusetts


Ils se dissent peintres, ils se dissent photographes, ARC / Musée d’Art Moderne de la Ville de Paris; Metro Pictures, New York


Pictures – Photographs, Castelli Graphics, New York

Imitation of Life, Hartford Art School, University of Hartford, Connecticut

Kippi kaufte alles by Andrea Hilgenstock

Wer ihre Galerie besucht, der nimmt etwas mit. Etwas, das wertvoll ist und sich nicht (nur) in Zahlen beziffern lässt. Eine Art immateriellen Mehrwert. Kunst, die nicht aus dem Kopf geht, die das geistige Auge auch nach Verlassen des Ortes noch beschäftigt. Selten geworden und doch zu finden bei Isabella Czarnowska, ästhetische Intensität more on


Mit Internationalität punkten: ART COLOGNE 2011

Die ART COLOGNE, Kunstmesse mit einer bedeutenden Vergangenheit und einer wie es scheint sehr guten Zukunft, überzeugt mit sorgfältig kuratierten Präsentationen. Die rund 200 beteiligten Galerien kommen aus 22 Ländern. Die Ausstellung hebt sich wieder als einen bedeutenden Ort der Begegnung der europäischen Kunstszene hervor more on

Rheinische Art

Richard Prince’s SECOND HOUSE by Alison M. Gingeras

The northeast corner of Albany County is home to Rensselaerville, a tiny hamlet (population 1,915) situated approximately 130 miles from New York City. Driving north along the West Side Highway of Manhattan, the trip to Rensselaerville takes about three hours—provided that you have bypassed the city’s gridlock as well as the suburban sprawl that radiates around New York. more on

Parkett 72 – 2005

Books and Catalogues (selected)


Richard Prince: 14 Paintings, 303 gallery, Fulton Ryder, New York 2012.

Richard Prince: Prince / Picasso, Museo Picasso Malaga, Malaga 2012.


Richard Prince: The Fug, Almine Rech Gallery, Paris 2011.

McKenna, Kristine (ed.), Richard Prince: Collected Writings, Foggy Notion Books, New York 2011.

Richard Prince: de kooning, Gagosian Gallery, New York 2011.

Richard Prince. T-Shirt Paintings: Hippie Punk, Salon 94, New York 2011.


Duponchelle, Valérie, Richard Prince. Exhibition at Galerie Patrick Seguin, New York 2009.

McKenna, Kristine (ed.), She: Works by Wallace Berman & Richard Prince, Michael Kohn Gallery, Los Angeles, 2009.


Rattee, Kathryn, Melissa Larner and Sam Philips, Richard Prince: Amercia goes to war… Swimming in the afternoon…, König Books, London 2008.


Bankowsky, Jack, Nancy Spector et. al., Richard Prince, The Solomon R. Guggenheim Foundation New York, Hatje Cantz, Ostfildern 2007.

O’Brien, Glenn, John Dogg and Jack Bankowsky, Richard Prince, Published on the occasion of the exhibition Richard Prince: Spiritual America, The Solomon R. Guggenheim Foundation, New York 2007.


Kvaran, B. Gunnar and Hanne Beate Ueland (ed.), Richard Prince: Canaries in the coal mine, Astrup Museum of Modern Art, Oslo 2006.


Prince, Richard, Lorraine Wild (ed.), Richard Prince, Hippie Drawings, Hatje Cantz, Ostfildern 2005.

Prince, Richard, Second House, Verlag der Buchhandlung Walther König, Köln 2005.


Regen, Shaun Caley (ed.), Richard Prince, Women, Hatje Cantz / Regen Projects, Ostfildern / Los Angeles 2004.

Goetz, Ingvild and Rainald Schumacher, Richard Prince, printed on the occasion of an exhibition at Sammlung Goetz Gallery, Kunstverlag Ingvild Goetz GmbH, Hamburg 2004.

Richard Prince: Man, Galerie Eva Presenhuber Zürich, JRP Ringier Kunstverlag AG, Zürich 2004.

Coetzee, Mark, American Dream, Collecting Richard Prince for 27 years, Rubell Family Collection, Miami 2004.


Richard Prince: American English, Artist book, Sadie Coles HQ London, Verlag der Buchhandlung Walther Köing, Köln 2003.

Collings, Matthew, Nurse Paintings. Barbara Gladstone Gallery, New York 2003.

Brooks, Rosetta, Sheila Nicolls, Richard Prince, Jett Rian and Luc Sante, Richard Prince, Phaidon Press Limited, London 2003.


Bürgi, Bernard Mendes, Beatrix Ruf and Gijs Van Tuyl (ed.), Richard Prince. Paintings – Photographs. Hatje Cantz, Ostfildern 2002.

Richard Prince. It’s a free concert from now on, with an essay by Neville Wakefield, Barbara Gladstone Gallery, New York 2002.


O’Brien, Glen, Human Nature. (dub version), Greybull Press, Los Angeles 2001.

Richard Prince. Early Photographs 1977-1979, Skarstedt Fine Art, New York 2001.


Noever, Peter (ed.), Richard Prince, The girl next door, MAK Center for Art and Architecture, Los Angeles and MAK Wien, Hatje Cantz, Ostfildern 2000.


Richard Prince: 4 X 4. With an essay by Taka Kawachi, Korinsha Press, Kyoto: 1997.


Richard Prince. Adult Comedy Action Drama, Scalo Publishers, New York 1995.


Richard Prince. Photographs 1997-1993. Kestner Gesellschaft, Hannover 1994.


Richard Prince. Girlfriends. Museum Boymans Van Beuningen, Rotterdam 1993.


Phillips, Lisa, Richard Prince. Whitney Museum of American Art, New York 1992.


Inside World, Kent Fine Art & Thea Westreich Association, New York 1989.


Allan McCollum, Richard Prince, Louise Lawler, Barbara Bloom, Larry Johnson, Galerie Isabella Kacprzak, Stuttgart 1988.


Wild Things. Compiled by Richard Prince, Tanam Press, New York 1985.


Prince, Richard, Why I go to the movies alone. Tanam Press, New York 1983.

Richard Prince. Pamphlet, Le Noveau Musée. Villeurbanne 1983.


Richard Prince: Menthol Wars, self-published, New York 1980.

Articles and Reviews (selected)


Tumlir, Jan. “Richard Prince.” Artforum, Summer.

Longstaff, Emily. London: “Richard Prince at Sadie Coles Through March 16, 2013.” Art Observed, Mar 17.

Muchnic, Suzanne. Richard Prince. ARTNews, Sep.


Ledgerwood, Angela. “When Richard Prince Met Picasso.” Interview Magazine, Oct.


Walzer, Richard P. “An Artist Amasses a Rare Collection.” The Wall Street Journal, Nov 26.


Stocchi, Francesco. Review: Richard Prince at Patrick Seguin. Artforum, Mar, pp. 255-256.

Prince Denies Deal with Morgan Library., Mar 13.

Richard Prince Looking to Donate Literary Trove., Mar 9.

Allen-Mills, Tony. “Artist gives away vast library of sex, drugs and classics.” The Sunday Times, March.

Haisma Kwok, Constance, Richard Prince Wraps Hong Kong Museum for Vuitton., May 14.

Kastner, Jeffrey, Jack Bankowsky and Alison Gingeras, In It to Win It. Artforum, September.


Pendle, George, Beats Art, Richard Prince. Modern Painters, Summer.

Prince, Richard, Brooke Shields Photo Trips Up Tate Modern. New York Times, Oct 2.

Prince, Richard, Nude Brook Shields Photo ‘Spiritual America’ Closed Off From Museum-Going Public. Wall Street Journal, Sep 30.

Prince, Richard, Pop Life sells its soul for the big bucks. London Evening Standard, Oct 1.


Kennedy, Randy. “Two Artists United by Devotion to Women.” The New York Times, Dec. 23, p. C1.

O’Brien, Glenn. “Richard Prince.” Interview, Dec.

Smith, Roberta. “Chelsea: Art Chockablock with Encyclopedic Range.” The New York Times, Nov 14, p. C28.

Stern, Jared Paul. “Fresh Prince.”, Jun 24.

Pitman, Joanne. “Richard Prince: Continuation at Serpentine Gallery.” The Times, Jun 24.

Wullschlager, Jackie. Richard Prince Continuation at the Serpentine, The Financial Times, Jun 21.

Schori, Anna. “Prince of Thieves: How did Richard Prince produce the most expensive photograph ever?” The Independent. Jun, pp.16-19.

Howell, John. “Richard Prince: Spiritual America.” Aperature, spring, pp. 10-11.

Heartney, Eleanor.” The Strategist.” Art in America, Mar, pp. 144-151.


Pollak, Barbara. Review: Richard Prince at the Guggenheim Museum. Artnews, Dec, p. 148.

Kennedy, Randy. “If the Copy Is an Artwork, Then What’s The Original?” The New York Times, Dec 6, pp. B1-B5.

Daly, Stephen. “Richard Prince’s Outside Streak.” Vanity Fair, Dec, pp. 332-337.

Thatcher, Jenifer. Review: Richard Prince at Guggenheim Museum. Art Review, Dec, p. 148.

Adam, Georgina. “The Power 100.”Art Review, Nov, pp. 97-168, 120.

“All The Best.” W Magazine, cover, Nov, pp. 334-345.

Sischy, Ingrid. “Richard Prince, The instigator’s time has come.” Interview, Oct.

Schjeldahl, Peter. “The Joker.” The New Yorker, Oct 15, pp. 90-92.

Kennedy, Randy. “The Duchamp of the Muscle Car.” The New York Times, Sep 23.

Rimanelli, David. Review: Richard Prince at Solomon R. Guggenheim Museum. Artforum, Sep, p. 157.

Kazanjian, Dodie. “People are talking about art.” Vogue, Sep, pp. 634-638.

Ammirati, Domenick. “Everyone Knows this is Nowhere.” Modern Painters, cover, Sep, pp. 66-73.

Prince, Richard. Review: Fugitive Artist, Early Works of Richard Prince. Modern Painters, Jul/Aug, p.78.

Hainley, Bruce. “The Artwork Formerly Known as Prince’s.” ArtForum, May, pp. 91-92, 392.

Smith, Reberta. “Tracing a Radical’s Progress, Without Any Help From Him.” The New York Times, Feb 9, p. B35.


Charlesworth, J.J. “Power 100.” ArtReview, Nov, p. 87.

Douglas, Sarah. “Staying Power.” Art + Auction, Nov, pp. 160-167.

Hainley, Bruce. “artquake.” The New York Times Magazine, Oct 1, pp. 78-85.

Vogel, Carol. “Where Bel Canto Meets Paintbrush.” The New York Times, Aug 15, p. B1, 5.

Therond, Eve. “Intimate Prince.” Whitewall, spring, pp. 90-103.

Doenitz, Amanda. “Top Horse.” Art on Paper, Jan-Feb, p. 22.

“Sundance Porn.” New York Magazine, Jan 23, p. 74.


Kent, Sarah. Review: Richard Prince at Sadie Coles-West End. Time Out, Dec 14, p. 42.

Bankowsky, Jack. “Best of 2005: Richard Prince.” ArtForum, Dec, pp. 262-263.

Thornton, Sarah. “Power 100.” ArtReview, Nov/Dec, p. 85.

Kazanjian, Dodie. “Body language.” Vogue, Nov, p. 328-329.

Book Review: Richard Prince. tema celeste, Sep/Oct, pp. 24-5.

Pasquariello, Lisa. Review: Richard Prince at Gladstone Gallery. artforum, Sep, p. 300.

Zanes, Warren. “Recent work reveals Prince really is king of Pop Art world.” Plain Dealer (Cleveland), Aug 7, p. J5.

Pollack, Lindsay. “Don’t Look Now.” ArtReview, Jul, pp. 35-36.

Taylor, Paul. “Americana” (interview with Richard Prince), Flash Art, May/Jun, pp. 122-125.

McWhinnie, John. “Richard Prince: The Hidden Currency of Richard Prince’s Art.” Flash Art, May/Jun, cover, pp. 118-121.

Wright, Karen. “Gallery.” Modern Painters, Jun, p. 120.

Bevan, Roger. “Auction houses prove they can drive the contemporary market.” The Art Newspaper, Jun, pp. 52-53.

Kaufman, Jason Edward. “Guggenheim opens Prince house to public.” The Art Newspaper, Jun, p. 15.

Morris, Catherine. “To market: Richard Prince at Gladstone Gallery. Time Out New York, May 26 – Jun 1, p. 87.

Douglas, Sarah. “Ingvild Goetz.” Flash Art, May/Jun, pp. 91-92.

Tully, Judd. “Sales Preview: Richard Prince.” Art + Auction, May, p. 192.

Johnson, Ken. Review: Richard Prince at Gladstone Gallery. The New York Times, May 13, p. B34.

O’Brien, Glenn. “Art is a Joke!” BlackBook, Spring, pp. 82-84, 86.

Prince, Richard. “Window on their world” (interview with Dike Blair). ArtReview, Mar, pp. 78-81.

“Artist Richard Prince.” New York, May 2, p. 99.

Prinz, Eva. Interview with Richard Prince. Index, Apr.

Vogel, Carol. “Guggenheim Upstate.” The New York Times, Apr 29,p. E32.

Rosenberg, Karen. “Guggenheim in the Catskills.” New York, Apr 25, p. 13.

N/A. “Richard Prince’s Royal Treatment.”, Apr 26.

Tully, Judd. “dead-on deadpan.” Art + Auction, Apr, pp. 116, 118.

Egan, Maura. “Hot Copy.” The New York Times Magazine, Spring, p.54.

Calderone, Michael. “Artists Don’t Live Here Anymore? Richard Prince Drops $4M in Wainscott, Boutique Brokerage Horizen Diversifies—Jumps Into Film.” New York Observer, Feb 14, p. 13.

Pisarra, Drew. “The Phantom of SFMOMA.” ARTnews, Feb, p. 36.

Henry, Max. Review: What’s Modern? at Gagosian Gallery. Modern Painters, Feb, pp. 105-106.

Picard, Charmaine. “Art world mobilizes against Bush.” The Art Newspaper, no. 150, 16 Sep, pp. 1, 6.

Birtles, Jasmine. “The Fine Art of Investing in an Original.” The Independent, Jan 15.


Rubinstein, Raphael. “Person, Place and Thing.” Art in America, Jan, pp. 104-109.

Vogel, Carol. “A Connoisseur of the Unnoticed, Having his Moment.” The New York Times, Dec 31, p. E41.

Rosen, Steven. “Not the Last Picture Show.” The Daily News (Los Angeles). Dec 19, p. U12.

Gingeras, Alison M. “Best of 2004.” Artforum, Dec, p.152-3.

LaFreniere, Steve. Interview with Richard Prince. Artforum, Mar, p. 70.

Ballard, J.G. Interview with Richard Prince. Artforum, Mar, p. 70.

Halley, Peter. Interview with Richard Prince. Artforum, Mar, p. 70.

Interview with Richard Prince. Modern Painters, autumn, Vol. 15, No. 3.