Marlene Dumas

solo exhibitions (selected)

2015

Marlene Dumas: The Image as Burden, The Beyeler Foundation, Basel (Switzerland)

Marlene Dumas: The Image as Burden, Tate Modern, London (United Kindgom)

2014

Marlene Dumas: The Image as Burden, Stedelijk Museum, Amsterdam (The Netherlands)

2012

Love Hasn’t Got Anything To Do With It, Zacheta, Warsaw (Poland)

Sorte, Fondazione Stelline, Milan (Italy)

Istanbul Eindhoven: SALTVanAbbe Post ’89, Salt Beyoglu, Istanbul (Turkey)

2011

Moment: Marlene Dumas, Moderna Museet, Stockholm (Sweden)

Forsaken, Frith Street Gallery, London (UK)

2010

Tronies, Haus der Kunst, Munich (Germany) (until 2011)

Against The Wall, David Zwirner, New York (US)

Against The Wall/Contra o Muro, Museu de Arte Contemporanaea de Serralves, Porto (Portugal)

2009

Measuring your Own Grave, Menil Collection, Houston (US)

2008

Measuring your Own Grave, MoMA, New York (US)

Measuring your Own Grave, Museum of Contemporary Art, Los Angeles (US)

Intimate Relations, Standard Bank Gallery, Johannesburg (Republic of South Africa)

Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa (Japan)

For Whom the bell Tolls, Zeno X, Antwerpen (Belgium)

The Painting of Modern Life, Castello di Rivoli, Turin (Italy)

MOCA The Museum of Contemporary Art, Los Angeles (US)

2007

Intimate Relations, Iziko South African National Gallery, Cape Town (Republic of South Africa)

Broken White, Metropolitan Museum of Contemporary Art (MOT), Tokio (Japan)

Light and Dark 1987 – 2007, Gallery Koyanagi, Tokio (Japan)

Broken White, Marugame Genichiro-Inokuma Museum of Contemporary Art (Japan)

The Painting of Modern Life, Hayward Gallery, London (UK)

Artempo: Where time becomes art, Palazzo Fortuny, Venice (Italy)

Global Feminism, Brooklyn Museum, New York (US)

EROS in Modern Art, Kunstforum Wien, Vienna (Austria=

De Cirkel, Roger Raveelmuseum, Machelen-Zulte (Belgium)

Leve de Schilderkunst! Terug naar de figuur!, Kunsthal, Rotterdam (The Netherlands)

Works on paper, Zeno X Gallery & Zeno X Storage, Antwerpen (Belgium)

2006

Under the Surface – Aanwinsten 2005-2006, Stedelijk Museum, Amsterdam (The Netherlands)

Man Kind, Galerie Paul Andriesse, Amsterdam (The Netherlands)

2005

Selected Works, Zwirner & Wirth, New York, (US)

Kunsthalle Helsinki, Helsinki (Finland)

Nordic Waterclourmuseum Skärhamn, Skärhamn (Schweden)

Marlene Dumas: Female, Nordic Watercolourmuseum (Nordiska Akvarellmuseet), Skärhamn (Sweden)

Marlene Dumas: Female, Staatliche Kunsthalle Baden-Baden (Germany)

SELF PORTRAIT Renaissance to Contemporary, National Portrait Gallery, London (UK)

2004

Frith Street Gallery, London, (UK)

Nederland Niet Nederland: Aankopen van Nederlandse kunst 1980-2004, Van Abbemuseum, Eindhoven (The Netherlands)

2003

(In Search of) the Perfect Lover, Museum Dhondt-Dhaenens, Deurle (Belgium)

Wet Dreams, Aquarelle, Städtische Galerie Ravensburg, Ravensburg (Germany)

Marlene Dumas: Suspect, Fondazione Bevilacqua la Masa/ Palazetto Tito, Venice (Italy)

Time and Again, The Art Institute, Chicago (US)

The Contemporary Face: From Pablo Picasso to Alex Katz, Deichtorhallen, Hamburg (Germany)

2002

Nom de Personne/ Name no Names, De Pont, Tilburg (The Netherlands)

Nom de Personne/ Name no Names, The New Museum of Contemporary Art, New York (US)

2001

Nom de Personne / Name no Names, Centre Georges Pompidou, Paris (France)

One Hundred Models and Endless Rejects, Institut of Contemporary Art (ICA Boston), Boston (US)

The Paradise (4): Marlene Dumas (Heaven), The Douglas Hyde Gallery, Dublin (Ireland)

2000

12th Biennal of Sydney, Sydney (Australia)

Das Gedächtnis Der Malerei, Aargauer Kunsthaus, Aarau (Switzerland)

Marlene Dumas ‘MD’, Camden Arts Center, London (UK)

Marlene Dumas ‘MD’, Henie Onstad Kunstsenter, Hovikodden (Norway)

1999

MD-Light, MACBA, Barcelona (ES) Marlene Dumas ‘MD’, Museum van Hedendaagse Kunst (Muhka), Antwerpen (Belgium)

Regarding Beauty, Hirshhorn Museum and Sculpture Garden, Washington (US)

1998

Marlene Dumas (Szenenwechsel XIII), Museum für Moderne Kunst, Frankfurt (Germany)

Marlene Dumas, The Living Art Museum, Reykjavik (Iceland)

Fantasma, Fundacao Gulbenkian, Lisbon (Portugal)

1996

Models, Neue Gesellschaft für Bildende Kumst (Haus am Kleistpark), Berlin (Germany)

Marlene Dumas, Tate Gallery, London (UK)

Pin Up, Stedelijk Museum ‘het Toreke’, Tienen (Belgium)

1995

Carnegie International 1995, The Carnegie Museum of Art, Pittsburgh (US)

Ripple Across the Water, The Watari Museum of Contemporary Art, Tokio (Japan)

Dumas. Roosen. Van Warmedam, Biennale di Venezia, Giardini di Castello, Venice (Italy)

Africus. First Biennale of Contemporary Art, Johannesburg (Republic of South Africa)

Marlene Dumas, Raum Aktueller Kunst, Vienna (Austria)

Models, Kunstverein Salzburg (Austria)

Models, Portikus, Frankfurt (Germany)

1994

4×1 im Albertinum, Staatliche Kunstammlungen, Dresden (Germany)

Marlene Dumas, Goldie Paley Gallery – Moore Collage of Art and Design, Philadelphia (US)

Marlene Dumas, The Arts Club of Chicago, Chicago (US)

Marlene Dumas, Art Gallery od York University, Toronto (Canada)

Männerabsichten, Kunst-Station Sankt Peter, Cologne (Germany)

Clorosis, The Douglas Hyde Gallery, Dublin (Ireland)

1993

Der Zerbrochene Spiegel. Positionen zur Malerei (The Broken Mirror), Kunsthalle Wien, Vienna (Austria)

Marlene Dumas [Miss Interpreted], Kunstverein, Bonn (Germany)

Miss Interpreted, Institute of Contemporary Art (ICA London), London (UK)

Marlene Dumas [Miss Interpreted], ICA Philadelphia, Philadelphia (US)

1992

Ask me no questions and I’ll tell you no Lies, Galerie Isabella Kacprzak, Cologne (Germany)

Documenta IX, Kassel (Germany)

Marlene Dumas: Insight, Axe-Néo-7, Hull (Canada)

Marlene Dumas: Miss Interpreted, Van Abbenmuseum, Eindhoven (The Netherlands)

1991

Ausser Reichweite von Kindern, Galerie Stampa, Basel (Switzerland)

The Origin of the Species, Galerie Paul Andriesse, Amsterdam (The Netherlands)

1990

The Origin of the Species, Staatsgalerie Moderner Kunst, Munich (Germany)

Couples, Museum Overholland, Amsterdam (The Netherlands)

1989

The Question of Human Pink, Kunsthalle Bern, Berlin (Switzerland)

1988

Ecco Pier Paolo Pasolini Filmmuseum, Amsterdam (The Netherlands)

Waiting (for meaning), Galerie Paul Andriesse, Amsterdam (The Netherlands)

Mother Explains Life to Her Son, Kunstcentrum Marktzeventien, Enschede (The Netherlands)

Nightmares, Galerie Wanda Reiff, Maastrich (The Netherlands)

1987

The Private versus the Public, Galerie Paul Andriesse, Amsterdam (The Netherlands)

Mother Explains Life to Her Son, Kunstcentrum Merkzeventien (The Netherlands)

1986

Fear of Babies, De Expeditie, Amsterdam (The Netherlands)

1985

The Eyes of the Night Creatures, Galerie Paul Andriesse, Amsterdam (The Netherlands)

1984

The Artist as a Young Girl, Galerie Flatland, Utrecht (The Netherlands)

Ons Land Licht Lander Dan De Zee, Centraal Museum, Utrecht (The Netherlands)

1983

Unsatisfied Desire, Galerie Paul Andriesse, Amsterdam (The Netherlands)

1982

Documenta 7, Museum Fridericianum, Kassel (Germany)

1980

Marlene Dumas, Galerie Lambelet, Basel, (Switzerland)

1979

Marlene Dumas, Galerie Annemarie de Kruyff, Paris, (France)

group exhibitions (selected)

2016

Open This End: Contemporary Art from the Collection of Blake Byrne, Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland (US)

Inside – Artists, Writers, and Readers, Artangel, London (UK)

She: International Women Artists Exhibition, Long Museum, Shanghai (CN)

Excitement, Stedelijk Museum Amsterdam (NL)

The Campaign for Art: Drawings, Part 1, San Francisco Museum of Modern Art, San Francisco (US)

Unfinished: Thoughts Left Visible, The Met Breuer, New York 

Display. Painting and Mass Media, Tate Modern, London (UK)

Drawing Conclusions, Rhode Island School of Design Museum, Providence (US)

2015

Lang Leve de Collectie!, Dordrechts Museum, Dordrecht (The Netherlands)

I Got Rhythm. Kunst und Jazz seit 1920, Kunstmuseum Stuttgart, Stuttgart (Germany)

Spiegeloog – Het zelfportret in de Nederlandse kunst, Museum Arnhem, Arnhem (The Netherlands)

FLAESH, Galerie Rudolfinum, Prague (CZ)

Donation Florence & Daniel Guerlain, Nordiska Akvarellmuseet, Skärhamm (Sweden)

Wrijving van Gedachten| Antwerpen-Zndert, Vincent va Gogh Huis, Zundert (The Netherlands)

After Picasso: 80 Contemporary Artists, The Waxner Center for the Arts, Columbus (US)

Open This End: Contemporary Art from the Collection of Blake Byrne, Ronald and Eric Gallery od Contemporary Art, Lewis & Clark College, Portland (US)

Gevaar en Schoonheid, Turner ed de tradite van het Subliemem Museum de Fundatie, Zwolle (The Netherlands)

La Grande Madre, Fondazione Nicola Trussardi, Palazzo Reale, Milan (Italy)

In the Picutre: Fotografie als bron voor schilderkunst, Gemeentenmuseum Den Haag, The Hague (The Netherlands)

All the World’s Futures – Biennale di Venezia, 56th International Art Exhibition, Central Pavilion and Arsenale, Venice (Italy)

Experiments with Thruth: Gandhi and images of Nonviolence, International Red Cross and Red Crescent Museum, Geneva (Switzerland)

Embracing Modernism: Ten Years of Drawings Acquisitions, Morgan Library & Museum, New York (US)

Open this End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at Duke University, Durham (US)

Arte contemporânea na Coleção Sindika Dokolo – You Love Me, You Love Me Not, Biblioteca Municipal Almeida Garrett, Porto (Portugal)

The Language of Flowers, Gucci museo, Florence (Italy)

Faces – Between Figures, Portraits and Masks, Staatliches Museum für Kunst und Design in Nürnberg, Nuernberg (Germany)

Picasso in Contemporary Art, Deichtorhallen, Hamburg (Germany)

Open This End: Contemporary Art from the Collection of Blake Byrne, Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland (US)

The Problem of God: Ein Ausstellungsprojekt der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, K21 – Kunstsammlung im Ständehaus, Düsseldorf (Germany)

2014

Une histoire, art, architecture et design, des années 80 á aujourd’hui, Centre George Pompipdou, Paris (France) (until 2016)

The Circle Walked Casually in Buenos Aires, MAMBA Museo de Arte Moderno de Buenos Aires, Buenos Aires (Argentina)

Boom She Boom. Works from the MMK Collection, Museum für Moderne Kunst (MMK 2), Frankfurt (Germany)

Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections, The Warehouse/Rachofsky House, Dallas (US)

Re: Painted / Schilderijen uit de collectie, Stedelijk Museum voor Actuele Kunst Gent (S.M.A.K.), Ghent (Belgium)

Zwagerman kiest, Teylers Museum, Haarlem (The Netherlands)

In Transit, Vrije Universiteit Exposorium, Amsterdam (The Netherlands)

Manifesta 10 : The European Biennial of Contemporary Art, Hermitage, Saint Petersburg (Russia)

The Paintstroke : Biennial of Painting/ Biënnale van de schilderkunst, Museum van Deinze en de Leiestreek, Deinze (Belgium)

Artlovers: Stories of art in the Pinault collection, Grimaldi Forum, Monte Carlo (Monaco)

An appetite for painting, Nasjonalmuseet, Oslo (Norway)

How Far How Near, Stedelijk Museum, Amsterdam (The Netherlands)

The Nakeds, Drawing Room, London (UK)

Roma Publications 1998 – 2014, Fondazione Giuliani, Rome (Italy)

De Zee: salut d’honneur Jan Hoet, Mu.ZEE (Kunstmuseum aan zee) , Oostende (Belgium)

Beating around the bush Episode #4, Bonnefantenmuseum, Maastricht (The Netherlands)

Selections from the Collection of Blake Byrne, Patrick Painter, Los Angeles (US)

To have and to hold, Rubell Family Collection, Miami (US)

Queensize – Female artists from the Olbricht Collection, me Collectors Room, Berlin (Germany)

2013

Ik hou van Holland. Nederlandse kunst na 1945, Stedelijk Museum Schiedam, Schiedam (The Netherlands) (until 2016)

TWICE. Marlene Dumas – Luc Tuymans, Zeno X Gallery, Antwerp (Belgium)

Bethan Huws, Eberhard Havekost, Jürgen Drescher, Markus Döbeli, Marlene Dumas, Galerie Isabella Czarnowska, Berlin (Germany)

The Artists’s Handbook, Museum aan de Stroom, Antwerp (Belgium)

Cobra tot Dumas. Collectie de Heus-Zomer, Singer Museum, Laren (The Netherlands)

Through a Glass Darkly: Faces Past and Present, Ernst Museum, Budapest (Hungary)

Specific Collisions, Marianne Boesky Gallery (Uptown Gallery: 118 East 64th Street), New York (US)

Skin, an artistic Atlas, Royal Hibernian Academy, Charles Gallagher Gallery, Dublin (Ireland)

Bourgeois Leftovers, De Appel, Amsterdam (The Netherlands)

The Distaff Side, The Granary, Sharon (US)

Paul Andriesse – Addition, Stedelijk Museum, Amsterdam (The Netherlands)

Le Pont, Musée d’Art Contemporaine de Marseilles, Marseilles (France)

Ihre Geschichte(n), Bonner Kunstverein, Bonn (Germany)

Prima Materia, Punta della Dogana, Venice (Italy)

Immortilized, 1913-2013. In the footsteps of Frans Hals – De Hallen Haarlem Summer Series, De Hallen, Haarlem (The Netherland)

On paper/Sobre papel, Centro de Arte Visuales Fundación Helga de Alvear, Cáceres (Spain)

Je ziet niet wat je ziet, je ziet: Een keuze uit de ABN AMRO Collectie, Museum Henriette Polak, Zutphen (The Netherland)

KLEURRIJK IN ZWART-WIT: Korein Kinderplein kinderen presenteren Van Abbecollectie, Van Abbemuseum, Eindhoven (The Netherlands)

Folk Devil, New York City (US)

Ik hou van Holland. Nederlandse kunst na 1945, Stedelijk Museum Schiedam, Schiedam (The Netherlands)

Sluizen (Floodgates). Change of Poles, ‘Level 9’ at The Planetarium, Moscow (Russia)

STOP MAKING SENSE: Nederlandse schilderkunst uit de jaren ’80, Dordrechts Museum, Dordrecht (The Netherlands)

Donation Florence et Daniel Guerlain, Centre Georges Pompidou, Paris (France)

Minimal Resistance: Between late modernism and globalisation: artistic practices during the 80s and 90s, MNCARS – Museo Nacional Centro de Arte Reina Sofía, Madrid (Spain)

Géricault. Bilder auf Leben und Tod, Schirn Kunsthalle, Frankfurt (Germany)

Chambres des Canaux: The Tolerant Home, 20 iconic canal houses, Amsterdam (The Netherlands)

De collectie is binnen: ‘Er was eens….de collectie nu’ , Van Abbemuseum, Eindhoven (The Netherlands)

Wonderkamers, Gemeentemuseum Den Haag, The Hague (The Netherlands)

2012

Nudes, Paleis voor Schone Kunsten/Center for Fine Arts, Brussels (Belgium)

This will have been: Art, Love & Politics in the 1980s, Museum of Contemporary Art Chicago, Chicago (US)

Sidetracks. Painting in the Paramodern Continiuum, Stavanger Kunstmuseum, Stravander (Norway)

Paintings from the Rubell Family Collection, Sala de Arte Santander (Fundación Banco Santander), Madrid (Spain)

Accelerating Toward Apocalypse, Givon Art Forum, Tel Aviv (Italy)

Istanbul Eindhoven – SALTVanAbbe: Post ‘89, SALT Beyoglu, SALT Galata (in co-operation with Van Abbemuseum), Istanbul (Turkey)

geteilt | ungeteilt – Kunst in Deutschland 1945 bis 2010, Albertinum, Gemäldegalerie Neue Meister, Staatliche Kunstsammlungen, Dresden (Germany)

Inside a book a house of gold: Artists’ editions for Parkett, Ullens Center for Contemporary Art (UCCA Central Gallery, Nave, and Long Gallery), Beijing (China)

Air de Lyon, Fundación PROA, Buenos Aires (Argentina)

Art & Press [Artandpress] (I), Martin-Gropius-Bau, Berlin (Germany)

Struggle(s), Maison Particulière, Brussels (Belgium)

Eros & Thanatos: Werke der Niederländischen Meister des 17. Jahrhunderts und Arbeiten von Künstlern der Gegenwart aus der SØR Rusche Sammlung, Werkschauhalle/Halle 12/Baumwollspinnerei, Leipzig (Germany)

Aus Passion – Die Sammlung Hanck – Zeitgenössische Kunst aus der Sammlung Hanck, Museum Kunst Palast, Düsseldorf (Germany)

Alex Katz on the Tate collection, Tate St Ives, St Ives (UK)

Couleur radicaal: In het spoor van de avant-garde, Timmerfabriek Maastricht, Maastricht (The Netherlands)

Albertina Contemporary: “Best of” von etwa 120 Werken aus den Sammlungen zeitgenössischer Kunst der Albertina, Albertina, Vienna (Austria)

Sint-Jan, Sint-Baafskathedraal, Ghent (Belgium)

This Will Have Been: Art, Love & Politics in the 1980s, Walker Art Center, Minneapolis (US)

Biënnale van de Schilderkunst: De mens in beeld, Het Roger Raveelmuseum, Machelen-Zulte (Belgium)

Kids, Contemporary Fine Arts, Berlin (Germany)

Through an Open Window : Contemporary Art from the Rabo Art Collection, Institut Néerlandais, Paris (France)

Art & Press [Artandpress] (II), Zentrum für Kunst und Medientechnologie, Karlsruhe (Germany)

Künstlerkinder: Von Runge bis Richter, von Dix bis Picasso, Kunsthalle Emden, Emden (Germany)

Parelen, Museum de Lakenhal, Leiden (The Netherlands)

Alex Katz on Painting: Masterpieces from Tate, Turner Contemporary, Margate (UK)

Avant-Gardes, Kunsthal, Rotterdam (The Netherlands)

Marlene Dumas: Nudes, Paleis voor Schone Kunsten/Center for Fine Arts (Bozar), Brussels (Belgium)

Western China International Art Biennale, Tian Ye Art Museum/Tenggeli Desert/Shapotou Tourist Area, Yinchuan (China)

Private/Corporate VII: The Doron Sebbag Art Collection, O.R.S Ltd., Tel Aviv and the Daimler Art Collection, Daimler Art Collection, S-Möhringen (Germany)

This Will Have Been: Art, Love & Politics in the 1980s (III), Institute of Contemporary Art (ICA Boston), Boston (US)

Color Bind: The MCA Collection in Black and White, Museum of Contemporary Art Chicago, Chicago (US)

Tracing the Century: Drawing as a Catalyst for Change, Tate Liverpool, Liverpool (UK)

Onverwachte ontmoetingen. Verborgen verhalen uit eigen collectie/Encounters. Hidden stories from our own collection, Tropenmuseum, Amsterdam (The Netherlands)

Painted Faces, Laing Art Gallery, Newcastle upon Tyne (UK)

Don’t be shy, don’t hold back: the Logan Collection at SFMOMA, San Francisco Museum of Modern Art, San Francisco (US)

2011

The world belongs to you: artists from the Pinault collection, Palazzo Grassi, Venice (Italy)

PPP Pier Paolo Pasolini, Galerie Metis, Amsterdam (The Netherlands)

Who am I?, Science Museum, London (UK)

Mother Nature. Art and psychology in conversation, Sasol Art Museum, Stellenbosch University, Stellenbosch (Republic of South Africa)

Exhibition Schuttersgalerij/Museumstraat, Amsterdam Museum, Amsterdam (The Netherlands)

Contemporary Collecting: The Judith Neisser Collection, Art Institute of Chicago, Chicago (US)

Dazzle the Evil Eye: Ode aan Merina Beekman, Kunsthal KAdE, Amersfoort (The Netherlands)

Play Van Abbe – Part 4: The Pilgrim, the Tourist, the Flaneur (and the Worker), Van Abbemuseum, Eindhoven (The Netherlands)

Zwart-Wit Plus, Veluws Museum Nairac, Barneveld (The Netherlands)

Building the contemporary collection: five years of acquisitions, The Nasher Museum of Art at Duke University, Durham (US)

à l’eau – Aquarelle heute, Centre Pasquart, La Fondation de la Collection Centre PasquArt, Kunsthaus Centre d ́Art, Biel/Bienne (Switzerland)

All About Drawing. 100 Nederlandse Kunstenaars, Stedelijk Museum Schiedam, Schiedam (The Netherlands)

Tender is the Night, City Gallery, Wellington (New Zealand)

Tijdelijke tentoonstelling: ‘Meesterwerken in het MAS. Vijf eeuwen beeld in Antwerpen’, Museum aan de Stroom, Antwerp (Belgium)

Undeniably me, Rudolfium, Prague (Czech Republic)

MMK 1991-2011. 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt (Germany)

Thomas Olbricht and Harald Falckenberg : Zwei Sammler, Deichtorhallen, Hamburg (Germany)

11th Lyon Biennale: A Terrible Beauty Is Born/Une Terrible Beauté Est Née, La Sucrière/Musée d’art contemporain, Lyon (France)

Max Beckmann: Face to Face/Von Angesicht zu Angesicht, Museum der bildenden Künste Leipzig, Leipzig (Germany)

IKJIJWIJ, Rabo Kunstzone, Utrecht (The Netherlands)

De Nederlandse Identiteit? De Kracht van Heden!, Museum de Paviljoens, Almere (The Netherlands)

Abraham Bloemaert: Het Bloemaert-effect – Kleur en compositie in de Gouden Eeuw, Centraal Museum, Utrecht (The Netherlands)

2010

Dineo Bopape, Marlene Dumas, Zanele Muholi, Museum voor Moderne Kunst Arnhem, Arnhem (The Netherlands)

Ich weiß gar nicht, was Kunst ist – Einblicke in eine private Sammlung, MARTa Herford Museum für zeitgenössische Kunst, Herford (Germany)

Een ode aan het kijken: Beeld verplaatst – Joost Zwagerman, Museum Meermanno, The Hague (The Netherlands)

Resonance, Suntory Museum, Osaka (Japan)

Passion fruits picked from the Olbricht Collection, me Collectors Room, Berlin (Germany)

Show up! boys/girls, Museum für Moderne Kunst (MMK), Frankfurt (Germany)

In the Company of Alice, Victoria Miro Gallery, London (UK)

Andere tijden – Nieuwe werelden, Gemeentemuseum Den Haag, The Hague (The Netherlands)

Contemporary Collecting: The Donna and Howard Stone Collection, The Art Institute, Chicago (US)

At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg, CCS Bard Hessel Museum of Art, Annandale-on-Hudson (US)

Àfrica. Objetos y Sujetos, Palacio de Revillagigedo, Gijòn (Spain)

Lebenslust und Totentanz (Olbricht Collection), Kunsthalle Krems, Krems (Austria)

São Paulo Biennial, Fundação Bienal de São Paulo, São Paulo (Brazil)

Just Love Me: Regard Sur Une Collection Privée, Musée d’Art Moderne Grand-Duc Jean (MUDAM), Luxemburg (Luxemburg)

Hareng Saur: Ensor en de hedendaagse kunst, Stedelijk Museum voor Actuele Kunst Gent (S.M.A.K.), Ghent (Belgium)

Op papier, GeM (Museum voor Actuele Kunst), Den Haag/Scheveningen, (The Netherlands)

Produced by Migros : Sammlung migros museum für gegenwartskunst, Kunsthalle Fridericianum, Kassel (Germany)

Mémoires du futur: la collection Olbricht, Maison Rouge, Paris (France)

2009

elles@centrepompidou: artistes femmes dans les collections du Centre Pompidou, Paris (France)

Mapping the Studio: artists from the Francois Pinault Collection, Palazzo Grassi and Punta della Dogana, Venice (Italy)

Paint Made Flesh (I), First Center for the Visual Arts, Nashville (US)

De Ideale Vrouw, Noordbrabants Museum, Den Bosch (The Netherlands)

The End, Fries Museum, Leeuwarden (The Netherlands)

Ophelia – Sehnsucht, melancholie en doodsverlangen, Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (The Netherlands)

je, tu, il ou elle…, Galerie Nationale de la Tapisserie, Beauvais (France)

Bildschön. Schönheitskult in der aktuellen Kunst, Städtische Galerie Karlsruhe, Karlsruhe (Germany)

Fatal Attraction: Diana and Actaeon – The Forbidden Gaze, Compton Verney House, Compton Verney, Warwichshire (UK)

Tekens van Leven en Dood, Gemak, The Hague (The Netherlands)

Take the Money and Run, De Appel, Amsterdam (The Netherlands)

Private Universes, Dallas Museum of Art, Dallas (US)

Rebelle. Kunst & Feminisme 1969-2009, Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (The Netherlands)

In-Finitum, Palazzo Fortuny, Venice (Italy)

Beeldspraak, Teylers Museum, Haarlem (The Netherlands)

From Dürer to Kiefer – Five Centuries of Art on Paper, Kunsthal, Rotterdam (The Netherlands)

Uitsnede uit de Collectie Knecht -Drenth, Museum van Bommel van Dam, Venlo (The Netherlands)

Paint Made Flesh, Phillips Collection, Washington D.C (US)

Voorbeeldig / Exemplary, Galerie Tanya Rumpff, Haarlem (The Netherlands)

Sehnsucht nach dem Abbild – Das Portrait im Wandel der Zeit, Kunsthalle Krems, Krems (Austria)

Messiahs. Western man and the idea of redemption in modern and contemporary visual art, Modem Centre for Modern and Contemporary Arts, Debrecen (Hungary)

A Story of the Image. Old and New masters from Antwerp, National Museum of Singapore (Singapore)

Steppin ́ Out, Kunsthalle zu Kiel – Christian Albrechts Universität, Kiel (Germany)

Something About Mary, The Arnold & Marie Schwartz Gallery Met – The Metropolitan Opera, New York (US)

Lágrimas de Eros / Tears of Eros, Museo Thyssen-Bornemisza/Fundación Caja, Madrid (Spain)

Paint Made Flesh (III), Memorial Art Gallery – University of Rochester, Rochester (UK)

MOCA’s First Thirty Years, MOCA (The Museum of Contemporary Art), Los Angeles (US)

Twentysix Gasoline Stations Ed Altri Libri DArtista – Una Collezione, Museo Regionale di Messina, Messina (Italy)

Niet Normaal (Difference on Display), Beurs van Berlage, Amsterdam (The Netherlands)

GAGARIN the Artists in their Own Words – The first Decade, Stedelijk Museum voor Actuele Kunst Gent (S.M.A.K.), Ghent (Belgium)

2008

The Hands of Art, Stedelijk Museum voor Actuele Kunst Gent (S.M.A.K.), Ghent (Belgium)

The Painting of Modern Life (II), Castello di Rivoli, Rivoli (Italy)

Depletion, Works from the Doron Sebbag Art Collection, ORS Ltd., Tel Aviv Museum of Art, Tel Aviv (Israel)

Die Hände der Kunst (The Hands of Art), MARTa Herford Museum für zeitgenössische Kunst, Herford (Germany)

The Florence & Daniel Guerlain Collection, Cultural Services of the French Embassy, New York City (US)

Le Musée De Pont à Paris/De Pont in Paris: Een belangrijke Nederlandse collectie hedendaagse kunst, Institut Néerlandais, Paris (France)

Go for it! Olbricht Collection (a sequel), Neues Museum Weserburg, Weserburg (Germany)

15 jaar Marlies Dekkers, Kunsthal, Rotterdam (The Netherlands)

Bad Painting – Good Art, MUMOK – Museum moderner Kunst, Stiftung Ludwig, Vienna (Austria)

Gewoon anders, Cobra Museum voor Moderne Kunst, Amstelveen (The Netherlands)

Order. Desire. Light., IMMA – Irish Museum of Modern Art, Dublin (Ireland)

Black is beautiful, Nieuwe Kerk, Amsterdam (The Netherlands)

Anatomie, les peaux du dessin. Collection Florence et Daniel Guerlains, Frac Picardie, Amiens (France)

Diana und Aktaion. Der verbotene Blick auf die Nacktheit, Museum Kunst Palast, Dusseldorf (Germany)

Passioniert Provokativ – Die Sammlung Stoffel (Michael and Eleonore Stoffel Collection), Pinakothek der Moderne Kunstareal München, Munich (Germany)

Holy Inspiration, Religion and Spirituality in Modern Art, Stedelijk Museum in De Nieuwe Kerk, Amsterdam (The Netherlands)

2007

The intelligence of the hand. Drawings from the second half of the XX’s, from Morandi to Kentridge/ L’intelligenza della mano. Disegni da Morandi a Kentridge, Planetario Gallery, Triëste (Italy)

All the Best: The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum (SAM), Singapore (Singapore)

Leve de Schilderkunst! Terug naar de figuur / Painting Now! Back to Figuration, Kunsthal, Rotterdam (The Netherlands)

Eros in der Kunst der Moderne, BA-CA Kunstforum, Vienna (Austria)

Contour continuïteit, heden en verleden: 111 kunstenaars in Delftse musea, Stedelijk Museum Het Prinsenhof/Museum Nusantra/Museum Lambert van Meerten, Delft (The Netherlands)

Global Feminisms, Brooklyn Museum, New York City (US)

Lignes de corps, Maison des arts et loisirs, Laon (France)

CAPE 2007, Look Out Hill, Cape Town (Republic of South Africa)

TRANS CAPE: Contemporary African Art on the Move, Trans Cape Africa, Cape Town (Republic of South Africa)

De Cirkel, Roger Raveelmuseum, Machelen-Zulte (Belgium)

Collected Identities: Gifts from the Blake Byrne Collection, The Nasher Museum of Art at Duke University, Durham (US)

Die Kunst zu sammeln, Museum Kunst Palast, Dusseldorf (Germany)

100 Jahre Kunsthalle Mannheim, Kunsthalle Mannheim, Mannheim (Germany)

Rocker’s Island: Werke aus der Sammlung Olbricht, Museum Folkwang, Essen (Germany)

Sequence 1: Pittura a scultura nella collezione François Pinault, Palazzo Grassi, Venice (Italy)

Painting Now! Back to Figuration / Zurück zur Figur. Malerei der Gegenwart, Kunsthaus Wien, Vienna (Austria)

Mijn laatste oordeel, Stedelijk Museum De Lakenhal, Leiden (The Netherlands)

The Present – The Monique Zajfen Collection, Stedelijk Museum, Amsterdam (The Netherlands)

Artempo: Where time becomes art, Palazzo Fortuny, Venice (Italy)

Africa Remix, Johannesburg Art Gallery, Johannesburg (Republic of South Africa)

SEE history 2007, Kunsthalle zu Kiel – Christian Albrechts Universität, Kiel (Germany)

Accumulations, Institute of Contemporary Art (ICA Boston), Boston (US)

Six Feet Under. Autopsie unseres Umgangs mit Toten / Autopsy of Our Relation to the Dead, Deutsches Hygiene-Museum, Dresden (Germany)

The Painting of Modern Life, Hayward Gallery, London (UK)

A Faithful Eye: Modern and Contemporary Art from the Netherlands, The ABN AMRO Collection, Grand Rapids Art Museum, Grand Rapids (US)

Thank you: De schenkingen Merkus en Cleveringa, Stedelijk Museum De Lakenhal, Leiden (The Netherlands)

Seduced: Art and Sex from Antiquity to Now, Barbican, London (UK)

Euro-Centric, Part 1: New European Art from the Rubell Family Collection, Rubell Family Collection, Miami (US)

A Story of the Image: Visual Arts as Visual Culture, Institute of Contemporary Arts, Singapore (Singapore)

Ziek. Tussen Lichaam & Geest, Museum Dr. Guislain, Ghent (Belgium)

Trienal de Luanda 2007, Trienal de Luanda, Luanda (Angola)

Sister Sledge, Lieu d’art Contemporain (LAC), Sigean (France)

2006

Baroque? Contemporain? l’expressivité héroïque dans la peinture contemporaine, Palais des Beaux-Arts de Lille, Lille (France)

Lijf, CultuurCentrum Ieper – Lakenhallen, Ieper (Belgium)

The Triumph of Painting, The Saatchi Collection, Leeds City Art Gallery, Leeds (UK)

Having New Eyes, Aspen Art Museum, Aspen (UK)

Self Portrait: Renaissance to Contemporary, Art Gallery of New South Wales, Sydney (Australia)

Nederland 1, Het Catharina Gasthuis/De Moriaan, Gouda (The Netherlands)

Ecce Uomo: (33+1) artisti contemporanei da collezioni private a Milano, Spazio Oberdan, Milan (Italy)

Full House – Gesichter einer Sammlung, Kunsthalle Mannheim, Mannheim (Germany)

Dessins-Acquisitions 2002-2005-volet 1, Frac Picardie, Amiens (France)

Infinite Painting: Contemporary Painting and Global Realism, Villa Manin Centro d’Arte Contemporanea, Codroipo, Udin (Italy)

Africa Remix (IV), Mori Art Museum, Tokyo (Japan)

Painting Now! Back to Figuration / Zurück zur Figur. Malerei der Gegenwart (I), Kunsthalle der Hypo-Kulturstiftung, Munich (Germany)

Körper, Gesicht und Seele: Frauenbilder vom 16. bis 21. Jahrhundert / Body Soul Face: the position of women from the 16th to the 21st century, Leopold Museum, Vienna (Austria)

Van Andries Copier tot Lawrence Weiner, Rijksmuseum Twenthe, Enschede (The Netherlands)

Eros in der Kunst der Moderne (I), Fondation Beyeler, Basel (Switzerland)

Altijd Vandaag, Dordrechts Museum, Dordrecht (The Netherlands)

Essential Painting, National Museum of Art, Osaka (Japan)

Gorge(l): Beklemming en verademing in de kunst / Oppression and Relief in Art (1840-2006), Koninklijk Museum voor Schone Kunsten Antwerpen (KMSKA), Antwerp (Belgium)

Waanzin is Vrouwelijk, Museum Dr. Guislain, Ghent (Belgium)

RADAR: Selections from the Collection of Vicki & Kent Logan, Denver Art Museum, Denver (US)

Africa Remix (V), Moderna Museet, Stockholm (Sweden)

Painting Now! Back to Figuration / Zurück zur Figur. Malerei der Gegenwart, Museum Franz Gertsch, Burgdorf (Switzerland)

Six Feet Under. Autopsie unseres Umgangs mit Toten / Autopsy of Our Relation to the Dead, Kunstmuseum Bern, Bern (Switzerland)

Anos 80: Uma Topologia / The 1980s: A Topology, Museu Serralves, Porto (Portugal)

Replacing Mashkov, Gemeentemuseum Den Haag, The Hague, (The Netherlands)

2005

The Triumph of Painting, Saatchi Gallery, London (UK) Munch Revisited: Edvard Munch and the Art of Today, Museum am Ostwall in der Kunsthalle Dortmund, Dortmund (Germany)

Africa Remix (II), Hayward Gallery, London (UK)

Edizione Straordinaria: Le Case d’Arte 1985-2005, Assab One, Milan (Italy)

HxBxD=De Rabo Kunstcollectie, Gemeentemuseum/Fotomuseum/GEM, The Hague (The Netherlands)

Black & White and a Little Bit of Colour: A Selection from the Collection of Works on Paper (1980-2005), Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (THe Netherlands)

The Blake Byrne Collection, MOCA (The Museum of Contemporary Art), Los Angeles (US)

Hout en steen (deel 2): hedendaagse grafiek uit de kunstcollectie Bouwfonds, Escher in Het Paleis, The Hague (The Netherlands)

Der Kunst ihre Räume, Kunstverein, Bonn (Germany)

Miradas y conceptos en la Colección Helga de Alvear, Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz (Spain)

Crysalis: Teoria dell’evoluzione, Castelli Svevo di Bari, Bari (Italy)

(my private) Heroes, MARTa Herford Museum für zeitgenössische Kunst, Herford (Germany)

Corpus 05 Brügge Musea Brugge, Brügge, Musea Brugge, Bruges (Belgium)

Getting Emotional, Institute of Contemporary Art (ICA Boston) (Boston)

Africa Remix (III), Centre Georges Pompidou, Paris (France)

Een selectie, Kabinetten van de Vleeshal, Middelburg (The Netherlands)

Identità & Nomadismo / Identity & Nomadism, Palazzo delle Papesse, Centro Arte Contemporanea, Siena (Italy)

Loud & Clear & TOO (I), LUMU – Ludwig Museum – Museum of Contemporary Art, Budapest (Hungary)

The Experience of Art (Biennale of Venice), Venice (Italy)

Big Bang – Destruction and creation in 20th century art, Centre Georges Pompidou, Paris (France)

Munch Revisited: Edvard Munch and the Art of Today, Henie Onstad Kunstsenter, Høvikodden (Norway)

Les Grands Spectacles: 120 Jahre Kunst und Massenkultur, Museum der Moderne, Salzburg (Austria)

Nach Rokytnik: Die Sammlung der EVN, MUMOK – Museum moderner Kunst, Stiftung Ludwig, Vienna (Austria)

Slow Art – Stilleben, Portraits, Landschaften / Slow Art: Contemporary Art from the Netherlands and Flanders, Museum Kunst Palast, Dusseldorf (Germany)

Confronting Figures, Middlebury College Museum of Art, Middlebury (US)

Self Portrait: Renaissance to Contemporary (I), National Portrait Gallery, London (UK)

Loud & Clear & TOO, Museum Ludwig, Cologne (Germany)

Respect! Forms of Community: Contemporary Art from The Netherlands, Musée Dar Si Saïd, Palais el-Badi, Marrakesh (Marocco)

After Cezanne, MOCA (The Museum of Contemporary Art), Los Angeles (US)

2004

In Bed. Images from a Vital Stage, Toyota Municipal Museum of Art, Tokyo (Japan)

The Nude: Ideal and Reality / Il Nudo: Ideal und Wirklichkeit, Galleria d’Arte Moderna, Bologna (Italy)

94-04: Zehn Jahre Gesellschaft für moderne Kunst in Dresden, Galerie Neue Meister, Staatliche Kunstsammlungen, Dresden (Germany)

Arte termita contra elefante blanco: Comportamientos actuales del dibujo / Termite Art versus White Elephant, Museo Colecciones ICO, Madrid (Spain)

Secrets of the 90’s, Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (The Netherlands)

New Blood, Saatchi Gallery, London (UK)

L Á AAir du Temps, Migros Museum für Gegenwartskunst, Zurich (Switzerland)

Grasduinen I, SMAK-aan-zee, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Bredene (Belgium)

Africa Remix (I), Museum Kunst Palast, Dusseldorf (Germany)

Diaries and Dreams: Arbeiten auf Papier, Ursula Blickle Stiftung, Kraichtal-Unteröwisheim (Germany)

Non Toccare La Donna Bianca: La liberazione delle diversità/Don ́t Touch the White Woman, Fondazione Sandretto Re Rebaudengo, Turin (Italy)

Stedelijk Museum Amsterdam at Usce Museum of Contemporary Art, Stedelijk Museum at Usce Museum of Contemporary Art, Belgrade (Serbia)

Friedrich Christian Flick Collection in Hamburger Bahnhof, Hamburger Bahnhof, Berlin (Germany)

VERF I : 14 Nederlandse schilders, Stadsgalerij Heerlen, Heerlen (The Netherlands)

Nederland niet Nederland: Aankopen van Nederlandse kunst 1980-2004, Van Abbemuseum, Eindhoven (The Netherlands)

Het offer / An intimate I : droom en werkelijkheid, De Beyerd Museum, Breda (The Netherlands)

De wereld deugt, wijzelf helaas wat minder, De Appel, Amsterdam (The Netherlands)

Die Farben des Lebens. Hommage à Piero Siena, Museion, Bolzano (Italy)

Con vista al celestiale / Hin und Weiter: Marlene Dumas & Marijke van Warmerdam, Galleria Civica Montevergini, Syracuse (IT)

Con vista al celestiale / Hin und Weiter: Marlene Dumas & Marijke van Warmerdam, BAWAG Foundation, Vienna (AT)

2003

Over Wij / About We, Van Abbemuseum, Eindhoven (The Netherlands)

Loud & Clear (II), Stedelijk Museum Bureau/ Bifrons Foundation, Amsterdam (The Netherlands)

Der Akt in der Kunst des 20. Jahrhunderts / The Nude in Art of the 20th Century, Museum of Modern Art, Arken (Denmark)

In Search of The Perfect Lover (I), Staatliche Kunsthalle, Baden-Baden (Germany)

tot zo ver, Stedelijk Museum, Amsterdam (The Netherlands)

Le cabinet de Joachim Blüher, Frac Picardie, Amiens (France)

Dreams and Conflicts: The Dictatorship of the Viewer (Biennale of Venice), Venice (Italy)

Pittura/Painting: From Rauschenberg to Murakami, 1964-2003 (Biennale of Venice), Musei Civici Veneziani, Venice (Italy)

Gogh Modern: Vincent van Gogh en de hedendaagse kunst, Van Gogh Museum, Amsterdam (The Netherlands)

For the Record: Drawing Contemporary Life, Vancouver Art Gallery, Vancouver (Canada)

In Search of The Perfect Lover (II), Museum Dhondt-Dhaenens (MDD), Deurle (Belgium)

Happiness – A Survival Guide for Art and Life, Mori Art Museum, Tokyo (Japan)

Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco (US)

2002

10 Dutch Private Collections, De Beyerd Museum, Breda (The Netherlands)

Couleurs intimes, Espace culturel François Mitterrand, Beauvais (France)

De Grote Hoop: Nederlandse kunst 1960- 2001/From the Low Countries: Reality and Art, 1960-2001, Fries Museum, Leeuwarden (The Netherlands)

Amsterdam Revisited: Adam & Eve. On Sex, Tolerance and Other Dependencies, De Appel, Amsterdam (The Netherlands)

Passport to South Africa: Arte contemporanea sudafricana, Centro Trevi, Bolzano (Italy)

Gondolsz-e ma Fekete-Afrikára? (Schwarz/Weiss), Muscarnok, Budapest (Hungary)

De Grote Hoop: Nederlandse kunst 1960- 2001/From the Low Countries: Reality and Art, 1960-2001, Stedelijk Museum Schiedam, Schiedam (The Netherlands)

Liefde op het eerste gezicht, Noordbrabants Museum, Den Bosch (The Netherlands)

Babel 2002: Race-Face & Language-Dialogue, National Museum of Contemporary Art, Seoul (South Korea)

Refuge/Tilflukt, Henie Onstad Kunstsenter, Høvikodden (Norway)

Contemporary Art from the Netherlands, European Central Bank, Frankfurt (Germany)

234th Summer Exhibition, Royal Academy of Arts, London (UK)

On the waterfront: mode – beeldende kunst – vormgeving, Stedelijk Museum Schiedam, Schiedam (The Netherlands)

Loud & Clear, Baltic, The Centre for Contemporary Art, Gateshead (UK)

Maria Magdalena, Museum voor Schone Kunsten, Ghent (Belgium)

Apparition: The Action of Appearing, Kettle’s Yard, University of Cambridge, Cambridge (UK)

2001

Stop Press : beautiful productions, Whitechapel Art Gallery, London (UK)

The Beauty of Intimacy. Lens and Paper. (I), Gemeentemuseum Den Haag, The Hague (The Netherlands)

Painting at the Edge of the World, Walker Art Center, Minneapolis (US)

Head North: Views from the South African National Gallery Permanent Collection, BildMuseet – Umeå universitet, Umeå (Sweden)

Re-configuration (I), Yanghuang Museum, Beijing (China)

As Lost As Safe, Darmstädter Sezession, Darmstadt (Germany)

Re-configuration (II), Central Academy of Fine Arts Gallery, Beijing (China)

Important drawing acquisitions, 1983-2001: farewell exhibition for director Eric Ebbinge, Teylers Museum, Haarlem (The Netherlands)

De Artaud à Twombly, Centre Georges Pompidou, Paris (France)

Re-configuration (III), Modern Chinese Art Foundation, Ghent (Belgium)

The Beauty of Intimacy. Lens and Paper. (II), Staatliche Kunsthalle, Baden-Baden (Germany)

Aspects of South African Art, 1903-1999, Sandton Civic Gallery, Johannesburg (Republic of South Africa)

The Contemporary Face: From Pablo Picasso to Alex Katz, Deichtorhallen, Hamburg (Germany)

Szenenwechsel XX, Museum für Moderne Kunst (MMK), Frankfurt (Germany)

Fra de Hollandske Lavlande: Virkelighed og Kunst/From the Low Countries: Reality and Art 1960-2001 (I), Kunsthal Charlottenborg Udstillingsbygning, Copenhagen (Denmark)

The Beauty of the Evil / De Schoonheid van het Kwaad, De Zonnehof, Centrum voor Moderne Kunst, Amersfoort (The Netherlands)

MUHKA te Gast: De Keuze van Florent Bex, De Beyerd Museum, Breda (The Netherlands)

Inmensidad intima: Una selección de obras del Museo de Arte Contemporáneo de Gante, Museo Tamayo, Mexico City (Mexico)

2000

Dutch Glory, Kabinet Overholland in the Stedelijk Museum, Amsterdam (The Netherlands)

Kinder des 20. Jahrhunderts (I), Von der Heydt Museum, Wuppertal (Germany)

Poésie, Love, Sneeuwwitje, Pfft: Twee decennia aanwinsten samengesteld door Liesbeth Brandt Corstius, Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (The Netherlands)

Le temps, vite (I), Centre Georges Pompidou, Paris (France)

Regarding Beauty: A View of the Late Twentieth Century (Beauty now), Haus der Kunst, Munich (Germany)

Die verletzte Diva: Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts, Galerie im Taxispalais, Innsbruck (Austria)

Die verletzte Diva: Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts, Galerie im Lenbachhaus und Kunstbau, Kunstverein, and Rotunde Siemens Kulturprogramm, Munich (Germany)

L’ombra della ragione / Le Sommeil, ou quand la raison s’absente (II), Galleria d’Arte Moderna, Bologna (Italy)

12th Biennale of Sydney 2000, Sydney (Australia)

90 60 90 El síndrome de la Miss, Museo Jacobo Borges, Caracas (Venezuela)

Exorcism / Aesthetic Terrorism: Fiery temperaments in contemporary art / Licht ontvlambare temperamenten in de hedendaagse kunst, Museum Boijmans Van Beuningen, Rotterdam (The Netherlands)

See, hear, shiver!, Museum Boijmans Van Beuningen, Rotterdam (The Netherlands)

Mixing Memory and Desire / Wunsch und Erinnerungen, Kunstmuseum Luzern, Lucerne (Switzerland)

Die verletzte Diva: Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts (III), Staatliche Kunsthalle, Baden-Baden (Germany)

Apothéose, mort et résurrection du nu, Fondation Maeght, Saint-Paul (France)

Das Gedächtnis Der Malerei, Aargauer Kunsthaus, Aurau (Switzerland)

3th Shanghai Biennale 2000, Shanghai (China)

Le temps, vite (III), Centre de Création Contemporaine, Barcelona (Spain)

De Voorstelling: Nederlandse Kunst in het Stedelijk Paleis, Stedelijk Museum, Amsterdam (The Netherland)

Het Oorkussen van de Melancholie, Museum voor Schone Kunsten, Ghent (Belgium)

Shanghai Biennial, Shanghai Art Museum, Shanghai (China)

Europa: Differenti prospettive nella pittura, MuMi, Museo Michetti, Chieti (Italy=

Strippinggirls, Theatermuseum Amsterdam, Amsterdam (The Netherland)

Strippinggirls, Stedelijk Museum voor Actuele Kunst Gent (S.M.A.K.), Ghent (Belgium)

Strippinggirls, Institut Néerlandais, Paris (France)

1999

Physical Evidence, Kettle’s Yard, University of Cambridge, Cambridge (UK)

Spaced Out: late 1990s works from the Vicki and Kent Logan collection, Oliver Art Center of Californian College of Arts and Crafts (CCAC), San Francisco (US)

Aperture 3, Fondazione Teseco per l’Arte, Pisa (Italy)

Examining Pictures: Exhibiting Painting (I), Whitechapel Art Gallery, London (UK)

Trouble Spot: Painting, Nieuw Internationaal Cultureel Centrum and Museum van Hedendaagse Kunst, Antwerp (Belgium)

Presence: Figurative Art at the End of the Century, Tate Gallery Liverpool, Liverpool (UK)

Examining Pictures: Exhibiting Painting (II), Museum of Contemporary Art Chicago, Chicago (US)

Macro-Micro: Contemporary Painters Negotiate Small Truths, The Jack S. Blanton Museum of Art – University of Texas, Austin (US)

La realidad i e el desig / Reality and Desire, Fundació Joan Miró, Barcelona (Spain)

Regarding Beauty: A View of the Late Twentieth Century (Beauty now), Hirshorn Museum and Sculpture Garden, Washington D.C. (US)

Drawing Thinking, Royal Hibernian Academy, Gallagher Gallery, Dublin (Ireland)

Figuration (II), Rupertinum, Salzburger Landessammlungen für moderne und zeitgenössische Kunst, Salzburg (Austria)

Le Sommeil, ou quand la raison s’absente (I), Musée cantonal des Beaux-Arts, Lausanne (Switzerland)

Figuration (III), Museion, Bolzano (Italy)

Presumés Innocents: L’art contemporain et l’enfance, CAPC Musée d’art contemporain, Bordeaux (France)

1998

Desde el cuerpo: Alegorias de lo femenino, Museo Bellas Artes, Caracas (Venezuela)

Een wereld van verschil (HMA en MMKA): Kunstenaressen uit de Collectie van de Gemeentemusea Rond 1900 en Rond 1995–98, t.g.v. de Herdenking van de Nationale Vrouwententoonstelling in 1898, Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (The Netherlands)

Highlights aus dem Haags Gemeentemuseum, Staatliche Kunsthalle, Baden-Baden (Germany)

Re-opened Moderna Museet and ‘Arkipelag’, Stockholm (Sweden)

Wounds: Between Democracy and Redemption in Contemporary Art, Moderna Museet, Stockholm (Sweden)

Eight People from Europe, Inaugural exhibition, Museum of Modern Art, Gunma (Japan)

Toile: Body (re)presentations, Museum Boijmans Van Beuningen, Rotterdam (The Netherlands)

S.M.A.K. in Watou: Voor het verdwijnt en daarna, Watou in co-operation met Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent (Belgium)

Kunst der 80er und 90er Jahre, Kunsthalle Holderbank, Holderbank (Switzerland)

Ideal und Wirklichkeit/Ideal and Reality: The Image of the Body in 20th Century Art from Bonnard to Warhol, Works on Paper, Rupertinum, Salzburger Landessammlungen für moderne und zeitgenössische Kunst, Salzburg (Austria)

Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen, Kunsthalle Zurich, Zurich (Switzerland)

Extensions: Aspects of the Figure, The Joseloff Gallery – University of Hartford, West Hardford (US)

Damenwahl / Dangerous Women & Defeated Men, Kasseler Kunstverein, Kassel (Germany)

1997

Anima e corpo, Museo del Risorgimento, Rome (Italy) Art of the 20th Century: Flemish and Dutch Painting from Van Gogh, Ensor, Magritte, Mondrian to Contemporary Artists, Palazzo Grassi, Venice (Italy)

Auf dem Strich: Arbeiten zum Thema Prostitution (I-VI), Kulturviertel im Sophienhof, Kiel (Germany)

Auf dem Strich: Arbeiten zum Thema Prostitution (I-VI), Schleswig-Holstein-Haus, Kulturforum der Landeshauptstadt Schwerin, Schwerin (Germany)

Auf dem Strich: Arbeiten zum Thema Prostitution (I-VI), Landdrostei, Pinneberg Germany)

Auf dem Strich: Arbeiten zum Thema Prostitution (I-VI), Galerie am Alten Markt, Rostock Germany)

Auf dem Strich: Arbeiten zum Thema Prostitution (I-VI), Schabbelhaus, Stadtgeschichtliches Museum, Wismar Germany)

Auf dem Strich: Arbeiten zum Thema Prostitution (I-VI), Burgkloster zu Lübeck, Lübeck Germany)

Image and Form: Prints, Drawings, and Sculpture from Southern Africa and Nigeria, Brunei Gallery – School of Oriental and African Studies -University of London, London (UK)

Augenzeugen: Die Sammlung Hanck, Papierarbeiten der 80er and 90er Jahre, Kunstmuseum Düsseldorf im Ehrenhof, Düsseldorf (Germany)

De Bruiloftsreportage, Centraal Museum, Utrecht (The Netherlands)

Biennale of Venice, Palazzo Grassi, Venice (Italy)

Luoghi: Alla ricera del territorio, Galleria d’Arte Moderna e Contemporanea, San Marino (San Marino)

Von Kopf bis Fuß: Fragmente des Körpers (I), Ursula Blickle Stiftung, Kraichtal-Unteröwisheim (Germany)

Von Kopf bis Fuß. Fragmente des Körpers (II), Kunstraum Innsbruck, Innsbruck (Austria)

Floating Images of Women in Art History: From the Birth of the Feminism toward the Dissolution of the Gender, Tochigi Prefectural Museum of Fine Arts, Utsunomiya (Japan)

Image and Form: Prints, Drawings, and Sculpture from Southern Africa and Nigeria (II), Edinburgh College of Art – Heriot-Watt University, Edinburgh (UK)

A Decade of Collecting: Recent Acquisitions in Contemporary Drawings, Museum of Modern Art (MOMA), New York City (US)

Collectie te gast in Schwerte, Stedelijk Museum voor Actuele Kunst Gent (S.M.A.K.), Ghent (Belgium)

Affinités électives: peintures européenne en dialogue, Casino Luxembourg, Luxemburg (Luxemburg)

1996

Collectie Bouwfonds Nederlandse Gemeenten, Museum Boijmans Van Beuningen, Rotterdam (The Netherlands)

Ver na Vermeer, Nederlandse en Vlaamse schilderkunst, De Beyerd Museum, Breda (The Netherlands)

Distemper: Dissonant Themes in the Art of the 1990’s, Hirshorn Museum and Sculpture Garden, Washington D.C. (US)

Paar mal Paar, Helmhaus, Zurich (Switzerland)

Avant-première d’un musée: Le Musée d’Art Contemporain de Gand, Institut Néerlandais, Paris (France)

1995

Art as Thought, Art as Energy: The Sixth International Drawing Triennale, Galeria Awangarda, Wroclaw (Poland)

ARS 95, Museum of Contemporary Art, Finnish National Gallery, Nykytaiteen Museo, Helsinki (Finland)

Africus. First Biennale of Contemporary Art, Johannesburg (Republic of South Africa)

Identita et Alterita: Figures of the Body 1895-1995 (Biennale of Venice), Palazzo Grassi, Venice (Italy)

Fémininmasculin: le sexe de l’art, Centre Georges Pompidou, Paris (France)

Stromingen langs de Rijn: 75 jaar Gemeentemuseum Arnhem, Museum voor Moderne Kunst Arnhem (MMKA), Arnhem (The Netherlands)

Marlene Dumas, Maria Roosen, Marijke van Warmerdam, XLVI Biennale di Venezia, Dutch Pavilion, Venice (Italy)

Ripple across the water, Watari Museum of Contemporary Art, Tokyo (Japan)

Carnegie International, The Carnegie Museum of Art, Pittsburg (US)

The Particularity of Being Human: Marlene Dumas – Francis Bacon, Malmö Konsthall, Malmö (Sweden)

The Particularity of Being Human: Marlene Dumas – Francis Bacon, Castello di Rivoli, Rivoli (Italy)

1994

Contemporary Watercolors: Europe and America, University of North Texas Art Gallery, Denton (US)

Art des Pays Bas au XXème Siecle: Du concept à l’image: Akkerman, Birza, Brouwn, Dibbets, Daniëls, Dumas, Van Elk, Kemps, Manders en Vanderheyden, Musée d’Art Moderne de la Ville de Paris, Paris (France)

Morild: Bioluminescence. Doris Bloom and Guest Artists / Morild, Doris Bloom med gaestekunstnere, Gammel Holtegaard-Breda Foundation, Holte (Denmark)

Spuren von Ausstellungen der Kunsthalle in Sammlungen zeitgenössischer Kunst, Kunsthalle Bern, Bern (Switzerland)

Tekenend: Tekeningen van Nederlandse kunstenaars uit de Collectie Becht, Van Reekum Museum, Apeldoorn (The Netherlands)

Dialogue with the Other (I), Kunsthallen Brandts Klaedefabrik, Odense (Denmark)

Lust voor het oog: en keuze uit 30 jaar verbeelding van seksualiteit, Stichting Amazone, Amsterdam (The Netherlands)

Dialogue with the Other (II), Konstmuseum, Norrköping (Sweden)

Miriam Cahn, Marlene Dumas, Kiki Smith, Sue Williams: dessins, Centre d’Art Contemporain, Geneva (Switzerland) De Eeuw van Mondriaan: Nederlandse kunst van de 20ste eeuw, Museum Paleis Lange Voorhout, The Hague (The Netherlands)

Het nieuwste Vlaamse kunstpatrimonium. Kunstwerken in 1992 en 1993 verworven door de Vlaamse Gemeenschap in MUHKA, Museum van Hedendaagse Kunst (Muhka), Antwerp (Belgium)

4 x 1 im Albertinum with Gunther Fruhtrunk, Louise Lawler, Marcel Odenbach, Albertinum, Gemäldegalerie Neue Meister, Staatliche Kunstsammlungen, Dresden (Germany)

Cocido y Crudo, Museo Nacional Centro de Arte Reina Sofia, Madrid (Spain)

l’Orizzonte, Da Chagall a Picasso, da Pollock a Cragg, Capolavori dello Stedelijk Museum di Amsterdam, Castello di Rivoli, Rivoli (Italy)

L’ottobre degli Olandesi, Galerie Luce Monacchese/Galeria del Cortile, Rome (Italy)

Du concept a l’image, Musée d’Art Moderne de la Ville de Paris, Paris (France)

1993

The 21st century: into the future with Paracelsus / Das 21. Jahrhundert: Mit Paracelsus in die Zukunft, Kunsthalle Basel, Basel (Switzerland)

Der Zerbrochene Spiegel, Positionen zur Malerei (The Broken Mirror), MuseumQuartier and Kunsthalle, Vienna (Austria)

They Call it Love, Künstlerhaus Bethanien, Berlin (Germany)

Gegenbilder, Lambertkirche, Münster (Germany)

Zeichnung: Cahn, Dumas, Hentricks, Zimmerman, Verein Kunsthalle, Sankt Gallen (Switzerland)

Der Zerbrochene Spiegel, Positionen zur Malerei (The Broken Mirror), Deichtorhallen, Hamburg (Germany)

Gent te Gast: De keuze van Jan Hoet, De Beyerd in co-operation with Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Breda (The Netherlands)

Über-Leben (Survive), Kunstverein, Bonn (Germany)

Alla va eso, Produzentengalerie, Hamburg (Germany)

1992

Zeichnungen: Louise Bourgeois, Marlene Dumas, Luc Tuymans …, Galerie Isabella Kacprzak, Cologne (Germany)

Ars Pro Domo, Zeitgenössische Kunst aus Kölner Privatbesitz, Museum Ludwig, Cologne (Germany)

Drawn in the Nineties (I-III), Katonah Museum of Art, Katonah (US)

Drawn in the Nineties (I-III), Illingworth Kerr Gallery – Alberta College of Art, Calgary (Canada)

Drawn in the Nineties (I-III), Huntsville Museum of Art, Huntsville (US)

Documenta 9, Kassel (Germany)

Art for ASAP: Kunstmanifestatie voor AIDS-preventie, Beurs van Berlage, Amsterdam (The Netherlands)

Brain/Internal Affairs, Beatrixziekenhuis, Gorichem (The Netherlands)

Des dessins pour les élèves du Centre des Deux Thielles (1), Centre scolaire et sportif des Deux Thielles, La Landeron (Switzerland)

De Opening, De Pont, Tilburg, Netherlands

Des dessins pour les élèves du Centre des Deux Thielles (2), Museum für Gegenwartskunst, Basel (Switzerland)

1991

De dialoog 2: Maria Neefjes en haar keuze, Haagse Kunstkring, The Hague (The Netherlands)

Nachtregels/Nightlines, Centraal Museum (and throughout the city), Utrecht (The Netherlands)

Inscapes, De Appel, Amsterdam (The Netherlands)

The Interrupted Life, The New Museum of Contemporary Art, New York City (US)

Individu, Duiding, verboden verbindingen + twijfelachtige verbanden, KMSK/ICC (Internationaal Cultureeel Centrum), Antwerp (Belgium)

Voor Libuse, 22 jaar verzamelen, Centraal Museum, Utrecht (The Netherlands)

1990

Stichting Plint: 10 jaar poëzieposters, Van Abbemuseum, Eindhoven (The Netherlands)

Zelfportretten / Selfportraits, Galerie Tanya Rumpff, Haarlem (The Netherland)

Blau. Farbe der Ferne, Heidelberger Kunstverein, Heidelberg (Germany)

Bevrijdingen, hedendaagse kunst en historische documenten, Joods Historisch Museum, Amsterdam (The Netherlands)

1989

IS in de HAL, Kunsthal, Rotterdam (The Netherlands)

6 Dutch Artists, The Fruitmarket Gallery, Edinburgh (UK)

Beeld. Tekens van Verzet, Museum Fodor, Amsterdam (The Netherlands)

Prospect ’89. Eine Internationale Ausstellung Aktueller Kunst, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt (Germany)

Hommage aan Pasolini, Gemeentemuseum Arnhem, Arnhem (The Netherlands)

Bildersteit, Widerspruch, Einheit und Fragment in der Kunst seit 1960, Rheinhallen der Kölnermesse in co-operation with Museum Ludwig, Cologne (Germany)

De automatische verbeelding (II), Stedelijk Museum De Lakenhal, Leiden (The Netherlands)

De automatische verbeelding (III), Fries Museum, Leeuwarden (The Netherlands)

30 Anni di Disegni, Instituto Universitario Olandese di Storia dell’Arte, Florence (Italy)

Marlene Dumas, Guillaume Bijl en Fortuyn/O’Brien, Museum Fodor, Amsterdam (The Netherlands)

De Amro Bank Collectie: Een Keuze, Stedelijk Museum, Amsterdam (The Netherlands)

Therèse Schwarze, Slot Zeist, Zeist (The Netherlands)

1988

Marlene Dumas/Emo Verkerk, Haags Centrum voor Actuele Kunst, The Hague (The Netherlands)

Bluebeard Stills, Shaffy Theater, Amsterdam (The Netherlands)

1987

The Meaning of Drawing, Drawings by ten Dutch artists, Stätische Galerie, Nordhorn (Germany)

The Meaning of Drawing, Drawings by ten Dutch artists, Institut Néerlandais, Paris (France)

The Meaning of Drawing, Drawings by ten Dutch artists, Holbein Haus, Augsburg (Germany)

The Meaning of Drawing, Drawings by ten Dutch artists, Kunstverein, Mannheim (Germany)

The Meaning of Drawing, Drawings by ten Dutch artists, Kunstverein, Salzburg (Austria)

The Meaning of Drawing, Drawings by ten Dutch artists, Graphische Sammlung Albertina, Vienna (Austria)

The Meaning of Drawing, Drawings by ten Dutch artists, Saarland Museum, Saarbrücken (Germany)

The Meaning of Drawing, Drawings by ten Dutch artists, ULUV Institut, Prague (Tsjechoslowakia)

The Meaning of Drawing, Drawings by ten Dutch artists, Forum Gallery Niksic, Montenegro (Yugoslavia)

The Meaning of Drawing, Drawings by ten Dutch artists, Moderne Galerija, Ljubljana (Yugoslavia)

The Meaning of Drawing, Drawings by ten Dutch artists, Moderne Galerija, Rijeka (Yugoslavia)

The Meaning of Drawing, Drawings by ten Dutch artists, Galerii Studio, Warsaw (Poland)

The Meaning of Drawing, Drawings by ten Dutch artists, Kunsthallen Brandts Klaedefabrik, Odense (Denmark)

Innovation und Tradition: Niederländische Kunst der achtziger Jahre (Erlangen), Städtische Galerie Erlangen, Erlangen (Germany)

Vernieuwing en traditie: Nederlandse kunst van de jaren tachtig (Utrecht), Centraal Museum, Utrecht (The Netherlands)

Hollands landschap / Le Paysage Hollandais (I), Museum Overholland, Amsterdam (The Netherlands)

Century 87: Today’s Art Face to Face with Amsterdam’s Past. Century 87: Kunst van nu ontmoet Amsterdams verleden, Schuttersgalerij – Amsterdams Historisch Museum, Amsterdam (The Netherlands)

A Priori Tekenen, Stichting Makkom, Amsterdam (The Netherlands)

Hollands landschap / Le Paysage Hollandais (II), Grand Palais, Paris (France)

Nachtvuur/Nightfire, De Appel, Amsterdam (The Netherlands)br>
Art from Europe, Tate Gallery, London UK)

1986

The Dutch Contribution to the 1985 Sao Paulo Biennale, Stedelijk Museum, Amsterdam (The Netherlands)

6 plasticiens contemporains des Pays-Bas, Musée d’Art Moderne Villeneuve-d’Ascq, Villeneuve-d’Ascq (France)

Zeven kunstenaars, Galerie Academisch Ziekenhuis (LUMC), Leiden (The Netherlands)

Amsterdamse notities: werken op papier / Amsterdam notes: works on paper, Museum Fodor, Amsterdam (The Netherlands)

Innovation und Tradition: Niederländische Kunst der achtziger Jahre (Karlsruhe), Badischer Kunstverein, Karlsruhe (Germany)

Innovation and Tradition: Dutch Art of the Eighties (Hungary), Ernst Museum, Budapest (Hungary)

1985

Wat Amsterdam betreft (As far as Amsterdam goes), Stedelijk Museum, Amsterdam (The Netherlands)

Vijftien kunstenaars (Jonge kunst), Van Abbemuseum, Eindhoven (The Netherlands)

Aspecten van Nederlandse Tekenkunst, 1945-1985 / Dutch drawings / Nederlandse tekeningen (I), Stedelijk Museum De Lakenhal, Leiden (The Netherlands)

Aspecten van Nederlandse Tekenkunst, 1945-1985 / Dutch drawings / Nederlandse tekeningen (II), Allen Memorial Art Museum – Oberlin College, Oberlin (US)

Het Avondmaal, Grote of Jacobijnenkerk, Leeuwarden (The Netherland)

Kunst tegen apartheid (Art Against Apartheid), De Nieuwe Kerk, Amsterdam (The Netherlands)

Original d’Amsterdam: Exhibition of Contemporary Art from Holland / Original d’Amsterdam: Exposició d’art contemporani holandès, Centre Cultural de la Fundació Caixa de Pensiones, Palau Macaya, Barcelona (Spain)

Rijksaankopen 1984, Logement van de Heren van Amsterdam, The Hague (The Netherlands)

Holanda 18A Bienal de Sao Paulo, São Paulo (Brazil)

René Daniëls, Marlene Dumas, Henk Visch, Barbara Jandrig Galerie, Krefeld (Germany)

1984

Het Persoonlijke = Politiek (II), Gemeentemuseum Arnhem, Arnhem (The Netherlands)

1984, Göteborgs Konstmuseum, Gothenburg (Sweden)

5th Biennale of Sydney: Private Symbol: Social Metaphor, Art Gallery of New South Wales, Sydney (Australia)

1984 im toten Winkel, Kunstverein und Kunsthaus, Hamburg (Germany)

Paravents (I), Schloss Lörsfeld, Kerpen (Germany)

Amsterdam koopt kunst, 1983, Museum Fodor, Amsterdam (The Netherland)

Vindsulor. Painting, Sculpture and Video in Holland, Konsthall Göteborg, Gothenburg (Sweden)

1983

De Goddelijke Komedie / La Divina Comedia (I), Galerie ’t Venster, Rotterdam (The Netherlands)

De Goddelijke Komedie / La Divina Comedia (II), Bonnefantenmuseum, Maastricht (The Netherlands)

Het Persoonlijke = Politiek (I), Nederlandse Kunst Stichting, Amsterdam (The Netherlands)

Veertien kunstenaars uit Nederland, een keuze van Albert Waalkens (Fourteen Artists from The Netherlands, a selection from Albert Waalkens), Museum Boijmans Van Beuningen, Rotterdam (The Netherlands)

Rest risiko, Bonnefantenmuseum, Maastricht (The Netherlands)

Amsterdam 1983 in Berlin / Berlin 1983 in Amsterdam, 14 Niederländische Künstler zeigen eigene Werke / 14 Deutsche Künstler zeigen eigene Werke (I or II), Aorta, Amsterdam (The Netherlands)

Amsterdam 1983 in Berlin / Berlin 1983 in Amsterdam, 14 Niederländische Künstler zeigen eigene Werke / 14 Deutsche Künstler zeigen eigene Werke (I or II), Kunstambt Kreuzberg, Berlin (Germany)

On both sides of the meridian / Ter weerszijden van de Meridiaan (Over the Meridian) (I of II), The Living Art Museum, Reykjavik (Iceland)

On both sides of the meridian / Ter weerszijden van de Meridiaan (Over the Meridian) (I of II), Museum Fodor, Amsterdam (The Netherlands)

1982

Amsterdam 60/80: Twintig jaar beeldende kunst, Buitenlanders in Amsterdam, Stedelijk Museum/Museum Fodor, Amsterdam (The Netherlands)

Zeichnung Heute, 2. Inernationale Jugendbiennale + Meister der Zeichnung, Rückblick, Kunsthalle in der Norishalle, Nürnberg (Germany)

Junge Kunst aus den Niederlanden = Young art from the Netherlands : Form und/and Expression, Sonderschau Kunstmesse, Basel (Switzerland)

Documenta 7, Kassel (Germany)

Jonge kunst uit Nederland (Junge Kunst aus den Niederlanden, Form und Expression) (II), Gemeentemuseum Den Haag, The Hague (The Netherlands)

Zeichnung Heute, 2. International Jugendtriennale der Zeichnung (II), Musée Cantonal des Beaux-Arts, Lausanne (Switzerland)

1981

Lis ’81, Galeria Nacional de Arte Moderna, Lisbon (Portugal)

The Second International Drawing Triennale, Muzeum Architektury/Muzeum Historyczne, Wroclaw (Poland)

Work by Marlene Dumas and Reinoud Oudshoorn, Felison Beeckestein, Velsen (The Netherlands)

1980

The Critic Sees (een keuze van Paul Groot), Museum Fodor, Amsterdam (The Netherland)

Ateliers ’63, een keuze uit het werk van deelnemers 1975-1980) (I), Bonnefantenmuseum, Maastricht (The Netherlands)

Ateliers ’63, een keuze uit het werk van deelnemers 1975-1980) (II), Museum Fodor, Amsterdam (The Netherlands)

1978

Group exhibition, Ateliers ’63, Haarlem (The Netherlands)

Atelier 15: 10 young artists: Ansuya Blom, Dineke Blom, Mari Boeyen, Rinus van den Bosch, René Daniëls, Marlene Dumas, David Groot, Wim Izaks, Andrew Lord, Geertjan van Oostende, Stedelijk Museum, Amsterdam (The Netherlands)

1977

Marlene Dumas, Elisabeth de Vaal, Edelambachtshuis, Gouda, The Netherlands